La Traviata Revival

BroadwayWorld is saddened to report that conductor Everett Lee has died at age 105. Lee became the first African-American conductor to lead a production on Broadway in 1945's On The Town. He was also among the first Black conductors to lead a major opera company, conducting the New York City Opera's production of Verdi's 'La Traviata' in 1955.

The Royal Opera House will continue its first full Season since 2019 with a selection of world class productions throughout 2022, showcasing the very best of opera and ballet.  In anticipation of the new year, here are a selection of upcoming world premieres and classic revivals from The Royal Opera and The Royal Ballet.

After fourteen years of producing a nationally recognized Festival in the springtime, the organization will return to a year-round format, as it looks to expand its presence and visibility in the growing North Texas arts scene.

The Royal Opera House has shared early plans for its 2021/22 Season, the first full Royal Opera House Season since 2019.   

San Diego Opera has announced addition to its 2019-2020 season with the Bel Canto Trio for one-night-only on Wednesday, March 4, 2020 at 7:30 PM at The Conrad Preby Performing Arts Center in the Baker-Baum Concert Hall (7600 Fay Ave, La Jolla, CA 92037). In 1947 Columbia Artist Management created The Bel Canto Trio, featuring tenor Mario Lanza, soprano Frances Yeend, and bass-baritone George London.

The Oratorio Society of New York begins its four-concert 2019-20 season on Tuesday, November 5, with a special program at the Cathedral of St. John the Divine.

Amalia Hernández-Ballet Folklórico de México son nombres que van ligados, no se puede hablar de ella sin mencionar su contraparte. El nombre de la bailarina y coreógrafa mexicana es conocido internacionalmente, debido a que gran cantidad de público nacional y extranjero acude al Palacio de Bellas Artes para disfrutar de la ejecución de las tradicionales danzas mexicanas que la artista contribuyó a difundir.

General Director Ken McConnell and Artistic Director Tobias Picker today announced Tulsa Opera's 72nd season comprising classics such as Bizet's Carmen and Puccini's Madama Butterfly, and a new production of Mr. Picker's 1996 opera Emmeline, to be performed in Oklahoma for the first time, and led by Mr. Picker in his opera-conducting debut.

Music Director Carl St.Clair and Pacific Symphony announce the 2017-18 Hal and Jeanette Segerstrom Family Foundation Classical Series and special events.

Music Director Carl St.Clair and Pacific Symphony today unveil the 2016-17 Hal and Jeanette Segerstrom Family Foundation Classical and Sunday Casual Connections series and special events. This season celebrates the orchestra's 38th season and its 10th year in the Renée and Henry Segerstrom Concert Hall. Inaugurated by the Symphony in September 2006, this magnificent venue—with its exceptional acoustics and beautiful architecture—changed the world of symphonic music forever in Orange County. Both the orchestra and its audiences suddenly felt the ceiling to their musical opportunities open up to limitless possibilities. The trajectory of the orchestra sped up, allowing for broader choices in repertoire, greater ensemble excellence and immersive audience experiences—culminating, 10 years later, in this momentous season. 

La Jolla Playhouse announces the cast and creative team for Guards at the Taj, the final production of the 2015/2016 season. Written by Pulitzer Prize finalist Rajiv Joseph (Bengal Tiger at the Baghdad Zoo), the show marks Associate Artistic Director Jaime Castañeda's directorial debut at the Playhouse. The production will run February 2 - 28, 2016 (press opening: Wednesday, February 10) in the Sheila and Hughes Potiker Theatre. Tickets go on sale Sunday, December 6 at LaJollaPlayhouse.org or by calling (858) 550-1010.

Westport Country Playhouse will commemorate the centennial year of playwright Arthur Miller (1915-2005) with one of his last works, BROKEN GLASS, helmed by Playhouse artistic director Mark Lamos, playing tonight, October 6 - 24. Set in 1938 Brooklyn at the time of Nazi Germany's Kristallnacht (The Night of Broken Glass), the powerful drama incites a dangerous game of concealment, suspicion, and lies.

Westport Country Playhouse will commemorate the centennial year of playwright Arthur Miller (1915-2005) with one of his last works, BROKEN GLASS, helmed by Playhouse artistic director Mark Lamos, playing October 6 - 24. Set in 1938 Brooklyn at the time of Nazi Germany's Kristallnacht (The Night of Broken Glass), the powerful drama incites a dangerous game of concealment, suspicion, and lies.

Warner Classics presents the most ambitious and extensive project ever undertaken in the name of the Maria Callas catalogue: a groundbreaking remastered edition of her complete recordings.

The Milwaukee Symphony Orchestra and Associate Conductor Francesco Lecce-Chong present Leonard Bernstein's On the Town today, January 31-February 1, 2014 at 8:00 p.m. at the Marcus Center for the Performing Arts with soprano Georgia Jarman. The program features Bernstein's Three Dance Episodes from On the Town and On the Waterfront Symphonic Suite, Foss's Time Cycle, and Barber's Knoxville: Summer of 1915, Opus 24.

When Renée Fleming returns to LA Opera this spring to headline the Company's first performances of A Streetcar Named Desire, General Director Plácido Domingo promises that it will be an experience to savor.

The Milwaukee Symphony Orchestra and Associate Conductor Francesco Lecce-Chong present Leonard Bernstein's On the Town on January 31-February 1, 2014 at 8:00 p.m. at the Marcus Center for the Performing Arts with soprano Georgia Jarman. The program features Bernstein's Three Dance Episodes from On the Town and On the Waterfront Symphonic Suite, Foss's Time Cycle, and Barber's Knoxville: Summer of 1915, Opus 24.

Vancouver, BC ~ Effervescent, intoxicating, and just a little daft, Vancouver Opera's colourful production of Albert Herring bursts onto the Queen Elizabeth Theatre Stage in less than two weeks. Benjamin Britten's fast-paced, clever and hummable opera, directed by Glynis Leyshon, transports audiences to the 1950s in a riot of scrumptious costumes, devastating satire, and charming slapstick.

The busybodies of proper English village life are brilliantly skewered in Benjamin Britten's devastatingly satirical Albert Herring, onstage at Vancouver Opera for four performances only. Fast-paced, effervescent and musically clever, this sparkling 1950s-style company premiere is a scrumptious treat for Vancouver audiences.

Vancouver, BC ~ Effervescent, intoxicating, and just a little daft, Vancouver Opera's colourful production of Albert Herring bursts onto the Queen Elizabeth Theatre Stage in less than two weeks. Benjamin Britten's fast-paced, clever and hummable opera, directed by Glynis Leyshon, transports audiences to the 1950s in a riot of scrumptious costumes, devastating satire, and charming slapstick.

The busybodies of proper English village life are brilliantly skewered in Benjamin Britten's devastatingly satirical Albert Herring, onstage at Vancouver Opera for four performances only. Fast-paced, effervescent and musically clever, this sparkling 1950s-style company premiere is a scrumptious treat for Vancouver audiences.

The Little Orchestra Society (LOS) presents TUBBY THE TUBA narrated by Patti Smith, the iconic National Book Award-winner, rock musician and poet, today, March 16, 2013, at 11:00 a.m. and 1:00 p.m., at Lincoln Center's Avery Fisher Hall.

Bang the Lion has lost his beat. How will he find it? The Lolli-Pops gang, guest conductor James Judd, and audiences will help him, as The Little Orchestra Society (LOS) presents, WHO'S GOT THE BEAT?, today, February 9, at 10:00 a.m. and 11:30 a.m., and Sunday, February 10, at 1:00 p.m. and 2:30 p.m., at The Kaye Playhouse at Hunter College (68th St. between Park and Lexington Aves.).

The Little Orchestra Society (LOS) presents TUBBY THE TUBA narrated by Patti Smith, the iconic National Book Award-winner, rock musician and poet, on Saturday, March 16, 2013, at 11:00 a.m. and 1:00 p.m., at Lincoln Center's Avery Fisher Hall.

Bang the Lion has lost his beat. How will he find it? The Lolli-Pops™ gang, guest conductor James Judd, and audiences will help him, as The Little Orchestra Society (LOS) presents, WHO'S GOT THE BEAT?, on Saturday, February 9, at 10:00 a.m. and 11:30 a.m., and Sunday, February 10, at 1:00 p.m. and 2:30 p.m., at The Kaye Playhouse at Hunter College (68th St. between Park and Lexington Aves.).