That Chemistry Show Photos - Off-Broadway

Kelly and her longtime band immersed the sold-out crowds on Friday, July 28 and Saturday, July 29 with music that spanned her two-decade-long career with hits like “Breakaway,” “Heartbeat Song,” “Miss Independent,” “Stronger,” “Since You Been Gone” and many others. Clarkson also performed covers of songs from other artists. Check out photos!

The Tony Award-winning SPRING AWAKENING begs the question: 'How will we know what to do if our parents won't tell us?' The provocative show, which opened June 1st, closes out North Raleigh Arts and Creative Theatre's (NRACT) 2017-2018 season. Adapted from Frank Wedekind's 1890 play 'Spring's Awakening A Children's Tragedy,' the musical tells the story of a group of teenagers coming of age and sexual awakening amid a repressive German society. More than a century after Wedekind's play was first performed, the themes of SPRING AWAKENING, including that of sexuality, rape, abuse, incest, abortion, homosexuality, and suicide, are as relevant today as ever, which is why NRACT's Director Tim Locklear felt this was an important story to tell. Billed for mature audiences due to content and brief nudity, NRACT's SPRING AWAKENING holds a mirror up to the way in which we communicate with and listen to each other, especially our children, a haunting lesson that will linger long after the final bow.

Okay, I'm a 'Wicked' junky. I've seen the show five times, including seeing it in its first week of the New York run.

Following a sold-out run at the London International Mime Festival earlier this year, Theatre Re played to yet another full crowd in the Theatre Tent at Latitude Festival. Telling a story of love and loss through memory and movement, The Nature of Forgetting is a visually stunning production you won't soon forget.

A spirited audience of thousands went back to campus with stripped-down collegians who offered a sexy lacrosse scrimmage, a Pavlovian psychology experiment, a pumped-up pep rally and a fierce feminist studies class at Broadway Bares: Strip U, this year's edition of the annual highly choreographed, highly produced striptease spectacular. Produced by and benefiting Broadway Cares/Equity Fights AIDS, Broadway Bares: Strip U raised $1,568,114 in two performances on June 18, 2017, at New York City's Hammerstein Ballroom.

A review of the University of Montana production of Noises Off, which brought laughter and mayhem to the packed house at the Montana Theatre.

I am most concerned with what the audience sees, as they are the viewers/hearers of our story, so what they gather from our performance must be paramount. I come in with a strong image of what I want the show to look like. I then block the show right away to get it on its feet. I call this building the skeleton. The rest of the rehearsal process is about fleshing out that skeleton. I do not have the actors wander the stage looking for what feels right for them. It may end up being more “true to life” by letting two people do what comes naturally, but that does not make for a good presentational performance. I block to keep things visually interesting and I work to use the entire stage.

Kitchen Theatre Company continues its 2016-17 season and heats up the winter with Sex With Strangers, a provocative and sensuous exploration of ambition and obsession in the digital age. Sex With Strangers runs at Kitchen Theatre Company from March 12 to April 2, 2017.

Directed by Filter Theatre's Sean Holmes, with music and sound by Tom Haines and Ross Hughes, TWELFTH NIGHT is a ferocious reimaging of Shakespeare's classic comedy where nothing onstage is hidden and everything is revealed, from cables, costumes, props and more. Six actors, together with two musicians (Alan Pagan & Ross Hughes), perform all the various roles, often interacting directly with the audience as they run up the aisles or take seats next to surprised audience members, several of whom are called up onstage to participate in the show's outrageous antics. And be prepared to enjoy and pass along large boxes of delivery pizza when prompted to do so by the cast.

Rubicon Theatre Company presents GULF VIEW DRIVE , the third and final play in Arlene Hutton's Nibroc Trilogy, directed by Indy award-winning Katharine Farmer with the same cast reprising their critically-acclaimed roles from the Los Angeles Times "Critic's Choice" productions of Last Train to Nibroc and last season's See Rock City. Lily Nicksay ("Boy Meets World"/The Wild Duck at A Noise Within) and Erik Odom ("The Twilight Saga: Breaking Dawn - Part 2"/Sons of the Prophet at The Blank) return as May and Raleigh, along with See Rock City featured cast members Clarinda Ross (Spit Like a Big Girl/Steel Magnolias) and Sharon Sharth (Waiting for Grace/ member of Actors Studio and Circle Rep in New York). Joining the cast is returning Rubicon artist Faline England (Crimes of the Heart (Indy Award)/Turn of the Screw (Ovation Nomination). The ongoing love story of May and Raleigh concludes with the Kentucky couple now living comfortably in Florida in the 1950s. But their settled life is once again rocked by the arrival of family and turbulent events that threaten their sunny existence. Their love and devotion are put to the test when they must make unconventional decisions in a rapidly changing world. GULF VIEW DRIVE opens in Ventura on Saturday, January 28 at 7:00 p.m., followed by a post-show party with cast, crew and local VIPs. Low-priced previews are January 25-27. The show runs Wednesdays through Sundays through February 12, 2017.