Park Avenue Armory and International Contemporary Ensemble Host Pauline Oliveros Tribute

By: Jan. 26, 2017
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The International Contemporary Ensemble (ICE) and the Park Avenue Armory host an open commemoration of the life and work of Pauline Oliveros on Monday, February 6 from 4:00 p.m. to 9:30 p.m. ICE and the Armory are partnering to welcome the vast network of Oliveros' students, collaborators, and friends into an open set of performances, meditations, storytelling, and Deep Listening. Spaces dedicated to historical audio recordings, film and documentary clips, participatory listening sessions, and cutting edge electro-acoustic performances are open to the public as a free offering of new experiences.

Composer Pauline Oliveros touched countless artistic lives as a tireless advocate for making and listening to new sounds. As a pioneer of electronic music and inventor of transformative listening methods, Oliveros changed the way music is made and conceived for several generations of musicians.

For those inspired by Oliveros or who are curious to learn more about her beautiful life and work, the day provides an opportunity to learn, reflect, and listen in the spaces where Oliveros held several Deep Listening sessions during her April 2016 residence as part of the Armory's Artists Studio series in the newly restored Veterans Room. Contributors include Claire Chase and the International Contemporary Ensemble, Either/OR, the New York Public Library for the Performing Arts, Deep Listening Certificate Holders and members of the Center for Deep Listening at Rensselaer, Anagram Ensemble, Ione, and many of Oliveros' longest collaborators.

The events are free and open to the public. Reservations for the evening concert can be made through the Park Avenue Armory Box Office and website.

Event Information

Monday, February 6, 2017
4pm - 8pm Installations, Meditations, Stories, and Performances
8pm Evening Concert

THOMPSON ARTS CENTER AT PARK AVENUE ARMORY
643 PARK AVENUE AT 67TH STREET
NEW YORK, NY 10065

Ross Karre, curatorial coordinator and producing manager
International Contemporary Ensemble, lead ensemble and co-host
Park Avenue Armory, co-host
Ione, Trustee of the Pauline Oliveros Trust, performer, curator
New York Public Library, artifacts and recordings from the Oliveros Collection
Center for Deep Listening, curatorial and coordinating partner

Performers, Organizers, and Contributors include:
Anagram Ensemble
Frédéric Acquaviva
David Arner
China Blue
Anne Bourne
Jonas Braasch
Mike Bullock
Claire Chase
Maria Chavez
Phyllis Chen
Seth Cluett
Vivienne Corringham
Nick DeMaison
Renko Ishida Dempster
Stuart Dempster
Phil Edelstein
Either/Or Ensemble
Björn Eriksson
Fast Forward
David Felton
Adele Fournet
Joshua Fried
Gisela Gamper
Heloise Gold
Tomie Hahn
Paul Hembree
Brenda Hutchinson
Susie Ibarra
Galen Joseph-Hunter
Paula Josa-Jones
Zach Layton
Evan Leslie
Norman Lowrey
Miya Masaoka
Lindsay McKenzie
Joe McPhee
Carman Moore
Linda Mary Montano
Michelle Nagai
Kristin Norderval
Tina Pearson
Leila Ramagopal Pertl
David Rothenberg
Margaret Schedel
Michelle Temple
Sarah Weaver
John Wieczorek

Free reservations can be made at armoryonpark.org/oliveros

About the International Contemporary Ensemble (ICE)
The International Contemporary Ensemble (ICE) is an artist collective committed to transforming the way music is created and experienced. As performer, curator, and educator, ICE explores how new music intersects with communities across the world. The ensemble's 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time. Works by emerging composers have anchored ICE's programming since its founding in 2001, and the group's recordings and digital platforms highlight the many voices that weave music's present.

A recipient of the American Music Center's Trailblazer Award and the Chamber Music America/ASCAP Award for Adventurous Programming, ICE was also named the 2014 Musical America Ensemble of the Year. The group currently serves as artists-in-residence at Lincoln Center for the Performing Arts' Mostly Mozart Festival, and previously led a five-year residency at the Museum of Contemporary Art Chicago. ICE has been featured at the Ojai Music Festival since 2015, and has appeared at festivals abroad such as Acht Brücken Cologne and Musica nova Helsinki. Other recent performance stages include the Park Avenue Armory, The Stone, ice floes at Greenland's Diskotek Sessions, and boats on the Amazon River.

New initiatives include OpenICE, made possible with lead funding from The Andrew W. Mellon Foundation, which offers free concerts and related programming wherever ICE performs, and enables a working process with composers to unfold in public settings. DigitICE catalogues the ensemble's performances in a free online streaming video library. ICE's First Page program is a commissioning consortium that fosters close collaborations between performers, composers, and listeners as new music is developed. EntICE, a side-by-side youth program, places ICE musicians within youth orchestras as they premiere new commissioned works together. Inaugural EntICE partners include Youth Orchestra Los Angeles and The People's Music School in Chicago. Yamaha Artist Services New York is the exclusive piano provider for ICE. Read more at iceorg.org.

About the Park Avenue Armory
Part palace, part industrial shed, Park Avenue Armory fills a critical void in the cultural ecology of New York by enabling artists to create, students to explore, and audiences to experience, unconventional work that cannot be mounted in traditional performance halls and museums. With its soaring 55,000-square-foot Wade Thompson Drill Hall-reminiscent of 19th-century European train stations-and an array of exuberant period rooms, the Armory offers a platform for creativity across all art forms. Together, these and other spaces within the historic building utilized for arts programming comprise the Thompson Arts Center, named in recognition of the Thompson family's ongoing support of the institution.

Since its first production in September 2007, the Armory has organized and commissioned immersive performances, installations, and cross-disciplinary collaborations in its vast drill hall that defy traditional categorization and challenge artists to push the boundaries of their practice. In its historic period rooms, the Armory presents small-scale performances and programs, including its acclaimed Recital Series, which showcases musical talent from across the globe within the intimate salon setting of the Board of Officers Room; and the new Artists Studio series in the newly restored Veterans Room, which features innovative artists and artistic pairings that harken back to the imaginative collaboration and improvisation of the original group of designers who conceived the space. The Armory also offers robust arts education programs at no cost to underserved New York City public school students, engaging them with the institution's artistic programming and the building's history and architecture.

Programmatic highlights from the Armory's first 10 years include Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved "through the music"; the event of a thread, a site-specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; a profound and radically inclusive staging of Bach's St. Matthew Passion staged by Peter Sellars and performed by Sir Simon Rattle and the Berliner Philharmoniker; and Louis Andriessen's De Materie in a highly imaginative staging by director Heiner Goebbels that included floating zeppelins and a flock of 100 sheep.

Concurrent with its artistic program, the Armory has undertaken an ongoing $210-million revitalization of its historic building, designed by architects Herzog & de Meuron. armoryonpark.org.



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