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UK REGIONAL THEATER REVIEWS

The latest reviews and critic recommendations from UK Regional

Our UK Regional Critics

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BWW Review: IONESCO - DINNER AT THE SMITHS', The Latvian House

BWW Review: IONESCO - DINNER AT THE SMITHS', The Latvian House

by Gary Naylor — March 5, 2017
Ionesco's absurd theatre brought to life in a handsome production that is full of wit and humour, but never loses its avant garde character....
BWW Review: SNOW IN MIDSUMMER, Royal Shakespeare Company

BWW Review: SNOW IN MIDSUMMER, Royal Shakespeare Company

by Emma Cann — March 4, 2017
Snow in Midsummer is a modern retelling of an ancient Chinese drama, which marks the start of an ambitious cultural project translating Eastern classics into English, and Shakespeare into Chinese. The original 13th century play, by Guan Hanqing, bears all the hallmarks of traditional Chinese drama, ...
BWW Review: PLASTIC, Ustinov Studio, Bath

BWW Review: PLASTIC, Ustinov Studio, Bath

by Tim Wright — March 2, 2017
It's ironic that this first production of The Ustinov Studio's German season should be concerned with that most British of subjects- class. British theatre has a rich history of playwrights poking our sensitivities about guilt, entitlement and shame. Marius von Mayenburg's Plastic does it with wit, ...
BWW Review: SWIFTIES, Theatre N16

BWW Review: SWIFTIES, Theatre N16

by Gary Naylor — March 2, 2017
Swifties examines the obsessive nature of fandom, as dress-up and role play turns into something much more sinister in this reinvention of Jean Genet's The Maids....
BWW Review: HAMLET, Almeida Theatre

BWW Review: HAMLET, Almeida Theatre

by Gary Naylor — March 1, 2017
Hamlet anew in this technology infused but oh so human production of Shakespeare's great tragedy in which Andrew Scott gives us a warm, flawed, and eventually mad Prince....
BWW Review: THE CHERRY ORCHARD, Arcola Theatre

BWW Review: THE CHERRY ORCHARD, Arcola Theatre

by Gary Naylor — February 23, 2017
The Cherry Orchard retains its power to reach across decades and tell us harsh truths about a changing world....
BWW Review: TITANIC, King's Theatre, Edinburgh

BWW Review: TITANIC, King's Theatre, Edinburgh

by Gregor Dickson — February 22, 2017
Edinburgh's Southern Light Opera Company rises to the challenge of staging Maury Yeston's award-winning musical, in an ambitious production with a cast of 90 and orchestra of 27....
BWW Review: THE COMMITMENTS,  Bristol Hippodrome

BWW Review: THE COMMITMENTS, Bristol Hippodrome

by Tim Wright — February 22, 2017
We're in Dublin and it's 1986. Jimmy and his musician friends are fed up of art school synth music and want to bring soul music back to the people. The Commitments is adapted from Roddy Doyle's novel of the same name (that in turn was made into a cult hit film). However, for a show that proclaims on...
BWW Review: OTHELLO, Tobacco Factory, Bristol

BWW Review: OTHELLO, Tobacco Factory, Bristol

by Tim Wright — February 22, 2017
This seasons offering from Shakespeare at the Tobacco Factory is a story of politics, love and being an outsider in a world that mistrusts you....
BWW Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, Festival Theatre, Edin

BWW Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, Festival Theatre, Edinburgh

by Gregor Dickson — February 21, 2017
The 2012 National Theatre adaptation of Mark Haddon's best-selling novel embarks on its second UK tour, and is compelling, thought-provoking and exceptionally well-performed....
BWW Review: LA RONDE, The Bunker

BWW Review: LA RONDE, The Bunker

by Gary Naylor — February 18, 2017
Max Gill's clever adaptation of this classic play brings it right up to date, into the world of Tinder and Grindr and fluid sexual identities....
BWW Review: CRIME AND PUNISHMENT, Jack Studio Theatre

BWW Review: CRIME AND PUNISHMENT, Jack Studio Theatre

by Gary Naylor — February 16, 2017
Intense and focused, this adaptation of Dostoyevsky's celebrated novel ratchets up the tension without losing the material's intellectual heft....
BWW Review: THOROUGHLY MODERN MILLIE, New Alexandra Theatre

BWW Review: THOROUGHLY MODERN MILLIE, New Alexandra Theatre

by Emma Cann — February 15, 2017
It's 1922, and young Millie Dillmount arrives in New York from a small town in Kansas, ready to take control of her destiny and make her fortune by marrying well. After all, the modern marriage is a business affair. Skirts get shorter, heels get higher and hair is bobbed flapper style, making Millie...
BWW Review: EVERYBODY'S TALKING ABOUT JAMIE, Crucible, Sheffield

BWW Review: EVERYBODY'S TALKING ABOUT JAMIE, Crucible, Sheffield

by Ruth Deller — February 15, 2017
This new musical from Dan Gillespie Sells and Tom MacRae fizzes with energy and warmth - a must-see!...
BWW Review: ANYONE CAN WHISTLE, Union Theatre

BWW Review: ANYONE CAN WHISTLE, Union Theatre

by Gary Naylor — February 12, 2017
Anyone Can Whistle is a rare combination of a well-deserved flop and a must-see show. Swallow the myriad flaws, and its an entertaining, sharp and eerily prophetic show....
BWW Review: STRICTLY COME DANCING LIVE!, Wembley Arena

BWW Review: STRICTLY COME DANCING LIVE!, Wembley Arena

by Vikki Broad — February 11, 2017
The Strictly Tour has now been an annual fixture in fans' calendars for ten years. Each time the casual enthusiast mentally prepares themselves for a some full on fluff and scripted joviality but on this opening night at Wembley, this relentlessly joyful show was full of heart which is exactly what ...
BWW Review: MY LAND'S SHORE, Ye Olde Rose and Crown Theatre

BWW Review: MY LAND'S SHORE, Ye Olde Rose and Crown Theatre

by Gary Naylor — February 11, 2017
The show has bags of potential, passion to burn and excellent singing, but is let down by a pedestrian book and sprawling subplots....
BWW Review: THE RED SHOES, Birmingham Hippodrome

BWW Review: THE RED SHOES, Birmingham Hippodrome

by Emma Cann — February 9, 2017
Based on the 1948 film of the same name, starring Moira Shearer, Matthew Bourne's production of The Red Shoes tells the story of ballerina Victoria Page and her tragic struggle between love and duty. Both the film and Matthew Bourne's production are inspired by Han Christian Andersen's fairytale of ...
BWW Review: NEWSIES THE BROADWAY MUSICAL, Selected cinemas, 19 February only

BWW Review: NEWSIES THE BROADWAY MUSICAL, Selected cinemas, 19 February only

by Gary Naylor — February 10, 2017
This one-off cinema presentation is a great way to see Newsies The Broadway Musical and get a feel for what it's like to be in a big New York audience....
BWW Review: RUN THE BEAST DOWN, Finborough Theatre

BWW Review: RUN THE BEAST DOWN, Finborough Theatre

by Gary Naylor — February 8, 2017
Run The Beast Down creates a world collapsing psychologically and socially as the foxes, real and metaphorical, close in on Charlie....
BWW Review: SCHOOL PLAY, Southwark Playhouse

BWW Review: SCHOOL PLAY, Southwark Playhouse

by Gary Naylor — February 7, 2017
Contemporary and hard-hitting, Alex MacKeith's debut, School Play, doesn't quite add up to the sum of its parts....
BWW Review: SALOME, Hoxton Hall

BWW Review: SALOME, Hoxton Hall

by Gary Naylor — February 4, 2017
Impressively designed in a wonderful space, Theatre Lab Company's Salome isn't quite compelling enough as entertainment nor thought-provoking enough as polemic....
BWW Review: ROALD DAHL'S FANTASTIC MR FOX, Lyric Hammersmith

BWW Review: ROALD DAHL'S FANTASTIC MR FOX, Lyric Hammersmith

by Gary Naylor — February 2, 2017
Gary Naylor sees a new adaptation of an old favourite that hits the mark with broad appeal, plenty of laughs and fine songs....
BWW Review: WHAT'S IN A NAME, Birmingham Rep

BWW Review: WHAT'S IN A NAME, Birmingham Rep

by Emma Cann — February 1, 2017
Set in a trendy warehouse flat in Peckham, What's In A Name follows the ups and downs of a friendly dinner party. Ill-timed jokes, secrets long hidden and a clash of ideologies take place amidst the backdrop of a familiar setting of cheap rose and the cries of children interrupting adult conversatio...
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