THE WILDEY

by James Lindhorst - June 01, 2026

Wild Nights is inspired ridiculousness. It’s a fun romp of giddy, screaming, giggling teenage girls executing what they believe is the perfect sleepover. The directors and actors tap into this ensemble’s fearless ability to be comedically vulnerable and do what ever it takes to earn the audience...

by James Lindhorst - May 30, 2026

One can always count on an outstanding show from the St. Louis Shakespeare Festival team. This production of The Tempest is a beautifully staged and technically superior production with crisp direction, incandescent portrayals, keen stage direction, luxuriantly tailored costumes, and vibrant technic...

by Steve Callahan - May 26, 2026

It's almost a century-and-a-half old, but it's as fresh and appealing as when it first bounded into the public eye on New Year's Eve, 1879.  It's The Pirates of Penzance—perhaps the most irresistible of Gilbert and Sullivan's comic 'Savoy' operas.  Opera Theatre of St. Louis has opened a delicio...

by James Lindhorst - May 23, 2026

The Black Rep’s production shows why Fat Ham was a hot ticket both on and off Broadway. Ijames hilarious script takes on socially relevant topics in his updated retelling of Hamlet. Geovonday Jones sharp direction and the cast’s dynamic comedic portrayals make this a show that cannot be missed...

by Rob Levy - May 11, 2026

Raunchy, camp, silly, and idiotic, this quest for the Holy Grail could not be more hilarious. Pairing a talented cast with earworm-worthy ditties like I Am Not Dead Yet and Always Look on the Bright Side of Life, makes Monty Python’s Spamalot fantastic fun!...

by James Lindhorst - April 25, 2026

This production of Fiddler on the Roof is a triumph! It is fresh, exciting, engaging, entertaining, and unlike any other seen. Caleb Long and Colin Healy have created a transformative piece of theater. It has a slight contemporary sound while staying true to the source material. Long inspires affect...

by Rob Levy - April 23, 2026

This lively production, directed by Lizi Watt, features a talented ensemble, catchy music, and sublime whimsy. Written by Jura Soyfer and adapted by artistic director Philip Boehm, The End of the World Cabaret pulls no punches in commenting on the dangers of ignoring authoritarianism....

by James Lindhorst - April 20, 2026

Director Kathryn Bentley has built an infectious production of Colin McLaughlin and Ryan Marquez’s new groove heavy musical. She inspired and evoked vibrant performances from a high-octane cast who enthrall the audience with lively storytelling. Bentley delivers Eleventh Hour Radio’s ‘save the...

by Steve Callahan - April 20, 2026

'The End of the World Cabaret' at Upstream: THIS IS A PLAY YOU MUST SEE! ...

by James Lindhorst - April 17, 2026

Rebekah Scallet has once again brought St. Louis audiences a newer work to the NJT Wool Studio Stage with resounding success. Her production of Prayer for the French Republic is a gripping story with cataclysmic force. The Salomon and Benhamou Families face paralyzing fear steeped in the long histor...