BWW Review: I SEE YOU, Royal Court Theatre, March 5 2016
It's been an exciting few months for Noma Dumezweni.
The latest reviews and critic recommendations from UK Regional.
It's been an exciting few months for Noma Dumezweni.
Gary Naylor sees a simply staged but powerful production of Gluck's 18th century opera about the sister and brother reunited far from home who seize the opportunity to fulfil their destinies.
In this time of austerity, Alexandra Wood offers up a neat two-hander about the effects of both wealth and poverty on morality, questioning what merits real action.
Gary Naylor sees a play based on the true story of a girl who fled the Nazi Holocaust on the Kindertransport that has much to say about that and about people more generally.
Gary Naylor sees a production of a Shakespearean classic that starts unconventionally and spins off into mayhem!
The fifth longest-running play in the West End, The 39 Steps is currently being performed country-wide as part of its tenth anniversary tour.
This season, the Royal Shakespeare Company celebrates not only the 400th anniversary of the death of their namesake, but also that of Miguel de Cervantes, with a brand new adaptation of Don Quixote.
Gary Naylor sees a 20th century classic that makes plenty of demands on its audience but rewards it with a rich mix of politics, stylistic innovation and insight into human nature.
Gary Naylor sees a fine production of the Swedish classic about class, sex and social norms that retains its relevance over a century since Strindberg wrote it.
Film and stage biopics surrounding the life of a celebrity hold particular intrigue for many people.
The Patriotic Traitor is the story of close friends, Charels de Gaulle and Philippe Petain, who despite sharing a love of France, wind up on opposing sides during World War II.
Following the Birmingham Repertory Theatre Company's successful collaboration with Chichester Festival Theatre in 2015, producing The King's Speech, the two companies have worked together once more to present Alan Bennett's award-winning double-bill.
Gary Naylor sees a play that has a curious structure but too flimsy and over-familiar a plot to carry a production that boils down to two men talking.
Gary Naylor sees a fine performance in a concert / play that shines a light on a somewhat neglected but important figure in the 1960s counterculture.
Fresh from its hugely successful run in the West End, Impossible is a brand new stage spectacle featuring six of the best magicians and illusionists that this country has to offer.
Gary Naylor sees a fine black comedy that has lots to say 33 years on from its premiere and showcases three tours-de-force from the three actors
Sheffield Theatres' associate director Charlotte Gwinner returns to directing duties at the Crucible with Waiting For Godot.
Completing his trio of Tchaikovsky's great ballets, Sir Matthew Bourne has turned his choreographic hand to Sleeping Beauty, with the added surtitle 'a gothic romance.
Gary Naylor sees some magnificent singing and dodgy acting in something best described as a 'Jukebox Opera'.
Tamara Harvey begins her tenure as artistic director of Theatr Clwyd with Robert Hastie's delightful and thought-provoking production of Tennessee Williams's Southern plantation melodrama, Cat on a Hot Tin Roof.
Gary Naylor sees an ill-focused but nevertheless rewarding Sondheim musical about two brothers who each succeed and fail in their own ways.
Prior to a UK tour beginning next month, the Old Joint Stock Musical Theatre Company are currently presenting American Idiot at their resident home in Birmingham.
One of Noel Coward's most enduring comedies, Private Lives follows the improbable tale of divorced couple Elyot and Amanda, both now re-married to Sybil and Victor respectively, who manage to honeymoon at the same hotel in the South of France, at the same time, and in adjacent rooms.
Gary Naylor sees a Hamlet (well, three Hamlets) in Peckham that tells its tale with great clarity and no little wit.
The Sheffield Theatres/Eclipse Theatres production shows that Lorraine Hansberry's classic play is as fresh today as when it was first written.
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Sound Strokes: A Harmonious Blend of Chinese and Scottish Music Camden People's Theatre (9/05-9/06) |
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Michael Starring Ben: The Magic Of Michael Jackson Victoria Theatre Halifax (11/21-11/21) |
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First Five: Jamelia Donaldson First Five: Jamelia Donaldson (10/03-10/03) |
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The Scarlet Pimpernel - Stokenham/ Kingsbridge - theatre period drama Stokenham Village Hall (7/11-10/11) |
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An Anatomy of Melancholy Barbican (9/16-9/20) |
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Count Arthur Strong - And Its Goodnight From Me! Floral Pavilion Theatre (5/21-5/21) |
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Car Park Shutter Roller Shutter Installers (6/10-6/10) |
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Paul Merton & Suki Webster''s Improv Show Harrogate Theatre (10/02-10/02) |
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The Wasp Greenwich Theatre (9/04-9/12) |