Polly

By the mid-1920s the Marx Brothers (Groucho, Harpo, Chico, and Zeppo) were already well known on the vaudeville circuit. Broadway gave their mayhem a larger canvas. Producer Sam Harris commissioned a musical comedy built around them, pairing their improvisational chaos with the polish of Berlin’s songs and Kaufman’s sharp theatrical wit.

A large talented cast with so much energy brings this iconic musical to life!

Little Lord presents the world premiere of their most ambitious work to date, SKINNAMARINK, as part of Next Door at NYTW.

Strap in, folks…things are about to get wild over at Heritage Theatre Festival with the classic Marx Brothers musical The Cocoanuts - coming to the Culbreth Theatre from July 20-29.

Strap in, folks…things are about to get wild over at Heritage Theatre Festival with the classic Marx Brothers musical The Cocoanuts - coming to the Culbreth Theatre from July 20-29.

Actors Co-0p Theatre Company (Ovation Award-Winner 2014 Best Intimate Theatre Musical for 110 in the Shade) presents the second show in its 26th Season, George S. Kaufman and Moss Hart's beloved comedy classic THE MAN WHO CAME TO DINNER.

The Douglas Morrisson Theatre is excited to announce the third show in our Revelations Season: the witty and provocative MRS. WARREN'S PROFESSION by George Bernard Shaw, the playwright of Pygmalion and Major Barbara.

The National Theatre Conference (NTC), an organization founded in 1925 that meets annually in New York to discuss relevant issues in today's theatre community and to celebrate outstanding achievement in the American theatre, has named the recipients of its 2015 awards. HowlRound Director Polly Carl has been named Person of the Year; the Illusion Theater in Minneapolis, under its co-producing directors Michael Robins and Bonnie Morris, is the recipient of the Outstanding Theatre Award; and playwright Jessica Dickey has been selected as the winner of the Barrie and Bernice Stavis Playwright Award. All three will be honored and presented with their awards and hold discussions with the membership at The Players club during NTC's annual meeting in New York, December 4-6, 2015.

The Ziegfeld Society will present A SALUTE TO ROCKETTE HISTORY II today, March 15th, an original musical revue which tells the history of the precision dance line founded in 1925 by choreographer Russell Markert, inspired by The Tiller Girls in THE ZIEFELD FOLLIES OF 1922, and their evolution from their early beginnings as The Missouri Rockets to the Roxyettes to the now legendary Rockettes. The production will have musical direction by Mark York (musical director of Jim Dale's upcoming Roundabout production JUST JIM DALE), written. directed and choreographed by former Rockettes Mary Six Rupert and Karyn Tomczak.

The Ziegfeld Society will present A SALUTE TO ROCKETTE HISTORY II on Saturday, March 15th, an original musical revue which tells the history of the precision dance line founded in 1925 by choreographer Russell Markert, inspired by The Tiller Girls in THE ZIEFELD FOLLIES OF 1922, and their evolution from their early beginnings as The Missouri Rockets to the Roxyettes to the now legendary Rockettes. The production will have musical direction by Mark York (musical director of Jim Dale's upcoming Roundabout production JUST JIM DALE), written. directed and choreographed by former Rockettes Mary Six Rupert and Karyn Tomczak.

The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin tonight, February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.

The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.

Yale Repertory Theatre, in a co-production with American Repertory Theater, presents the world premiere of Marie Antoinette by David Adjmi, directed by Rebecca Taichman. Marie Antoinette will be performed at Yale Repertory Theatre (1120 Chapel Street) October 26 through November 17. Opening Night is Thursday, November 1. The cast includes Fred Arsenault, Hannah Cabell, David Greenspan, Marin Ireland, Vin Knight, Jo Lampert, Polly Lee, Steven Rattazzi, Jake Silbermann, Teale Sperling, Brian Wiles, and Ashton Woerz.

Yale Repertory Theatre, in a co-production with American Repertory Theater, presents the world premiere of Marie Antoinette by David Adjmi, directed by Rebecca Taichman. Marie Antoinette will be performed at Yale Repertory Theatre (1120 Chapel Street) October 26 through November 17. Opening Night is Thursday, November 1. The cast includes Fred Arsenault, Hannah Cabell, David Greenspan, Marin Ireland, Vin Knight, Jo Lampert, Polly Lee, Steven Rattazzi, Jake Silbermann, Teale Sperling, Brian Wiles, and Ashton Woerz.

The Wilma Theater is pleased to present the United States Premiere of Our Class, written by one of Poland's leading playwrights, Tadeusz S?obodzianek (ta-DAY-use swo-bode-ZYAN-eck), in an English version by Ryan Craig, directed by the Wilma's Artistic Director Blanka Zizka.

The Wilma Theater is pleased to present the United States Premiere of Our Class, written by one of Poland's leading playwrights, Tadeusz S?obodzianek (ta-DAY-use swo-bode-ZYAN-eck), in an English version by Ryan Craig, directed by the Wilma's Artistic Director Blanka Zizka.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

The New York Times reports that Ana Gasteyer has joined the cast of Roundabout's 'Threepenny Opera' for which previews will beging on March 24th.

The New York Times reports that Dale will return to Broadway after an absence of nine years to star as Mr. Peachum in the Roundabout production.

Alan Cumming, Edie Falco and Nelli McKay to appear in a new Roundabout production of The Threepenny Opera.