BWW Reviews: HOW TO THINK THE UNTHINKABLE, Unicorn Theatre, May 5 2012
Gary Naylor sees a version of Antigone for teens that pulls no punches.
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Gary Naylor sees a version of Antigone for teens that pulls no punches.
Gary Naylor sees a good and bad work about bad and good works.
Gary Naylor sees New Jersey girl, Amy Lamé obsess over Manchester's Morrissey.
gary Naylor enjoys and endures a unique theatrical experience.
Gary Naylor sees two hours of traditional stand-up in an intimate setting
This double bill of the winners of the Arches' Platform 18 competition presents two one-hour plays as different from each other as they could possibly be: Thatcher's Children by Gary Gardiner and Beats by Kieran Hurley.
Gary Naylor sees a play about failing powers and Tennessee Williams.
June Spoon and Phillip Fork host Pass the Spoon, a vibrant cookery show/opera mashup by David Shrigley, David Fennessy and Nicholas Bone.
Gary Naylor is buffeted by a blast from the past
Gary Naylor sees a musical full of classic songs.
Gary Naylor sees a twenty year old play send a timeless message.
Gary Naylor sees a work that sits somewhere between theatre and performance art.
Gary Naylor sees a West End show in the East End.
Gary Naylor sees some great songs performed well, if not sung particularly well.
Gary Naylor sees two contrasting plays united in a desire to foster youth theatre.
Playwright Bernard-Marie Koltes left a disclaimer: "Black Battles with Dogs is not about Africa, it is not about the blacks - I am not an African playwright - it is not about neocolonialism, not about the racial question.
Gary Naylor sees a Carmen for our times.
Gary Naylor sees an historical slow burn play with much to say about life today
There's much to love in this collection of musical theatre pieces written by Richard Beadle, whose musical direction credits include Betty Blue Eyes (Novello Theatre), Hair! (Gielgud Theatre), Priscilla, Queen Of the Desert (Palace Theatre) and Grease (Piccadilly Theatre).
Gary Naylor sees Philip Ridley's warning from the past.
Gary Naylor enjoys one of his favourite Shakespeares in one of his favourite places in all ol' London Towne.
Gary Naylor sees ghosts in a plaintive tale of loss.
Gary Naylor sees a classic done full justice by translator, director and cast.
Craig Hepworth is not impressed with this new jukebox show
Gary Naylor sees an important issue brought to life in an accessible and thought-provoking play.
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