The Way Things Happen

Just what is (and isn't) the truth is an eternally relevant discussion and a subject at the heart of Storehouse, a new immense immersive theatre production set in a 90,000 square metres warehouse in Deptford.

This summer Broadway World went on the road to catch some amazing entertainment, and one of the stops was at the Santa Fe Playhouse.

First Flight Theatre Company will present Shakespeare’s Ladies at Tea or I Thought You’d Never Asp written by Kathleen Kirk and Shakespeare’s Deaths written by the Free Shakespeare Theatre Company of Chicago, both directed by Frank Farrell.

Musical Theatre Network, Mercury Musical Developments and Oxford Playhouse has announced details of the 29 musicals that will be showcased in BEAM2023.  

Looking for the best deals on Broadway shows? Welcome to our new weekly guide to the most popular shows listed on BroadwayWorld. Check out which shows are selling this week, December 5, 2022.

The Mint Theater company will be presenting the American Premiere of Noel Coward's The Rap Trap, and the world premiere of Becomes a Woman by Betty Smith (A Tree Grows in Brooklyn).

Creating an ambitious odyssey of time travel based on three short stories from Tom Hanks's collection 'Uncommon Type' sounds like an intriguing idea ... on paper. The challenge is how to transfer it effectively from page to stage. In its current form, it feels more like a workshop than a ready-for-prime-time production.

​​​​​​Berkshire Theatre Group has announced casting for shows in BTG’s Late Summer 2022 Season. The full season will feature B.R.O.K.E.N code B.I.R.D switching, a world premiere play and an award recipient of the GRANTS FOR ARTS PROJECTS from the National Endowment for the Arts; Once, a Tony Award-winning musical; Songs For a New World, the first musical by a Tony Award winner; Dracula, a classic gothic tale of horrors; and Edward Albee's Seascape, a Pulitzer Prize-winning play. 

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Show Boat was first performed on Broadway in 1927 at the Ziegfield Theatre. The musical is based on a novel by Edna Ferber. Show boats, boats that traveled up and down rivers to perform at different towns along the river, are a real part of Americana from the 1800s and early 1900s, but they went out of fashion with the growth of the film industry. Ferber actually spent several days on a show boat in 1924 where she compiled research for her book. At the time, the most popular performing arts pieces were light comedies by vaudeville writers. Show Boat broke the mold with its focus on historical accuracy, realism, and foray into social issues. Dutch Apple Dinner Theatre will be bringing Show Boat to Central PA, and Broadway World had the opportunity to interview Kira Galindo, who will be performing the role of Julie.

Nearly a hundred years after Aline Barnsdall first envisioned an artist colony on Olive Hill in the middle of Hollywood, the public will have a rare opportunity to experience her dream come to life. Beginning May 6th, Hollyhock House, in partnership with Circle X Theatre Co. and J.U.S.T. Toys Productions, presents the Maria Irene Fornes play FEFU AND HER FRIENDS staged as an immersive theatrical event inside Hollyhock House. It is a first for this historical beauty and an exciting project that unites the past and present in more ways than one.

There's something oddly life-affirming about the character of Zobra. He's a cheerleader for living life to its fullest. ZORBA the musical (lyrics by Fred Ebb, music by John Kander, and book by Joseph Stein) impresses an audience with the realization that time never stands still, and therefore, life goes on despite the nasty curves it may lob our way. New Line Theatre's production is a real revelation, because even though this show received its fair share of award nominations, it's really not revived that often. Perhaps it's the darker elements that pervade the show that turn some people off, but then life isn't always sunshine and roses, so I like that they are present. This kind of presentation is something that New Line does better than anyone else, and that's to revive a neglected or forgotten show for a new audience to appreciate, and their track record is impeccable in this regard. This show is a genuine must see, and taking it in I've come to realize that we all need our own personal 'Zorba' to prod us into taking risks and fully investing ourselves in whatever we do, even if things might go awry on occasion.

CPT heralds the arrival of a new season with a jam-packed line up designed to satiate all your innovative theatrical desires. With theatre/gig mash ups, MP rap battles, valiant attempts to smash the patriarchy, solve the housing crisis & sort out Europe, plus kids taking over the stage to lay down how it really is, this Autumn you won't want to be anywhere else.

In this interview, Alley Theatre Artistic Director, Gregory Boyd and I discuss the deep roots and broad influence of DRACULA, the genius and uniqueness of Edward Gorey, and, just for kicks, what it's like to work with David Hyde Pierce.

Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with 'From Screen to Score: New Concert Music by Famous Film Composers'-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ('Star Wars,' 'Raiders of the Lost Ark,' 'E.T., the Extra Terrestrial'), Howard Shore ('Lord of the Rings,' 'The Hobbit,' 'Hugo'), James Horner ('Titanic,' 'Star Trek,' 'Apollo 13') and Elliot Goldenthal ('Alien 3,' 'Batman Forever' and 'Batman and Robin'). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for 'Titanic' sold 30 million copies), yet their music is the least performed.

Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with "From Screen to Score: New Concert Music by Famous Film Composers"-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ("Star Wars," "Raiders of the Lost Ark," "E.T., the Extra Terrestrial"), Howard Shore ("Lord of the Rings," "The Hobbit," "Hugo"), James Horner ("Titanic," "Star Trek," "Apollo 13") and Elliot Goldenthal ("Alien 3," "Batman Forever" and "Batman and Robin"). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for "Titanic" sold 30 million copies), yet their music is the least performed.