Where Do We Go From Here? - 1938 Broadway History , Info & More
Where Do We Go From Here? - 1938 - Broadway Articles Page 3
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by Matt Tamanini - Mar 15, 2015
'If music be the food of love, play on.' Even before the invention of the musical comedy (more on that later), William Shakespeare knew the importance of music in telling stories on stage. For our March feature, my colleague Jeff Walker and I thought that instead of marking the Ides of March with songs about murder, betrayal, and fate, we would focus on the synergy between showtunes and Shakespeare.
by BWW News Desk - Feb 27, 2015
Below are March's events at Bookworks. For more information visit, bkwrks.com/event.
by Caryn Robbins - Dec 4, 2013
The Jewish Museum and The Film Society of Lincoln Center will present the 23rd annual New York Jewish Film Festival at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, Jan. 8-23, 2014.
by Stephen Hanks - Jul 5, 2013
Back on April 1, when he posted his third compilation of delayed cabaret reviews from shows staged during the winter, BroadwayWorld.com's lead New York cabaret reviewer promised Number 4 would come with arrival of summer. Okay, so he missed his self-imposed deadline by a couple of weeks. but here's yet another catch-up column with critiques of a half dozen spring shows performed by Bryan Batt, Dawn Derow, Lynly Forrest, Dennis McNeil, Anastasia Barzee, and Nina Hennessey.
by BWW News Desk - Jun 14, 2013
A new CD, The Hours Begin to Sing, with songs by American composers performed by soprano Lisa Delan, has just been released on the PentaTone Classics label (PTC 5186 459).
by BWW News Desk - Feb 5, 2013
Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.
by Jeffrey Ellis - Aug 10, 2012
Apparently, it is Elvis Week in Nashville (at least according to the fine folks at Loveless Cafe), so before we head out to the theater for a full weekend of show openings and the like, a trip to West Nashville for a slice of the Loveless' Elvis pie is in order (for the uninitiated, that's peanut butter, banana, bacon and homemade whipped cream-the four basic food groups, according to The King.), so before we slip into a diabetic coma, here's installment #7 of Music City Confidential, all the news that's fit to print from onstage, offstage, backstage and beyond…
by Robert Diamond - Dec 7, 2009
Orson Welles was very much the leader of the Mercury Theatre Company, despite his relative youth. He became, in fact, a Broadway legend...
by Kristin Salaky - Mar 17, 2009
The opposites attracting plot is probably as old as romantic comedy itself, but even if Rooms: a rock romance follows familiar paths, the Paul Scott Goodman (book/music/lyrics) and Miriam Gordon (book) two-person musical is such a buoyant, funny and upbeat affair that the clichés of the story are conquered by the cleverness and exuberance with which the story is told. Under Scott Schwartz's swift and breezy direction, the 90-minute one-act scoots the audience along on an immensely enjoyable ride.
by Jessica Lewis - Oct 20, 2009
The Metropolitan Room, deemed the best cabaret room in New York by New York Magazine, has announced its upcoming November calendar.
by Adrienne Onofri - Sep 11, 2009
An original cast member off and on B'way and in London, Ann rejoined the show for its final months.
by BWW News Desk - Mar 17, 2009
Today's Broadway Blogs on BroadwayWorld.com from Tuesday, March 17, 2009.
by BWW News Desk - Mar 1, 2009
Today's Broadway Blogs on BroadwayWorld.com from Sunday, March 1, 2009.
by BWW - Feb 13, 2005
We spoke to your favorites to find out what they thought was the most romantic Broadway love song.
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