THREEPENNY & MOON Director Carmen Capalbo Dies at 84
by Jessica Lewis - Mar 17, 2010
Carmen Capalbo, theater director and producer who was best known as the mastermind behind the hit revival of The Threepenny Opera off-Broadway in the 1950s, died of emphysema at his Manhattan home on Sunday at age 84. He is perhaps equally famous for his staging of Eugene O'Neill's 'Moon for the Misbegotten' premiere on Broadway in 1957.
Alexandra Silber Joins Robert Patteri In Reprise Theatre Compay's CAROUSEL
by BWW News Desk - Jan 26, 2010
The 2009-2010 season of Reprise Theatre Company continues with Rodgers and Hammerstein's 'Carousel,' January 26 to February 7 at UCLA's Freud Playhouse. Alexandra Silber stars as Julie Jordan, direct from her critically acclaimed portrayal of Julie Jordan in 'Carousel' at the Savoy Theatre in London's West End (TMA Award - Best Actress).
Alexandra Silber Joins Robert Patteri In Reprise Theatre Compay's CAROUSEL
by Gabrielle Sierra - Jan 12, 2010
The 2009-2010 season of Reprise Theatre Company continues with Rodgers and Hammerstein's 'Carousel,' January 26 to February 7 at UCLA's Freud Playhouse. Alexandra Silber stars as Julie Jordan, direct from her critically acclaimed portrayal of Julie Jordan in 'Carousel' at the Savoy Theatre in London's West End (TMA Award - Best Actress).
Silber, Patteri and Walsh to Star in Reprise's CAROUSEL
by Robert Diamond - Dec 21, 2009
The 2009-2010 season of Reprise Theatre Company continues with Rodgers and Hammerstein's 'Carousel,' January 26 to February 7 at UCLA's Freud Playhouse. Alexandra Silber stars as Julie Jordan, direct from her critically acclaimed portrayal of Julie Jordan in 'Carousel' at the Savoy Theatre in London's West End (TMA Award - Best Actress). Silber is joined by Robert Patteri as Billy Bigelow ('Scarlet Pimpernel,' 'Beauty and the Beast'.) Veteran character actor M. Emmet Walsh appears as the Starkeeper. Michael Michetti, co-artistic director of The Theatre at Boston Court, will direct, with choreography by Lee Martino and musical direction by Darryl Archibald.
ArkivMusic Releases 8 Classic Cast Recordings On Cd
by Charlie Piane - Apr 9, 2009
On April 7, ArkivMusic released eight long-unavailable cast recordings on cd for the first time. New releases include DisinHAIRited, Hazel Flagg, Jimmy, The Last Sweet Days of Isaac, Let It Ride!, New Faces of 1952, New Faces of '56, and The Threepenny Opera.
THE THREEPENNY OPERA Opens At International City Theater
by BWW News Desk - Feb 20, 2009
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
THE THREEPENNY OPERA Opens At International City Theater
by Gabrielle Sierra - Jan 20, 2009
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'