There You Are - 1932 - Broadway Articles Page 10

Donmar Warehouse Announces the 2016 Spring Season!

New Theatre's 2016 Season line up continues the company's legacy of staging productions that will challenge ideas and discuss issues.

San Francisco Opera today announced new details of its soon-to-be-completed $21 million renovation of 38,000 square feet in the Veterans Building's fourth floor and basement named the Diane B. Wilsey Center for Opera. Adjacent to the War Memorial Opera House, the Wilsey Center for Opera is scheduled to open in late February 2016, and consolidates most of the Company's operations into a single campus in the vibrant and emerging arts district of San Francisco's Civic Center. The 1932 Beaux Arts-designed Veterans Building recently reopened in September following a 26-month, City-financed $156 million seismic retrofit and renovation of the historic Herbst Theatre, Green Room, meeting rooms, offices and corridors throughout the first three floors.

With a fearsomely coherent exhibition, the Neue Galerie transports its visitors to the streets, theaters, and artists' studios of 1918-1933 Berlin.

WIESENTHAL tells the powerful true story of Simon Wiesenthal, often called the "Jewish James Bond," a Holocaust survivor who, after cheating death at the hands of Hitler's S.S., spent his life bringing to justice the most notorious war criminals in human history. This provocative solo performance, written and performed by Tom Dugan and directed by Jenny Sullivan, is an uplifting and highly entertaining one-man show that unfolds like a gripping spy thriller, telling how Wiesenthal devoted his life to bringing more than 1,100 Nazi war criminals to justice after WW II.

On Tuesday, October 13, from 11 am until midnight, Krystal restaurants will treat guests to a very special offer! In honor of the brand's 83 rd birthday and to thank its guests for their loyalty, Krystal will be offering its original iconic square Krystal hamburger for just 50 cents each starting at 11 am and continuing until midnight. There is no limit to the number of Krystals that can be purchased and the chain is gearing up to grill!

J.B Priestley's DANGERUOUS CORNER is the season opener at 2nd Story Theater in Warren, and I have to say I was disappointed. Theater requires a 'willing suspension of disbelief,' to steal a phrase from William Taylor Coleridge, and this production did not facilitate that end. Trevor Elliot's set was fine, some truly beautiful art deco chairs stage left, very cool wall decorations, and a baby grand stage right. Ron Cesario's costumes-black tie for the men, elegant gowns for the women, also looked good on the actors.

Attention: students slogging through boring classes of quantum mechanics - have I got a show for you. Go see Copenhagen, the Tony-Award winning play now being staged at the Rubicon Theatre Company in Ventura. Written in 1998 by Michael Frayn (Noises Off), Copenhagen is an imaginative 'what-if' story about a mysterious encounter between former friends and colleagues Werner Heisenberg and Niels Bohr. The meeting actually took place, in Copenhagen, Denmark in September 1941. Bohr, a Danish scientist who explored the principle of complementarity, was the mentor of Heisenberg, a German theoretical physicist working on quantum theory who had been recruited by the Nazi government to help develop an atomic weapon to be used against the Allies during World War II. What isn't known is what the two discussed, which brings about a fascinating cat-and-mouse game as the two explore the laws of classical mechanics.

The Folger Shakespeare Library continues its collaboration with Picturehouse Entertainment to bring the Royal Shakespeare Company from Shakespeare's hometown of Stratford-upon-Avon to Washington, D.C. with a screening of THE MERCHANT OF VENICE tonight, September 12th at 7:00pm.

A HAPPY END by Israeli playwright Iddo Netanyahu is the story of a well-to-do, well-integrated Jewish couple in 1932 Berlin deciding whether to remain in Germany or to flee to America.  The production dramatizes a dilemma -- whether to leave home, family and friends for an uncertain future in a foreign land, or stay, hoping the situation will improve -- that has been shared and faced by thousands of emigres. 

The Folger Shakespeare Library continues its collaboration with Picturehouse Entertainment to bring the Royal Shakespeare Company from Shakespeare's hometown of Stratford-upon-Avon to Washington, D.C. with a screening of THE MERCHANT OF VENICE on Saturday, September 12th at 7:00pm.

A HAPPY END by Israeli playwright Iddo Netanyahu is the story of a well-to-do, well-integrated Jewish couple in 1932 Berlin deciding whether to remain in Germany or to flee to America.  The production dramatizes a dilemma -- whether to leave home, family and friends for an uncertain future in a foreign land, or stay, hoping the situation will improve -- that has been shared and faced by thousands of emigres. 

Betty-Jane Parks brilliantly inhabits the role of Flannery O'Connor in a brief, but memorable one-woman show.

The power of Turner Broadcasting and its brands will be on full display at this year's Comic-Con International: San Diego

The Old Globe's presentation of Kiss Me, Kate, the classic musical comedy featuring a book by Sam and Bella Spewack and an iconic score by Cole Porter, begins tonight, July 1, on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center.

The Film Society of Lincoln Center announces a celebration of films from the Swinging Sixties (and beyond) with the retrospective Richard Lester: The Running Jumping Pop Cinema Iconoclast

The complete cast and creative team have been announced for The Old Globe's presentation of Kiss Me, Kate, the classic musical comedy featuring a book by Sam and Bella Spewack and an iconic score by Cole Porter.

The Film Society of Lincoln Center announced today Let Us Now Praise Famous Men: The Films of Pedro Costa, from July 17-23. The series precedes the opening of the Portuguese auteur's long-awaited, "hauntingly beautiful" (Variety) new film, Horse Money, which played last fall at the 52nd New York Film Festival and opens theatrically at the Film Society on July 18.

If you have a hankering for romance and you love the old-fashioned musicals of a by-gone era, Waterfall is a perfect fit. Richard Maltby, Jr. and David Shire have created a beautiful glimpse of passionate love that develops amidst the turmoil of divergent cultures, east and west before WWII. Currently onstage at the Pasadena Playhouse, Waterfall is sumptuously breathtaking with an extraordinary director and ensemble.

Enjoy Shakespeare under the stars at The Shakespeare Theatre of New Jersey's Outdoor Stage production of Love's Labour's Lost. The enormously popular summer venue, located on the campus of the College of Saint Elizabeth in Morris Township, will host the show beginning on June 17th and continuing through July 26th.

No matter what the calendar says, we're in early summer already - insofar as theater in Tennessee is concerned, at least - and there are four new shows opening this week that should command your attention. Along with a number of shows that are continuing their runs (like John Chaffin's Cliffhanger at Chaffin's Barn Dinner Theatre), you have plenty of diverse and intriguing onstage offerings to keep you in the relative, air-conditioned comfort of a darkened theater. We've done the necessary research, made the calls to the people-in-the-know and have included the dates, the phone numbers and the websites to make it as easy as possible for you to buy tickets and go show some support for the arts while indulging in the magic of live theater…

Wilson plays a straight-laced goofball with a supposedly flush checkbook in Scott Ellis's revival of the screwball comedy.

“Lover, when I'm near you . . .” sings the debonair Todd Murray this past Monday night at Birdland, mere feet away from rapt eyes into which he pours himself. He's performing the waltzy song acoustically, voice full out in opposition to lyric mood. The back of the house undoubtedly finds sound muted. “This is how you would've heard a band singer in 1925, before a new technique called 'crooning',” he tells us. “From the time I started working, they always called me a crooner.”

Lauren Stanford (who won the MetroStar Singing Competition at the Metropolitan Room in 2013) has convincingly done herself up to look like the legendary Helen Morgan in her new show, More Than You Know, which she introduced at the Laurie Beechman Theatre in late October and brought to 54 Below this past Friday night. Stanford's presentation is 2/3 singing and 1/3 biography. Research is evident; specific adds color. The use of framed photographs and several conjectured telephone calls is effective (the actress listens). Vocals don't emulate Morgan's controlled vibrato, but Stanford has sufficient musical feel for the period to make mimicry unnecessary. Her uneven contralto can add feeling to a song rather than diminishing it. There are, however, other issues.

54 BELOW, Broadway's Supper Club, presents Lauren Stanford in 'More Than You Know' tonight, March 20th, 2015 at 9:30pm