He's nervous, inexperienced, and stranded after a graduation booking mistake. She's confident, guarded, and no stranger to taking risks. When the two match online, they agree to meet for one simple reason: distraction. Neither expects the night to last very long.What begins as...
Peter Marinker brings his own past and his own present to a man living in both timeframes…
Natalya Petrovna has it all: a devoted husband, a gentle life, and she has enough wealth not to care about any of it. In spite of her long list of admirers and a silver tongue to go with it, she’s bored. Everything changes when she hires Aleksey as her son’s tutor. Ennui, the potential of a youn…
Jewers returns to Samuel Pepys as a subject of fiction following his debut novel, The Lost Diary of Samuel Pepys (2022). At the start of Seething Lane, Pepys is again looking for signs of corruption in and outside of the Court, but when violent death raises its head, he realises it is folly to t…
What did our critic think of PRESENT LAUGHTER, THEATRE ROYAL BATH at Theatre Royal Bath?…
Directed and adapted by Benedict Andrews, this new play is based on both Sophocles' story of Electra from Greek mythology and Ingmar Bergman's celebrated 1966 film Persona – exemplifying The National Theatre's commitment to re-examining classic stories in new forms. Creating a charged dialogue tha…
In Ingmar Bergman’s 1966 Modernist classic Persona, an actress named Elisabeth breaks down mid-performance, becomes mute, and goes on to develop a strange codependent relationship with her nurse, Alma. Much ink has been spilled over the film and its varied psychological readings, but Australian wr…
Alan Menken is an incredibly well renowned composer whose music has the power to transport an audience back to childhood effortlessly. From the moment the first notes of Beauty and the Beast’s ‘Be Our Guest’ encompassed the Royal Albert Hall, it was clear that the evening was going to be a joy…
What should have been a provocative journey into the ethics of AI becomes a shallow rumination on selfishness. As the work has been translated from Korean, we could suggest a margin for error when it comes to semantics and musicality. This, however, doesn’t excuse the shortfalls of the material. T…
The beauty of the BBC Proms is that you don’t always know what you’re going to get - and sometimes the most unlikely event can become one of your absolute favourites. This was the situation in which I found myself at the Royal Albert Hall last night when Altın Gün took to the stage to celebrat…
This year’s Proms season has been awash with commemorations of America’s 250th anniversary, the entire season beginning with Aaron Copland’s “Fanfare for the Common Man” - and that piece featuring at several other points in various ways across the festival. So it was about time that there …
Is this your theatre? Claim it to manage listings and submit updates.
.jpg?format=auto&width=300)
