When We Were Twenty-one - 1906 - Broadway Articles Page 2

Today, baritone Will Liverman has released Dreams of a New Day: Songs by Black Composers with pianist Paul Sánchez on Cedille Records. Liverman says, “Right now, it is more important than ever to celebrate the contributions of Black composers, and I’m honored to give voice to the art songs on this album.'

On Friday, February 12, 2021, baritone Will Liverman releases Dreams of a New Day: Songs by Black Composers with pianist Paul Sánchez on Cedille Records.

The Chamber Music Society of Lincoln Center has announced a Fall Season of digital concerts to replace each of the performances originally scheduled for Alice Tully Hall -- Front Row Mainstage, 16 newly-curated concerts drawn from CMS's vast archive of high-quality recordings.

The Cecilia Chorus of New York will host a remote watch party for The Belshazzar Project on Monday, April 13 @ 7:30 PM.

By the late 19th century, the American food supply was rife with frauds, fakes, and legions of untested and often deadly chemicals that threatened the health of consumers. The Poison Squad, based on the acclaimed book by Deborah Blum, tells the story of a little known government chemist named Dr. Harvey Wiley, who, determined to banish these dangerous substances from the American diet, took on the powerful food manufacturers and their allies in government. To demonstrate the peril lurking in these ubiquitous chemicals — from copper sulfate to borax to formaldehyde — Wiley embarked upon a series of bold and controversial trials on human subjects — a dozen brave young men who would become known as the “Poison Squad.” Following Wiley's unusual experiments and tireless crusade for food safety, the film charts the path of the forgotten man whose work would become the basis for our consumer protection laws, and ultimately the creation of the FDA. Written, directed and produced by John Maggio and executive produced by Mark Samels and Susan Bellows, The Poison Squad premieres Tuesday, January 28, 2020, 9:00-11:00 p.m. ET (check local listings) on AMERICAN EXPERIENCE on PBS, PBS.org and the PBS Video App.

CAUTIONARY TALES is a new podcast a?" produced by Malcolm Gladwell and Jacob Weisberg's audio venture Pushkin Industries - that tells stories of history's mishaps and disasters and illuminates what we can learn from each of these remarkable and in some cases, unbelievable true tales. Written and hosted by bestselling author of The Undercover Economist Tim Harford, the podcast will launch with eight episodes on November 15, 2019.

ShPIeL Performing Identity has released an updated schedule for TEATRON: Chicago's Jewish Theatre Festival, to be held from Sunday, November 3 - Sunday, November 10, 2019, with most events at Victory Gardens Theater, 2433 N. Lincoln Ave., Chicago.

This Skylight production is certainly more stripped down, relying on simple orchestrations, bare-bones sets, and a small ensemble to achieve something great. A production like this allows the strongest bit of 'Oklahoma!' -- the music -- to shine.

ShPIeL Performing Identity a?" a theatre and performance incubator and producer based jointly in Chicago and Louisville, Kentucky a?" will present TEATRON: Chicago's Jewish Theatre Festival from Sunday, November 3 a?" Sunday, November 10, 2019 at Victory Gardens Theater, 2433 N. Lincoln Ave., Chicago. The eight-day festival dedicated to Jewish theatre, the first-ever in Chicago, will be presented in conjunction with and will overlap the annual Alliance for Jewish Theatre Conference, hosted by ShPIeL at Victory Gardens Theater and The Theatre School at DePaul University from November 1-3, 2019. (FOR CONFERENCE REGISTRATION AND SCHEDULE visit alljewishtheatre.org). ShPIeL Producing Artistic Director David Y. Chack today announced the festival lineup, which will include staged readings, solo performances, storytelling, cabaret, and comedy.

When the Seattle Rep announced their season and I saw they were taking on Paula Vogel's incredible play a?oeIndecenta?? I was thrilled. But even more so I was surprised as to how many of my friends hadn't heard of it. I mean, it was nominated for a Tony, and even had the entire thing shown on PBS at one point. But still it was only the major theater geeks that had this one on their radar. Well, now that it's here I'm pleased to state that the Rep's production completely met and exceeded my expectations and now I can share my thoughts on this stunning play with you, Dear Readers, and explain why you need to catch it.

Gulfshore Playhouse, Naples' premier professional regional theater, has announced the finalists for its Seventh Annual New Works Festival, which brings together playwrights, actors and directors from across the country for a weeklong workshop culminating in a series of staged readings.

A sweeping, grandiose, and emotionally-searing stage musical adaptation of E.L. Doctorow's expansive 1975 novel, RAGTIME is a gripping, multi-character, and multi-story theatrical experience that uses era-authentic specificity to depict America's past during a time when its increasingly diverse population has been forced to adjust to the ramifications of new technological, social, political, and economic changes that are spreading throughout the nation. Of course, one can't help but observe that, eerily, many of these very same issues are somehow still top-of-mind today, particularly in recent years with the surge in anti-immigrant policies and sentiments, the increasing gap between the rich and the poor, and, of course, the horrific rise of racist sentiments and, worse, racist acts against people of color. Perhaps this overarching motif---that many of these era-specific issues that RAGTIME's characters struggled with in 1906 are still alarmingly present in 2019---is the true motivator behind director Casey Stangl's impressive, 'intimate' theater reimagining of RAGTIME for Chance Theater, which continues performances in Anaheim through August 11, 2019.

INDECENT now onstage at Center Theatre Group/Ahmanson Theatre in a co-production with Huntington Theatre Company, magnificently directed by Rebecca Taichman, is as close to a Broadway-quality production as you will ever see in the City of Angels, with incredibly entertaining, stylized movement performed by triple-threat performers, guaranteed to draw you into not only the story but the necessity of its truth being brought to the stage now.

Paula Vogel's INDECENT has already begun its previews at the Ahmanson Theatre. Vogel and director Rebecca Taichman continue their collaboration, from the workshops and the Broadway run (for which Rebecca won her Tony Award directing INDECENT), to this co-production between the Center Theatre Group and the Huntington Theatre Company. I had the opportunity to delve into the inner creative workings of the man portraying Sholem Asch - Joby Earle.

As part of BroadwayWorld's expansive coverage of the 73rd Annual Tony Awards, we're bringing you the full text of all of the acceptance speeches; from the emotional to the bizarre, and everything in between. Keep up with all of the winners' speeches on our continuously updated list below.

We got the chance to chat with Tony-nominated director and choreographer Marcia Milgrom Dodge about RAGTIME -- its relevance to the current U.S. political climate and what makes it one of the best musicals of the 20th (and 21st century).

Multiple Grammy and Oscar winning artist, musician and producer T Bone Burnett gave a thought provoking keynote speech at SXSW today, warning of the current dangers of the dominance of digital monopolies like Google and Facebook, while championing the value of the independence of artists. See below for the full text of the speech.

Indecent is about the power of theater to dazzle and uplift. Playwright Vogel has discussed plays that make the hair stand up on her neck. That is exactly what Indecent does: makes the hairs stand up on the back of the neck, and we may be at a loss to explain.

Paula Vogel's 2015 play Indecent, in a production now arrived at Center Stage after stops at D.C.'s Arena Stage and the Kansas City Rep, is a staggering tour de force of playwriting prowess that is also a tour of a largely forgotten world: international Yiddish theater shortly after the turn of the last century. A play about a play about a play, it follows Sholem Asch's God of Vengeance on a circular path, from Lodz, Poland in 1906 to Warsaw, to various stages in Europe, through Ellis Island and various New York theaters, culminating with an abortive stay on Broadway, and thence back to Lodz once more, at the peak of the Holocaust. And then, in a sort of coda, it concludes in Connecticut with the last days of Mr. Asch. All these parts are contained within an initial framing device in which, like Pseudolus in A Funny Thing Happened on the Way to the Forum, a stage manager named Lemml (Ben Cherry), introduces the players and musicians, apparently members of a turn-of-the-century Yiddish theater troupe, and identifies the kinds of parts they will play (like male and female Ingenues). Everything that follows, i.e. a play about presenting a play, is presented as a play performed by this troupe.

Susanna Gellert, the new Executive Artistic Director of Weston Playhouse Theatre Company, has unveiled her inaugural season at the helm of Vermont's award-winning professional theater.

Modern audiences were given the opportunity to see the powerful messages of Wedekind's play - set in the late 19th century - juxtaposed with a manic, brilliant rock score by Duncan Sheik and equally impactful lyrics and a book by Steven Slater to create the recipient of 2007's Tony Award for Best Musical. Brought to life by The Argyle Theatre, Long Island fans of the show and those who missed it on Broadway have the chance to see this important work. 

The Sheen Center for Thought & Culture has announced its 2019 winter/spring season, a rich program of theater, film, music, poetry, art, and talk events featuring artists and thought leaders including Grammy Award-winning singer-songwriter Mary Chapin Carpenter;Tony Award winner Lena Hall; Grammy Award-winning musician and recording artist Eileen Ivers; Pulitzer Prize and Tony Award nomineeAlexander Gemignani;and journalist and former Wall Street Journal columnist Sohrab Ahmari.

Directed by Darko Tresnjak, 'Anastasia' is not to be missed at Kennedy Center. A strong story with an equally strong cast to bring it to life, coupled with some great music by one of Broadway's best writing teams, makes it a sure bet.

One month after the close of its 86th season, Jacob's Pillow announces record-breaking ticket sales for its acclaimed summer dance festival. The organization reports over $2.5 million in ticket sales, an increase of 13% when compared with 2017; over 40,000 tickets were sold, an increase of 5%, when compared with last year. The season boasts 10,000 unique ticket buyers, an increase of 8% and the largest number since the organization began tracking this particular indicator in 2005.