Young Frankenstein Photos - West End

The complete cast has been announced for the third touring season of the First National Tour of tTo Kill a Mockingbird. Learn more about the cast and check out all new photos here!

Walnut Street Theatre (WST) continues its 211th season with the hilarious Broadway hit, SHREK THE MUSICAL. Directed by Glenn Casale and choreographed by Robbie Roby, the production begins previews on November 5, opens November 13, and continues through January 5 on the Walnut's Mainstage. The greatest fairy tale never told comes to life as never before in SHREK THE MUSICAL, the award-winning Broadway musical based on the Oscar-winning movie.

Get a first look at What's In A Name? featuring Joe Thomas (The Inbetweeners, Fresh Meat), Bo Poraj (Miranda, Musketeers), Laura Patch (Afterlife, Star Stories), Summer Strallen(Top Hat, Young Frankenstein) and Alex Gaumond (Company, Dirty Rotten Scoundrels, Matilda). 

Blazing Saddles. Young Frankenstein. The Producers. Mel Brooks has created some of the most iconic comedies in film history, and he is returning to the New York stage for an exclusive two-night engagement.

Intra Muros has its UK premiere at Park Theatre, London from 3 April - 4 May 2019. Alexis Michalik's latest play opened in Paris in 2017 and is still running at La Pepiniere Theatre.

FRANKENSTEIN, the Off-Broadway musical playing at St. Luke's Theatre, had been running now for over a year and will be extending into 2019.  Based on Mary Shelley's novel, with book, music and lyrics by Eric B. Sirota, it is directed by Clint Hromsco and produced by John Lant, Write Act Repertory and Tamra Pica. An open-run, it plays Monday evenings at 7 PM.  There will also be Friday 11 AM matinees scheduled for school trips in 2019.

The Theatre Group at SBCC will start the season July 11-28, 2018 in the Garvin Theatre with the musical, GREASE.  Book, lyrics and music by Jim Jacobs and Warren Casey.

On Friday, May 4 TheatreWorks New Milford will premiere Mel Brooks' Zany movie-turned-musical musical, Young Frankenstein.The curtain rises at 8:00 p.m. every Friday and Saturday and 2:00pm on some Sundays through June 2.

BroadwayWorld has a first look at 3-D Theatricals YOUNG FRANKENSTEIN opening night! Check out the photos below!

Producing Artistic Director John Lant, Write Act Repertory and Tamra Pica present the world premiere of FRANKENSTEIN, a new musical based on Mary Shelley's novel, about the human need for love and companionship, with book, music and lyrics by Eric B. Sirota and directed by Clint Hromsco. The show opens tonight, October 9th, and runs through December 18 at St. Luke's Theatre (308 West 46th Street, between 8th and 9th avenues). BroadwayWorld has a first look at the cast in action below!

Mel Brooks' quirky musical Young Frankenstein is making its West End premiere at London's Garrick Theatre. Based on the 1974 Oscar-nominated film co-written with Thomas Meehan and starring Gene Wilder, the brand new production follows a Broadway run that closed in 2009. BroadwayWorld has a first look at the cast in action below!

The John W. Engeman Theater presents GYPSY, running now through October 29, 2017, starring Michele Ragusa as Rose and Austen Danielle Bohmer as Louise. BroadwayWorld has a first look at the cast in action below!

YOUNG FRANKENSTEIN is currently playing at North Shore Music Theatre through August 27, 2017, and BroadwayWorld has a first look at the cast in action below!

A spectacular new production of Disney's The Little Mermaid kicks off at The Broward Center for the Performing Arts on Wednesday, February 22, 2017 for a limited two week run. Featuring the critically acclaimed work of Director Glenn Casale, this beloved tale of a young mermaid's coming-of-age adventure is told like never before. Previously announced casting includes Diana Huey as Ariel and Matthew Kacergis as Prince Eric, with Broadway's Jennifer Allen as Ursula and Steven Blanchard as King Triton. Melvin Abston, Connor Russell and Jamie Torcellini join the cast as Sebastian, Flounder and Scuttle. 

The Rudes. They're like the cast of Star Wars or Star Trek, iconic and revered in that way that Trekkers love Leonard Nimoy or George Takei, but for Austin and its avid theatre going Rude fans, well, that, and their collaborative works with others from Helsinki to Cedar Rapids. And their current production, REQUIEM FOR TESLA, is, in its third incarnation, like a Star Trek reboot. While other theatres around town dust off the usual December holiday fare, The Rude Mechanicals, never to be usual, have resurrected REQUIEM FOR TESLA in celebration of their 20th anniversary season. It's obvious they've been around and drummed up an enthusiastic fan base. (Full disclosure: I'm one of them). On opening night for this particular production, one ebullient fan behind us waxed poetic to total strangers about each and every Rude production he'd seen (many of which I've seen myself) including the 2001 and 2003 iterations of REQUIEM FOR TESLA.

On January 21, guests gathered at Drury Lane Theatre for the Opening Night of their newest production, Bye Bye Birdie, directed and choreographed by Tammy Mader. With a cast led by Michelle Aravena as Rosie, Matt Crowle as Conrad's agent, Albert, and Jason Michael Evans as Conrad Birdie, audiences were treated to a throwback of the classic 1950's musical, brought to life again by this energetic and lively ensemble of 31. Check out photos from opening night, below!

'The more real you play it, the better for any piece, even a comedic piece like this one.' Stage and television actor Robert Creighton is talking about his upcoming role debut in Mel Brooks' Young Frankenstein, which opens August 6th at the Maine State Music Theatre. Creighton, who is playing the meaty role of Frankenstein's bungling, hunchbacked assistant Igor, says of his approach to the part, 'The script is so good, so honed that I just have to say the words and stay out of their way. I don't have to mug. It is so well-crafted that I simply embrace the stupidity of it all, enjoy that and watch the audience enjoy it, too. When you play it for real, you are not making fun of the humor or commenting on the material, and the situation takes care of itself.'