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Michael Feinstein is about to once again burnish his long-held reputation as a leading interpreter of the music of the iconic composer and his lyricist brother – the team responsible for songs like “Fascinating Rhythm,” “They Can’t Take That Away from Me,” “The Man I Love,” and many more – when he brings “Two Pianos: Who Could Ask for Anything More?” to Boston’s Symphony Hall, May 31–June 1, and Tanglewood in Lenox, Massachusetts, on July 18.

The Denver Art Museum announced the exhibition Whistler to Cassatt: American Painters in France, set to premiere at DAM Nov. 14, 2021. The exhibition will feature more than 100 paintings made between 1855 and 1913 in the first comprehensive examination of France's stylistic impact on American painting of the period.

The awards honored six musicals from Broadway, Off-Broadway, and the West End with nominations for Best Musical Theatre Album - 'Jagged Little Pill,' 'American Utopia,' 'Little Shop of Horrors,' 'The Prince of Egypt,' 'Soft Power,' and Amélie.'

The Denver Art Museum (DAM) today announced the exhibition Whistler to Cassatt: American Painters in France, set to premiere at DAM November 14, 2021. The exhibition will feature more than 100 paintings made between 1855 and 1913 in the first comprehensive examination of France's stylistic impact on American painting of the period.

The Dallas Opera is proud to announce its spectacular 2018-2019 Season, "Swept Away," consisting of five captivating mainstage productions, including a passionate Puccini pairing during the month of March, designed to melt the last blast of winter, followed by the company's first-ever Falstaff.

World premieres, new productions, and exciting artist debuts will make the 59th season at Sarasota Opera a season not to miss. Highlights of the upcoming year include the return of Giuseppe Verdi, the 6th Sarasota Youth Opera world premiere, and operas by composers such as Vincenzo Bellini and Eugen D'Albert whose operas have not been heard on our stage.

Sarasota Opera announced its 2017/18 Fall and Winter Festival Season today at a press conference held on the Sarasota Opera House main stage in Sarasota, FL. The event was overseen by Maestro Victor DeRenzi, artistic director and principal conductor, and Richard Russell, Executive Director.

A production commissioned by the Finborough Theatre to commemorate the centenary of Dublin's Easter Rising of 1916, Margaretta D'Arcy and John Arden's epic retelling of the life story of Easter Rising leader James Connolly, The Non-Stop Connolly Show runs at the Finborough Theatre, playing Sunday and Monday evenings from Monday, 4 April 2016 (Press Night: Monday, 4 April 2016 at 7.00pm), culminating in two all-day 'come and go as you please' performances of the entire play cycle on the anniversary of the Easter Rising itself - Saturday, 23 April and Sunday, 24 April.

A production commissioned by the Finborough Theatre to commemorate the centenary of Dublin's Easter Rising of 1916, Margaretta D'Arcy and John Arden's epic retelling of the life story of Easter Rising leader James Connolly, The Non-Stop Connolly Show runs at the Finborough Theatre, playing Sunday and Monday evenings from Monday, 4 April 2016 (Press Night: Monday, 4 April 2016 at 7.00pm), culminating in two all-day 'come and go as you please' performances of the entire play cycle on the anniversary of the Easter Rising itself - Saturday, 23 April and Sunday, 24 April.

San Francisco Opera General Director David Gockley and Music Director Nicola Luisotti today announced the Company's 2016–17 Season repertory and roster of international guest artists, conductors and creative teams scheduled to appear at the War Memorial Opera House, as well as initial programming for SF Opera Lab 2017 presentations at the Diane B. Wilsey Center for Opera's Taube Atrium Theater. The Company's 94th Season will also mark Matthew Shilvock's inaugural year as San Francisco Opera's new general director, succeeding his mentor and internationally respected impresario, David Gockley, who will step down on July 31, 2016.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

Principal casting has been announced for the upcoming world premiere production of AN AMERICAN IN PARIS. The cast will include Robert Fairchild as Jerry Mulligan, Leanne Cope as Lise Dassin, Veanne Cox as Madame Baurel, Jill Paice as Milo Davenport, Brandon Uranowitz as Adam Hochberg, and Max Von Essen as Henri Baurel.

The Barbican today announced a stellar program of events for spring and summer 2014, pushing the boundaries of all major art forms for its diverse audiences. This new program builds on the most successful year ever for the Barbican, with attendances for events at the Centre exceeding 1 million for the first time, an increase of 36% on 2011/12. In this Olympics year, box office receipts also rose 33%, and the Barbican's commercial income increased by 35%.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from today, September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.

Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.

Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.

San Francisco's cutting-edge Cutting Ball Theater today announced the lineup for its 13th season. The season opens in October with Strindberg Cycle: The Chamber Plays in Rep, August Strindberg's Chamber Plays in new translations by Paul Walsh, directed by Cutting Ball Artistic Director Rob Melrose; this will be the first time all five of Strindberg's Chamber Plays will be performed together in repertory in any language.

The Old Globe's 2012-13 Season will feature the World Premieres of two new musicals: Allegiance - A New American Musical by Jay Kuo and Lorenzo Thione and A Gentleman's Guide to Love and Murder by Robert L. Freedman and Steven Lutvak. The season also includes George Bernard Shaw's Pygmalion in celebration of the classic play's 100th anniversary and the World Premiere of a new adaptation of Henrik Ibsen's A Doll's House by Anne-Charlotte Hanes Harvey and Kirsten Brandt. Two recent Broadway hits will make their San Diego debuts at the Globe: David Lindsay-Abaire's Good People and Jon Robin Baitz's Other Desert Cities. Rounding out the season are the West Coast Premiere of Bekah Brunstetter's Be a Good Little Widow and the Southern California Premiere of Tarell Alvin McCraney's The Brothers Size.

Seattle Opera today announced its 2012/13 season, featuring six operas that explore the infinite variety of love: obsession, true love, false love, love at first sight, marital love, and love born of hatred.

Two chances for contemporary New Yorkers to hear what 1970's New Yorkers -- vanguards of the punk movement -- were up to.

Two chances for contemporary New Yorkers to hear what 1970's New Yorkers -- vanguards of the punk movement -- were up to.