BWW Reviews: Bear Stage Debuts with Solid Production of PUMP BOYS AND DINETTES Running Through 4/25
It can be difficult and stressful to try and start up a new theatre company.
The latest reviews and critic recommendations from St. Louis.
It can be difficult and stressful to try and start up a new theatre company.
Jazz pianist Cyrus Chestnut brought his considerable talents to the stage of the Sheldon Concert Hall for a show (April 10, 2010) that featured selections of music more commonly associated with Elvis Presley.
Based on the enthusiastic patrons in attendance, it's clear to me that the musical adaptation of the 2001 Reese Witherspoon vehicle, Legally Blonde, has a pretty strong following, and seems to have struck a chord with audiences.
Cabaret performers are always on the lookout for songs that they can utilize to define themselves as entertainers.
It's only fitting that the original 'King of the Jukebox', songwriter, musician and bandleader Louis Jordan, be honored with his own 'jukebox' musical (featuring a well-crafted book by Clarke Peters).
History books, at least when I was growing up, devoted only a sidebar to pioneering aviatrix AMELIA EARHART, although today her life has become the subject of many books, movies and television specials that seek to shed light on her mysterious disappearance in 1937 during an attempt to fly around th
If you're a fan of musical theatre, and you missed out on your chance to see THE FANTASTICKS during its record setting run off-Broadway (it did play for over 40 years, after all), then you owe it to yourself to take in the Repertory Theatre of St.
Muddy Waters Theatre begin their season of O'Neill with the classic American morality tale, DESIRE UNDER THE ELMS, a play that manages to examine nearly all of the seven deadly sins before reaching its dramatic conclusion.
The Imaginary Theatre Company opens the spring season with a cute production of A PETER RABBIT TALE.
If you've never read Fyodor Dostoyevsky's mammoth classic CRIME AND PUNISHMENT, you're probably still familiar with certain themes and characters that populate this piece of Russian literature.
At our current rate of consumption, is it conceivable that we could ever reach a point where every movie, book, historical figure, or current event available will have been used as the basis for a musical? Probably not.
Playwright Paul Zindel's work THE EFFECT OF GAMMA RAYS ON THE MAN-IN-THE-MOON MARIGOLDS tells a painful and dark story, and offers only a glimmer of hope to its protagonist.
My first introduction to the work of playwright Tracy Letts was covering a local production of Bug.
Jazz and blues singer Billie Holiday had a hard and tragic life, and her addictions have become almost as well known as her musical contributions.
THE PEOPLE'S VIOLIN is an interesting search for identity, as an experimental filmmaker attempts to track down his father's true lineage, and hopes to find himself in the process.
Controversial playwright/filmmaker Neil Labute has a unique talent for crafting works that deliver a solid sucker punch to the gut.
After experiencing some initial success in the world of cabaret last year, Jeffrey Wright has returned to the Kranzberg Arts Center for a weekend of sold out performances.
It's easy to understand the appeal of a jukebox musical like MAMMA MIA!, especially when you consider just how tuneful the score is, overflowing with a couple dozen of ABBA's greatest hits.
Playwright Wendy Kesselman has referred to her current adaptation of THE DIARY OF ANNE FRANK as the definitive version, and considering the fact that newly available passages of Anne's diary were incorporated into the text, it's certainly more eye opening in a lot of respects.
I'm encouraged by the recent trend of malls offering up empty retail space to the artistic community.
Marsha Norman's clever book for the musical version of THE COLOR PURPLE greatly compresses the action of the novel, while also managing to tone down some of its more violent aspects.
Anna-Deveare Smith's play, FIRES IN THE MIRROR, attempts to capture a specific, largely forgotten moment in our history, suspending it in time for a little over an hour, so that it can be properly reflected upon and digested.
Piwacket Theatre for Children celebrates their 18th year in existence with the charming debut of their 18th original production SNOW WHITE AND THE 8TH DWARF (playing through January 30, 2010 at the Black Cat Theatre).
Michael Hofmann's witty translation of Peter Suskind's play THE DOUBLE BASS is an intriguing work, filled with wildly funny moments, and Upstream Theater's current presentation, which is playing at the Kranzberg Arts Center through February 14, is a must-see production, powered by Philip Boehm's tho
Eliane Elias is a superbly talented performer, having started on piano at age six in her native Brazil (Sao Paulo).
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Mamma Mia! Fox Theatre (3/30-4/04) |
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Amadeus Gaslight (2/05-2/21) |
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Cinderella Opera Theatre of Saint Louis (6/05-6/27) |
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The Color Purple (The Musical) The St. Louis Black Repertory Company (9/09-9/27) |
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Safe Haven | World Premiere Opera Theatre of Saint Louis (6/12-6/26) |
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Terry Barber: Freddy Mercury Cabaret Kirkwood Performing Arts Center (9/05-9/05) |
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The Book of Mormon (Non-Equity) The Fabulous Fox Theatre (2/02-2/07) |
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Parsons Dance Touhill Performing Arts Center (4/10-4/10) |
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Ballet Hispánico New York Touhill Performing Arts Center (11/14-11/14) |
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Rob Zombie & Marilyn Manson Morton Amphitheater (9/10-9/10) |