Straight No Chaser to Return to Overture This September

By: Jun. 12, 2017
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NiteLite Promotions and Overture Center announce a cappella favorites Straight No Chaser will appear at Overture Center for one night only Thursday, September 28. Tickets go on sale Thursday, June 15 at 11:00 a.m. (Central Time) at overture.org, by phone at 608.258.4141, or at Overture's ticket office (201 State Street).

If the phrase "male a cappella group" conjures up an image of students in blue blazers, ties, and khakis singing traditional college songs on ivied campuses... think again. Straight No Chaser (SNC) are neither strait-laced nor straight-faced, but neither are they vaudeville-style kitsch. They have emerged as a phenomenon with a massive fan base, numerous national TV appearances and proven success with CD releases. Straight No Chaser is the real deal, the captivating sound of nine unadulterated human voices coming together to make extraordinary music that is moving people in a fundamental sense... and with a sense of humor. On the road, Straight No Chaser has built a reputation as an unforgettable live act.

Straight No Chaser's new EP "SIX PACK: VOLUME 3" arrives on Friday, July 21st and is available now for pre-order via the official Straight No Chaser store. All pre-orders will be accompanied by an instant download of the EP's stellar rendition of Jon Bellion's "All Time Low." "SIX PACK: VOLUME 3" sees the world famous a cappella group cracking open a number of contemporary pop hits and rock classics, highlighted by "Sweet Dreams/HandClap" - their one-of-a-kind mash-up of Eurythmics' "Sweet Dreams (Are Made Of This)" and Fitz and the Tantrums' "HandClap" - as well their show-stopping "Beyoncé Medley."

OVERTURE CENTER FOR THE ARTS in Madison, Wisconsin, features seven state-of-the-art performance spaces and five galleries where national and international touring artists, ten resident companies and hundreds of local artists engage people in nearly 700,000 educational and artistic experiences each year. Visit Overture.org.

 

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