Frankie Valli and the Real Jersey Boys return to OCPAC Jan. 2, 2010
by Michael L. Quintos - Oct 29, 2009
It's "Just to Good to be True!" Frankie Valli and The Four Seasons make a return visit to the Orange County Performing Arts Center on Saturday, January 2, 2010 at 7:30 p.m. in Segerstrom Hall for an evening full of classic hits such as "My Eyes Adored You" and "December '63 (Oh, What a Night)." Valli's incredible career as a solo artist and with The Four Seasons has produced 19 Top 10 hits and sold more than 100 million records worldwide. He is a member of the Rock and Roll Hall of Fame and was named longevity champ of the rock era by Billboard magazine.
Frankie Valli and The Four Seasons Return to the OCPAC 1/2/2010
by Gabrielle Sierra - Oct 29, 2009
It's 'Just to Good to be True!' Frankie Valli and The Four Seasons make a return visit to the Orange County Performing Arts Center on Saturday, January 2, 2010 at 7:30 p.m. in
Segerstrom Hall for an evening full of classic hits such as 'My Eyes Adored You' and 'December '63 (Oh, What a Night).'
A.C.T. Presents John Guare's 'RICH AND FAMOUS' Opening 1/8
by BWW News Desk - Jan 8, 2009
American Conservatory Theater (A.C.T.) continues its 2008-09 season with John Guare's Rich & Famous, directed by John Rando (Urinetown, The Musical and Wedding Singer on Broadway) in its first major revival since its 1976 New York debut. From the ingenious mind of John Guare, who brought Six Degrees of Separation and The House of Blue Leaves to the American stage, this delicious dark comedy springs to life with twisted humor, rapid-fire dialogue, and outrageous plot twists. The revival script includes significant rewrites to the original text, as well as hilarious songs freshly scribed by Guare himself. In Rich and Famous, playwright Bing Ringling yearns to savor the sweet taste of celebrity, and he's hoping play number 844 will be his lucky break. But on opening night, he slips into a nightmarish phantasmagoria that shows him just how wrong things can go.
A.C.T. Presents John Guare's 'RICH AND FAMOUS' Opening 1/8
by Gabrielle Sierra - Dec 4, 2008
American Conservatory Theater (A.C.T.) continues its 2008-09 season with John Guare's Rich & Famous, directed by John Rando (Urinetown, The Musical and Wedding Singer on Broadway) in its first major revival since its 1976 New York debut. From the ingenious mind of John Guare, who brought Six Degrees of Separation and The House of Blue Leaves to the American stage, this delicious dark comedy springs to life with twisted humor, rapid-fire dialogue, and outrageous plot twists. The revival script includes significant rewrites to the original text, as well as hilarious songs freshly scribed by Guare himself. In Rich and Famous, playwright Bing Ringling yearns to savor the sweet taste of celebrity, and he's hoping play number 844 will be his lucky break. But on opening night, he slips into a nightmarish phantasmagoria that shows him just how wrong things can go.
An Interview With Robert Emmet Lunney
by Faetra Petillo - Oct 27, 2008
When the first act of Warren Manzi's PERFECT CRIME ends, the audience sits in stone cold silence. The silence lasts for a few moments after the houselights are brought up and when the audience does finally react, they are abuzz about the convolutions of the plot that is unraveling before them. According to actor Robert Emmet Lunney it's 'hopefully because the audience is thinking; maybe even perplexed.'
Donna McKechnie: One Singular Sensation
by Jan Nargi - Aug 6, 2008
The Tony Award-winning actress who will forever be remembered for her breathtaking performance as the original Cassie in 'A Chorus Line' shares her views on her life, her continuing career, and her triumph over a debilitating illness that ironically gave her a second chance at happiness
Ted Neeley: Jesus….And So Much More!
by Pati Buehler - May 8, 2007
After talking with this 'gentleman' from Texas you soon find out his plate has been full of wonderful entertainment experiences and he's no where ready to slow up yet.
'Thank you and good night'
by Michael Dale - Jan 22, 2004
With those words and one last musical flourish, the final performance at Henry Miller's Theatre came to an end