“I do love nothing in the world so well as you: is not that strange?”
Tom Hiddleston is Benedick and Hayley Atwell is Beatrice. Two of their generation’s finest actors collaborate with director Jamie Lloyd again in this savagely funny and beautifully tender battle of wits.
But far from seeming cheerless, and déjà vu, the approach proves a fresh, unbounded joy. Freeing the action from studious naturalism, and social context, it’s a teasing provocation, with loud klaxon honks jolting us too. The boldest stroke (design: Soutra Gilmour) is a sustained shower of pink confetti. It’s faintly magical to behold; on another level, it chimes with the play’s tragicomic mix of autumnal wistfulness and amorous adventure.
A very game Hiddleston leans into the hamminess of the posturing Benedick, from his rock-star entrance amid a cloud of dry ice to his eyebrow-waggling audience flirtation (“I am loved of all ladies” indeed), madcap dad-dancing, or teasing of a buff chest by undoing his shirt buttons. The gulling scene is a total blast as he hides, unsuccessfully, in pink confetti, and even does a confetti spit take. Yet his eventual confession of love is stirringly sincere.
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Rose Theatre Kingston Ten-Year Anniversary Production West End |
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Shakespeare In the Park Off-Broadway |
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| 2025 | West End |
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