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BWW Review: 'A MODEL FOR MATISSE' at Midnight Company
by Steve Callahan - Sep 16, 2019


'A Model for Matisse' opens at the .ZACK in St. Louis.

BWW Review: Matthew Bourne's CINDERELLA is a Shoe-in Splendiferous Success at The Ahmanson Theatre
by Valerie-Jean Miller - Feb 14, 2019


New Adventure's Production of the tale of Cinderella has never been more salacious or delicious. The dancing is superb, as well as the artistry involved in every facet of the production. With the updated scenario created, Cindy's world is smack dab in the middle of World War II. Directed and Choreographed by the incredible Sir Matthew Bourne, and loosely based on his parent's war stories, we are taken to London in the '40s, during the middle of air raids, bombings and destruction. The set design and wardrobe is all very drab in muted black and grey reflecting the tone of the environment. Wickedly creative is the choreography, the sets, the costumes, lighting and sound, not to mention the score by Prokofiev. Cinderella Opus 87 is such a melodious wonderland for a choreographer and his artistic team to work with. There is such power, intensity and magic in this lively piece. In Sir Matthew Bourne's hands, and feet, it is a fabulous, imaginative display of artistry and brilliance.

Photo Coverage: GASLIGHT Opens at Barrington Stage Company
by Stephen Sorokoff - Oct 7, 2017


Patrick Hamilton's mystery thriller Gaslight will be opening Oct 8th on the Boyd-Quinson Mainstage at Barrington Stage Company. BroadwayWorld was there for the curtain call at a recent preview.

BWW Reviews: Adobe Theatre's ANGEL STREET - A Thriller Without Chills
by Anya Sebastian - Jul 9, 2012


GAS LIGHT, a Victorian thriller by British dramatist, Patrick Hamilton, opened in London in 1939 and in 1941 appeared on Broadway under the title, ANGEL STREET. The dark, psychological thriller about a murderous, scheming husband, who sets out to convince his wife that she is going mad, was an instant success and went on to become one of the longest-running non-musical shows in Broadway's history...

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