Review: LITTLE SHOP OF HORRORS, Hope Mill Theatre
Intimate venue gets high production values to deliver a marvellous show…
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Articles
Review: INTO THE WOODS, Noël Coward Theatre
Awe-inspiring revival of Stephen Sondheim and James Lapine's musical Into the Woods running until 9 January, 2027.…
Review: RENT, Starring Gaten Matarazzo, The Tom Stoppard Theatre
It's been a long wait since London last saw Jonathan Larson's semi-autobiographical rock masterpiece that won four Tony Awards and a posthumous Pulitzer. It's unlikely that any of the cast of the 30th anniversary revival of RENT was out of nappies when the show debuted off-Broadway, but the themes…
Review: THE ANASTASIA FILE, Salisbury Playhouse
Jenny Seagrove reprises her role as a woman claiming to be the Grand Duchess Anastasia, daughter of Tsar Nicholas II, in a touring production.…
Review: THE HUNGRY GHOST, Bush Theatre
There’s a constant thread of wanting running through the centre of Mei Leng Yew’s debut play. Telling a story of queerness, ancestry, and immigrant families, it’s a compelling narrative that feels both broad and specific, brought to life with bold movement and direction.…
Review: AFFLUENZA, starring Noah Schnapp, Riverside Studios
Stranger Things alum and alleged Zionist Noah Schnapp is top billed, though he is selling a show that has him on stage for under a third of its running time. It’s the type of project that slyly attempts to conceal its shortcomings under opulent optics. Unfortunately, not even a lavish set by Charl…
Review: WHAT THE ANIMALS SAY, Finborough Theatre
It starts in the claustrophobic, liminal space of a ferry terminal, and both parties don’t really want to be there. Jimmy is a struggling actor on the cusp of a big break auditioning for Mel Gibson’s new film (which may or may not be IRA propaganda); Eddie is a footballer playing for Celtic in G…
Review: THE BROWN SUITE, Richmond Theatre
It's not often that Richmond Theatre plays host to a world premiere: Blacbrik's Nahum McLean and Darius Drooh's first long-form dance production The Brown Suite makes a stylish splash before embarking on a nationwide tour.…
Review: PARSIFAL, Royal Ballet And Opera
Corruption, redemption, lies. Parsifal is ripe with symbols and dogmas for a director to toy with and tear down. So why is Evgeniy Titov's iconoclastic staging so predictably iconoclastic? Is it because undermining the rigid morality of a Wagner opera feels like the go-to option in the age of cyni…
Review: HAM, Soho Theatre
Feminist theatre duo Hotter Project don’t want you to take their veganism-themed riff on Hamlet too seriously. …
Past Shows
The Last Self Tape
New writing, premiering at The Cockpit. It’s 6:47 pm. An actress sits down to make a self-tape. It might be her last. In a city of lost and lonely people, how do we find our way without losing who we are? A woman, A camera, One last chance. A story you won’t forget.
C*CKpit Theatre
“I want to be noticed, seen, heard, felt! I want them to know I’m alive!” A mysterious, charismatic drifter named Val meets store keeper 'Lady' in the dark underbelly of a mid-century Southern American town. The world around them is grey, ashen, violent, more dead than alive...
Tickets From $58
Tickets From $80
Tickets From $67
Tickets From $59
