The Whirlwind 1910

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

'He thought of all the men who died in those years and what they might have become, what the world would look like today had they been allowed to end their story on their own terms. Eric wondered what his life would be like if he had not been robbed of a generation of mentors, of poets, of friends and, perhaps even lovers.'

A mixed bill of true contrasts is served up by the Royal Ballet for the last run of performances of the 18/19 season. From the tempestuous Firebird set to Igor Stravinsky's seminal score, Ashton's quaint and quietly heartbreaking A Month in the Country, to the bold and technically exposing masterclass of Balanchine's Symphony in C.

Irish Arts Center (IAC), the arts and cultural center dedicated to projecting a dynamic image of Ireland and Irish America for the 21st century, announces its Spring 2018 lineup, featuring a characteristically wide range of theatrical, musical, dance, literary, podcast, interdisciplinary and educational events.

Irish Arts Center Announces Spring 2018 Season

Highlights include a talk on Jewish Refugees in 1938 East-Central Europe, a look at the transformation of the Strashun Library, the true story of a panther who escaped from the Bronx Zoo, and music from Jewish Austrian emigres who moved to New York City.

This season Milwaukee Repertory Theater's Stackner Cabaret warms the holidays with the Great American Songbook: A tribute to the incomparable composer Irving Berlin in the musical revue I Love A Piano. When an old forlorn piano with one broken note magically reveals the instrument's history during the performance, Berlin's lyrics and melodies that defined the country's multiple generations play on. In this mesmerizing production filled with more than 50 Berlin songs, the cabaret regales America's 1910's to post World War II eras that stirs memories in the audience's heart and soul.

Does a comic opera from 1910 resonate with contemporary audiences? The answer would be with certainty, yes. Third Avenue Playhouse's Madame Sherry with original book/lyrics by Otto Harbach and music by Karl L. Hoschna, would be completely entertaining in the under James Valcq's impressive adaptation and direction along with a talented acting troupe who possess triple threats---they act, dance and sing. Valcq adapted the vintage comic opera from a found script and stage manager's notes discovered in New York's Public library and produces this effervescent theater experience on stage in Sturgeon Bay. With more than 20 songs, romantic smooching and clever choreography, Madame Sherry rings in summer entertainment and chases away any cloudy skies appearing on the horizon, literally or figuratively.

Danny Bacher has the performance ease of an artist who's spent twice his years on the circuit. His preternatural feel for swing delivers scrupulous control, hip, unfussy phrasing, nuanced inflection, and the kind of fluent, savory scat “wordless vocables” I haven't heard from a man in some time, certainly not one so young. His soprano saxophone and singing are so like one another in attitude and energy, Bacher epitomizes the musician whose instrument acts as solid manifestation of voice. His new CD release celebration show at the Metropolitan Room, Swing That Music (last performance of a four-show run today at 4 pm) is a jazz tribute to the three Louis: Louis Armstrong--Satchmo (1901-1971), Louis Prima--The King of Swing before Benny Goodman came along (1910-1978), and Louis Jordan--King of the Jukebox (1908-1975.) Musical numbers get along like the old friends they are, brushing shoulders, poking one another in the ribs, slapping backs. The show is well paced with next to no patter. Danny Bacher is the real deal; a musician to watch.

MACK AND MABEL is a love story between a director who can't be anything but what he is and an actress who can't figure out who she is. More deeply, it is a story about the turbulent relationship between Hollywood and cinema. And like Normand, it's smart and funny too.

The Jewish Museum and the Film Society of Lincoln Center are presenting the 24th annual New York Jewish Film Festival at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, January 14-29, 2015.

The Jewish Museum and the Film Society of Lincoln Center will present the 24th annual New York Jewish Film Festival at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center

When dowdy, painfully shy Adelaide Pinchin (Andrea Maulella) meets dashing, smooth-talking, George Love (Mark Shanahan) it's love at first sight -- for him! Or is it? All is not what it seems in Karoline Leach's play Tryst, a taut, brooding, romance thriller full of creepy twists and turns that make you squirm and keep you on the edge of your seat wondering what will happen next and whether two very sad people can find happiness together.

Today we are talking to a terrifically talented triple-threat who has graced the silver screen in CHICAGO, as well as in the TV productions of THE MUSIC MAN, ONCE UPON A MATTRESS and in many stunt and dance double roles in his career thus far who has since become the protegee of dance extraordinaire Kenny Ortega and broken out on his own with a string of striking and memorable sequences in entities as diverse as TV's HELLCATS and the recent feature films THE CABIN IN THE WOODS, SUCKER PUNCH, MIRROR, MIRROR and TWILIGHT: BREAKING DAWN PART 1 - gifted dancer/choreographer/director Paul Becker. Talking about many of his most memorable past projects and filling us in on his many current and future ones - TWILIGHT: BREAKING DAWN PART 2, a Ben Vereen documentary, an original movie musical titled STAGE FRIGHT, a James Gray film featuring Jeremy Renner and Marion Cotillard, a Lifetime movie musical with Karen Olivo and even more - Becker brings us into his unique and idiosyncratic world and gives us a glimpse into how he achieves consistent excellence in all of his many endeavors as he attempts to define his anomalous career for us. Additionally, Becker takes a look back at acting onscreen in the Oscar-winning Best Picture CHICAGO, choreographing the ultimate vampire wedding, judging SO YOU THINK YOU CAN DANCE? Canada, producing CANADA'S GOT TALENT, giving two hundred dancers movement for a Michael Buble music video and he also shares some hopes and wishes for what he would like to take on in his blindingly bright future in show business - directing a feature film, perhaps? What about a Broadway show when time permits? The possibilities are multitude and seemingly endless and Becker is one of the most brightly shining behind-the-scenes talents on the rise, as is clear to qualify by all of the exquisitely exciting entities he is involved with on the horizon, both near and far. Plus, Becker shares his experiences choreographing various THE MUPPETS movies, working with Ortega on the Jonas Brothers and Miley Cyrus concert tours, directing the first YouTube feature film, dancing with death in MASTERS OF HORROR, giving moves to monsters in THE CABIN IN THE WOODS, staging the spectacular finale of MIRROR, MIRROR showcasing Julia Roberts, choreographing the fairy tale characters of ONCE UPON A TIME, and he also offers opinions on GLEE and SMASH, reveals his early influences, favorite stars, formative films - and much, much more!

Karoline Leach combines sleight and misdirection into a taut, thrilling love story, and Merrimack Repertory Theatre production gives 'Tryst' its due