The Small Hours - 1951 - Broadway Articles Page 3

WFMT and The Studs Terkel Radio Archive invite audiences into the history books with the new podcast Bughouse Square with Eve Ewing. Inspired by the legacy of the inimitable 20th century broadcaster and oral historian Studs Terkel, and supported by hours and hours of tape from the Studs Terkel Radio Archive, the podcast revisits historical figures and events once explored by Terkel-now unpacked for the 21st century. And there is no better guide to lead audiences through decades of American letters and culture than series host Eve Ewing, the prolific writer, scholar, and cultural organizer.

Taped during the 2017 London engagement, the Tony-winning musical AN AMERICAN IN PARIS comes to movie theaters in the United States on September 20 and 23. The live capture, distributed by Trafalgar Releasing, features the original Broadway star Leanne Cope reprising her role in the critically acclaimed musical. To get the scoop on the musical and the film, we chatted with Cope about it.

An American in Paris was first produced as a musical film by powerhouse studio MGM in 1951. It starred Gene Kelly and Leslie Caron. It won 6 Academy Awards including Best Picture. It remains one of the great Hollywood musicals of all time. Flash forward sixty-four years and it is adapted for the Broadway stage and wins 4 Tony Awards. It has a great love story and perfect score with memorable songs including "I Got Rhythm," "S'Wonderful," and "Tra La La."

The GRAMMY Museum® Grant Program announced today that $200,000 in grants will be awarded to 14 recipients in the United States and Canada to help facilitate a range of research on a variety of subjects, as well as support a number of archiving and preservation programs. Research projects include a study that will examine how rhythmic cues can improve movement for older adults and people with Parkinson's disease, and a study that will examine how neural integration through music enhances long-term memory, among others. Preservation and archiving initiatives will rescue and organize 400 hours of at-risk reel-to-reel tapes of Native Radio—Bay Area:1973–1978; preserve, digitize, and ensure public access to 316 rare interviews with performers, songwriters, and music executives from the Country Music Hall of Fame; and digitally restore rare kinescopes of the 1950s television series 'Stars Of Jazz' (KABC-TV, 1956-58); among others.

Hulu has released a plethora of titles coming to the streaming giant this April! Hulu is the only pay-TV service to offer live and on demand channels, original series and films, and a library of premium streaming TV shows and movies, all in one place. This includes content from the four major broadcast networks, ABC, CBS, FOX and NBC, with local live broadcast affiliate programming immediately available in many markets, with more to follow; the biggest live sporting events from top pro and college leagues on channels including CBS Sports, ESPN, FOX Sports, NBC Sports and TNT, as well as regional sports networks available in many markets; top news channels CNN, CNBC, FOXNews, FOX Business and MSNBC; popular lifestyle programming from Bravo, E!, Food Network, HGTV and Travel Channel; and fan favorites like A&E, Cartoon Network/Adult Swim, Disney Channel, Freeform, FX, HISTORY, Lifetime, National Geographic, TBS, USA Network, Viceland and more.

Boston Court Performing Arts Center announces the extension of their reimagined modern take of Tennessee Williams' A Streetcar Named Desire. Due to audience demand, the production will now play through April 1, 2018. This radical re-envisioning of Streetcarfeatures a multicultural cast and modern setting, pushing on the play's present-day relevance.

One thing becomes abundantly clear while witnessing Bailey McCall Thomas' emotionally charged performance of the song 'Cabaret' during a performance of the iconic Broadway musical of the same name: there is perhaps no 'title song' quite so evocative, quite so stunning as John Kander and Fred Ebb's composition for Cabaret. For it is during that song, performed by Sally Bowles in a Weimar era nightclub in Berlin, that the show's entire focus - every theme that shapes the work in order to tell its totally engrossing and entertaining story - is brought sharply into view, set to a memorable melody that seems at once to be both joyous and mournful, ensuring that every audience member experiences a response unique to them.

Working intimately with directors like Yasujiro Ozu, Akira Kurosawa, Kenji Mizoguchi and Kon Ichikawa on some of their most important films, Kazuo Miyagawa (1908-99) pushed Japanese cinema to its highest artistic peaks through his lyrical, innovative, and technically flawless camerawork. Considered the greatest cinematographer of postwar Japanese cinema whose career endured through the 1990s, Miyagawa has influenced generations of leading filmmakers around the world.

Tommy Bolin was born to Barb and Rich Bolin in Sioux City, Iowa, August 3 1951. At age five (!) Rich, took him to see Elvis Presley LIVE and Tommy's path, as it turns out, was set. The very blue collar Bolin family did all they could for Tommy, including buying him his first guitar, the obligatory Sears Silver-tone. His first Sioux City teen band was The Miserlous, followed in 1964 at age 13, by Denny and The Triumphs, which morphed into Patch of Blue. In 1999, they were was inducted in the Iowa Rock & Roll Hall of Fame. After leaving Patch of Blue, Tommy gigged with The Chateaux, based in Vermillion, South Dakota, where he met their drummer, Bobby Berge. It was at a gig with them there they he met John Tesar, who wrote lyrics for Tommy throughout his career. But Tommy wasn't "fitting in" at school. After being suspended from Central High School for his hair being too long, then cutting it short, and still being suspended, Barb and Rich supported 16 year old Tommy in leaving Sioux City. A one way bus ticket to Denver, Colorado was all he needed to start his new musical career.

Sumptuously designed and opulently mounted, the visual aesthetic for the Lincoln Center revival of Rodgers and Hammerstein's The King and I (a year-and-a-half into its national tour and now ensconced at Nashville's Tennessee Performing Arts Center for an eight-performance run through Sunday, February 4) is breathtakingly gorgeous, representative of the golden age of the Broadway musical. Add to those physical attributes the sublime performances of an ideally cast ensemble of multi-talented actors - including Laura Michelle Kelly as Anna Leonowens, Jose Llana as the King of Siam and Joan Amedilla as Lady Thiang - under the focused and imaginative direction of Bartlett Sher, whose revivals of some of the best-known masterpieces to be found in the Rodgers and Hammerstein canon have cemented his placement in the firmament occupied by the legends of musical theater, and you have a classic show rendered in such a way that audiences respond and react as if they are seeing the much-beloved and time-honored work for the very first time.

The Palm Beach Modern + Contemporary Art Fair, presented by Art Miami and sponsored by the City of West Palm Beach will return for its second edition in West Palm Beach City's Tent Site (825 S Dixie Hwy & Okeechobee Blvd, West Palm Beach) located directly behind the new Restoration Hardware on Thursday, January 11th, 2018.

The Palm Beach Modern + Contemporary Art Fair, presented by Art Miami and sponsored by the City of West Palm Beach, will return for its second edition in West Palm Beach's Tent Site (825 S Dixie Hwy & Okeechobee Blvd, West Palm Beach) located directly behind the new Restoration Hardware on Thursday, January 11th, 2018.

The new exhibition Elijah Pierce: An American Journey at the Canton Museum of Art (CMA) celebrates the artwork of one of the most important self-taught, American folk artists of the 20th century: Elijah Pierce (1892 1984). Pierce was a prolific African American wood carver known for his brightly painted sculptural panels illustrating biblical stories, moral lessons, historical events, and images from popular culture a landscape of wood-carved art that is unlike any in America. This exhibit focuses on 39 major works. Featured in the exhibit is Pierce's most ambitious carving, Book of Wood (1932), consisting of seven panels with 33 scenes illustrating the years Christ lived on the earth, as well as works depicting segregation, the Vietnam War, Watergate, and Civil Rights, among others. This exhibition is on view November 24, 2017 - March 4, 2018 with a free public reception on Thursday, December 7, 2017 from 6:00 p.m. to 8:00 p.m.

Thousands of souls have their final resting place in Altadena's Mountain View Mausoleum and Cemetery but, once a year in the fall, the living invade the domain of the dead. That's when Unbound Productions' WICKED LIT takes over the grounds and creates a site-specific theatrical experience based on classic and original horror stories. It is unlike any other kind of theatre or Halloween event you've ever seen and it is seriously the coolest thing you can do in Southern California. Ask anyone who's done it.

American director Samuel Fuller famously said 'A film is like a battleground,' in his cameo in Jean-Luc Godard's Pierrot Le Fou. 'There's love, hate, action, violence, death. In one word, emotion.'

American director Samuel Fuller famously said 'A film is like a battleground,' in his cameo in Jean-Luc Godard's Pierrot Le Fou. 'There's love, hate, action, violence, death. In one word, emotion.'

Leonard Bernstein was born in Lawrence, Massachusetts. He took piano lessons as a boy and attended the Garrison and Boston Latin Schools. At Harvard University, he studied with Walter Piston, Edward Burlingame-Hill, and A. Tillman Merritt, among others. Before graduating in 1939, he made an unofficial conducting debut with his own incidental music to 'The Birds,' and directed and performed in Marc Blitzstein's 'The Cradle Will Rock.' Then at the Curtis Institute of Music in Philadelphia, he studied piano with Isabella Vengerova, conducting with Fritz Reiner, and orchestration with Randall Thompson. 

Lincoln Center's epic and sweeping production of The King and I is Broadway done right and not to be missed!

After 15 unforgettable years of entertaining audiences across North America, the national tour of MAMMA MIA! says farewell to the road next month. Benny Andersson and Bjorn Ulvaeus' smash-hit musical MAMMA MIA! returns to Starlight Theatre for one weekend only - Friday, June 23 through Sunday, June 25.

BWW Review: THE KING & I National Tour at Durham Performing Arts Center

The Ziegfeld Club, one of the first New York City performing arts charities to benefit women, has announced the second Liz Swados Inspiration Grant to honor an influential female music educator in New York City.

Strikingly refined yet pleasingly grounded and altogether delightful, the gorgeous 2015 Broadway musical stage adaptation of AN AMERICAN IN PARIS---inspired by the Academy Award-winning 1951 movie musical of the same name---is a sweepingly lush, dance-centric production that combines the high-brow sophistication of classical ballet with the pure exuberance and emotional highs and lows of musical theater. The resulting hybrid? Absolutely beguiling. The national tour production continues its 'S'wonderful' Orange County debut through May 7, 2017.

From tonight, March 4, to April 1, August Strindberg Rep will present two mystery plays by modern Scandinavian playwrights in repertory: Marty's Shadow' by Stig Dagerman (Sweden) and 'Journey in Light and Shadow' by Stig Dalager (Denmark).

From the creators of Broadway's RAGTIME and SEUSSICAL, 3-D Theatricals will present the eight-time Tony nominated ONCE ON THIS ISLAND.