The Suicide - 1980 - Broadway Articles Page 6

La MaMa presents Clover, a new experimental theater drama about America's history of violence by Erik Ehn, directed by Glory Kadigan with original music by Maya Solovey and original puppet design & puppetry direction by Jeanette Oi-Suk Yew. Performances will be staged at the First Floor Theatre at La MaMa, 74a East 4th Street, New York, NY 10003 from tonight, December 1, through December 16, 2016.

On Monday, December 12, for one night only, La MaMa will present 'An Italian Miracle,' an evening of a performance, panel discussion and film screening, to introduce New York to 'The Integrated Theatre of Emotion,' a university-level program for mentally disabled people that has been established by Italian actor/director Dario D'Ambrosi. 

La MaMa presents Clover, a new experimental theater drama about America's history of violence by Erik Ehn, directed by Glory Kadigan with original music by Maya Solovey and original puppet design & puppetry direction by Jeanette Oi-Suk Yew. Performances will be staged at the First Floor Theatre at La MaMa, 74a East 4th Street, New York, NY 10003 from December 1-16, 2016.

After introducing American audiences to red-hot British indie playwright Ross Howard in 2014, New Light Theater Project (Strange Country, In the Soundless Awe) will present THE ROSS HOWARD FESTIVAL. 

After introducing American audiences to red-hot British indie playwright Ross Howard in 2014, New Light Theater Project (Strange Country, In the Soundless Awe) will present THE ROSS HOWARD FESTIVAL. 

Abingdon Theatre Company will present two world-premiere plays and a new musical in the June Havoc Theatre as part of its 2016-2017 Season of new works by established and emerging writers, marking the first full season programmed by Artistic Director Tony Speciale.

On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Artistic Director in 2006, Jay Wegman has done much more than maintain "one of the last standing locations for avant-garde performance downtown" (The New York Times, 2009). He has created an arts venue that is unique to the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City. In a 2015 New York Times profile, Wegman says Abrons is "a place for people to succeed or fail or land somewhere in between."

Sedos, the City of London's premier amateur theatre company, deal with a highly sensitive legal and moral debate in their summer production of Whose Life Is It Anyway? at the company's resident home, the Bridewell Theatre, on 21-25 June.

In 1973, Claude Lanzmann began work on a documentary about the murder of European Jews during WWII. Twelve years and more than 200 hours of footage later, he finished 'Shoah,' a masterpiece widely considered to be the most important Holocaust film ever made.

St. Ann's Warehouse will continue the inaugural season in its new waterfront theater with the American Premiere of Irish composer Donnacha Dennehy and writer-director Enda Walsh's thrilling new opera The Last Hotel, in a Landmark Productions / Wide Open Opera production. Singers Claudia Boyle, Robin Adams and Katherine Manley, actor Mikel Murfi, and an ensemble of New York's finest contemporary players, conducted alternately by André de Ridder and Alan Pierson, will deliver this “searingly powerful new chamber work” (The Guardian). Presented by St. Ann's Warehouse and co-presented withPROTOTYPE: Opera/Theatre/Now andIrish Arts Center, The Last Hotel comes to New York after tremendously acclaimed engagements at the Edinburgh International Festival, the Dublin Theatre Festival and the Royal Opera House in London.

Below, BroadwayWorld sends a fond farewell to those who passed away in 2015.

St. Ann's Warehouse will continue the inaugural season in its new waterfront theater with the American Premiere of Irish composer Donnacha Dennehy and writer-director Enda Walsh's thrilling new opera The Last Hotel, in a Landmark Productions / Wide Open Opera production. Singers Claudia Boyle, Robin Adams and Katherine Manley, actor Mikel Murfi, and an ensemble of New York's finest contemporary players, conducted alternately by André de Ridder and Alan Pierson, will deliver this “searingly powerful new chamber work” (The Guardian). Presented by St. Ann's Warehouse and co-presented withPROTOTYPE: Opera/Theatre/Now andIrish Arts Center, The Last Hotel comes to New York after tremendously acclaimed engagements at the Edinburgh International Festival, the Dublin Theatre Festival and the Royal Opera House in London.

The Film Society of Lincoln Center announced today the details for Action and Anarchy: The Films of Seijun Suzuki, November 6-17.

Citadel Theatre is proud to present Judith Guest's Ordinary People, adapted for the stage by Nancy Gilsenen and directed by Artistic Director Scott Phelps, September 18 - October 18 at Citadel Theatre, 300 S. Waukegan Rd. Press are invited to final preview Thursday, Sept. 17 at 7:30 p.m. or the opening Friday, Sept. 18 at 8 p.m. The performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 8 p.m. and Sundays at 3 p.m. Tickets are $35 Thursdays and Fridays, $37.50 Saturdays and Sundays.  Tickets are available online at www.CitadelTheatre.org or over the phone by calling the Citadel Theatre box office at 847.735.8554. Discounts are available for seniors, students, theatre industry professionals and groups.

New Line Theatre, 'the bad boy of musical theatre,' celebrates its 25th anniversary season of adult, alternative musical theatre, with a new, expanded line-up and a brand new theatre.

More than music, the anti-establishment movement of Punk crashed onto the scene in the mid-to-late 1970s and spread like wildfire around the world. But it all started in Cleveland, Ohio. The films in AMERICAN PUNK celebrate the sub-culture with insightful rockumentaries of the early Punk scene and narratives made in the height of its popularity.

As stated in a June 3rd article in Foreign Policy titled 'The Pentagon Anthrax Scandal Is Getting Worse by the Day' ...

Four recent shows at Don't Tell Mama featured performers either making their debuts on the New York cabaret scene (Evelyn Sullivan and Erin McCracken) or who returned this spring in hopeful anticipation of sharing their artistic vision with audiences (Rob Sutton and Eve Eaton). They no doubt experienced the usual anxiety, trials and tribulations before ultimately taking the stage. And they've come out on the other side relatively unscathed. 

On the heals of its hit musical production Titanic, Griffin Theatre Company continues its 2014-15 season with Lanford Wilson's acclaimed drama BALM IN GILEAD directed by ensemble member Jonathan Berry and featuring an ensemble cast of 27 actors and musicians. BALM IN GILEAD will play tonight, March 14 - April 19, 2015 at The Den Theatre, 1333 N. Milwaukee Ave. in Chicago.

Distinguished Concerts International New York (DCINY) will showcase three superb choral ensembles in an all-a cappella program at Weill Hall tonight, March 13 at 8:00pm. Hailing from Canada are the Grammy-nominated Elora Festival Singers, and Le Chœur de chambre du Québec, which specializes in contemporary French-language works. And, from Buffalo, New York, the Harmonia Chamber Singers, who are noted for their innovative programming and stunning performances.

Distinguished Concerts International New York (DCINY) will showcase three superb choral ensembles in an all-a cappella program at Weill Hall on Friday, March 13 at 8:00pm. Hailing from Canada are the Grammy-nominated Elora Festival Singers, and Le Chœur de chambre du Québec, which specializes in contemporary French-language works. And, from Buffalo, New York, the Harmonia Chamber Singers, who are noted for their innovative programming and stunning performances.

Shortly after Graham Russell and Russell Hitchcock met the first day of rehearsal as chorus members in a Sydney, Australia production of 'Jesus Christ Superstar' in May 1975, they realized that they had many things in common including having seen The Beatles perform in concert in 1964. When they first performed at local clubs on nights after 'Jesus Christ Superstar' had ended, they could never have imagined that their musical partnership would last four times as long as that of their idols.

The production of Chekov's 'The Seagull,' now on at the Berkley Street Theatre, is an uneven disappointment. It fails to engage. Like Theatre 20's production of Stephen Sondheim's 'Company,' presented in the same venue last year, this Crow's Theatre production does not deliver on its exciting promise.

It's by tragic coincidence that the Atlantic Theater Company's newest production opens at a time when the permanent silencing of satirists is so fresh in the minds of its audience members.