BWW Reviews: THE LONDON EYE MYSTERY, The Unicorn Theatre, March 13 2010
Gary Naylor travels three miles downstream from The London Eye to see The London Eye Mystery.
The latest reviews and critic recommendations from UK Regional.
Gary Naylor travels three miles downstream from The London Eye to see The London Eye Mystery.
Gary Naylor listens with mothers (and fathers)
Gary Naylor is transported from Wimbledon to Mexico by Doctor Haze and his acolytes.
Review of the returning hip hop theatre show, Into The Hoods.
Harriet Humphries gives her verdict on Ruby Wax's turn as the genie in the UK's most hyped pantomime
The Hot Mikado, currently being presented at the Aberystwyth Arts Centre as part of the UK tour of a Watermill Theatre-originated production, is certainly 'hot'.
A teenager takes decisive action against her deadbeat father in the world premiere of Rose Martula's new play.
Clare Maddox reports from Edinburgh on the Brian Friel retrospective.
The East High Wildcats are back in the second instalment of the hugely successful musical franchise.
Pete Townshend's second, less-heralded rock opera has been given the musical treatment.
Clare Maddox puts the bad times behind her at the Royal Lyceum Theatre.
Robert Gould checks out the new 'psycho-sexual musical thriller', Wolfboy and howls with delight at a genuine five star show.
Clare Maddox is not sending drinks, icecreams or zombie requests Facebook: The Musical's way
Robert Gould finds Conor Mitchell and Matthew Hurt's new musical at the Edinburgh Fringe brilliantly therapeutic.
Robert Gould is not convinced that this new musical crosses the threshold into greatness.
Robert Gould 'takes note' of the new Jake Brunger/Pippa Cleary musical that is wowing audiences at this year's Fringe.
Selladoor theatre company welcomes audiences to Falsettoland at the Fringe and Robert Gould exaamines this festival of Finn.
Robert Gould logs in to the musical Chat Room to bring you up to speed with this new Fringe show by Take Note Theatre.
Likeable Welsh comic doesn't quite deliver in second Edinburgh show
Spend Spend Spend, a show that first hit the West End back in 1999 - with its tuneful score, hard-nosed but also raunchily humorous book and an emotional core that rings with human truth - is a much underrated gem of a musical.
Review of Brilliant, Lilian Baylis Studio At Sadler's Wells
First there was the classic, stylish Billy Wilder Hollywood 'film noire'; then there was the highly melodic but perhaps slightly overblown Trevor Nunn staging of the Andrew Lloyd Webber musical; now there is the darkly stylish Craig Revel Horwood staging of the Lloyd Webber musical, transferring fro
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