BWW Review: THIS LITTLE LIFE OF MINE, Park Theatre
Gary Naylor sees a show that bristles with wit, warmth and wonderful songs and speaks directly to Londoners in 2016.
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Gary Naylor sees a show that bristles with wit, warmth and wonderful songs and speaks directly to Londoners in 2016.
The English Touring Theatre/Sheffield Theatres adaptation of DH Lawrence's classic is a tender adaptation with an atmospheric soundscape.
Gary Naylor sees an award-winning musical that provides few catchy tunes, but revels in a marriage of music and vocals that lays feelings bare and says much about life today.
Gary Naylor sees a play that wears its heart on its sleeve, but suffers as a result of ill-conceived staging and characterisation.
Gary Naylor sees a remarkable tour-de-force that produces the definitive version of a tricky but utterly compelling piece of musical theatre.
The cult musical, Little Shop of Horrors, has long been a favourite amongst cinema and theatre fans alike.
Alvin Ailey American Dance Theater tour the UK for the first time in 6 years, presented by the amazing Dance Consortium.
Gary Naylor sees a musical packed with agreeable songs but short on characterisation, charm and credibility.
Gary Naylor sees a fine production that will delight fans old and new of Jane Austen's immortal tale of unmarried daughters and their suitors.
Gary Naylor sees a fine tribute to the men of Clapton Orient who went into battle for King and Country 100 years ago.
Gary Naylor sees a play with plenty of emotional torment on display but a dubious political message that sits ill with its venue.
Gary Naylor enjoys a Tennessee Williams play full of sharp dialogue, tenderness and the poignant loss of missed opportunities.
Jamie Wilson and the Leicester Curve's new production of Sister Act contains all of the ingredients for a smash-hit musical: a star director, a celebrity lead, a well-known, beloved story based on a popular film, and a plethora of sequins and catchy tunes.
One of the world's most famous cars has flown into the Birmingham Hippodrome this week, in the form of Ian Fleming's spectacular musical Chitty Chitty Bang Bang.
Gary Naylor sees a play that examines suburban alienation in 80's America and the salvation Punk offered - on rollerskates!
Gary Naylor sees a production that proves that if a script is poor, the play has no chance of success.
Gary Naylor sees an award-winning play from DL Productions that makes its demands on the audience, but provides its rewards too.
Writer Bob Eaton had previous success with 2-Tone Musical Three Minute Heroes at the Belgrade Theatre in 2014.
Gary Naylor sees another triumphant boutique opera at the genre's spiritual home with all the thrills of operatic voices at close quarters and plenty of laughter and tears too.
Gary Naylor sees a beautifully delivered comedy of manners performed for the first time in almost 90 years.
Gary Naylor sees two short operas from Irrational Theatre that provide wonderful value for money and a fine introduction to the form.
Gary Naylor sees a revival that invites comparisons between the Britain of the 1930s and 2010s, but runs out of narrative energy and character credibility
Gary Naylor sees a beautifully staged revival of a 1991 musical that's great on music, but not so good on making God likeable.
Gary Naylor sees Zola's tale of lust and murder brilliantly staged and performed.
Actor-musician Simon David revives his sell-out show, 'Simon David: Virgin' for the Camden Fringe Festival.
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