The Offering - 1977 - Off-Broadway Articles Page 19

Music Director Alan Gilbert will conduct the New York Philharmonic in the World Premiere- Philharmonic Commission of Marc Neikrug's Canta-Concerto, featuring mezzo-soprano Sasha Cooke; Brahms's Piano Concerto No. 2, with Emanuel Ax as soloist; and Brahms's Tragic Overture. The performances take place Thursday, October 1, 2015, at 7:30 p.m. and Saturday, October 3, at 8:00 p.m. Alan Gilbert and the Philharmonic will also perform Brahms's Piano Concerto No. 2, with Emanuel Ax as soloist, on a program that includes Beethoven's Symphony No. 7, on September 30, 2015, at 7:30 p.m., as well as at Long Island University's Tilles Center for the Performing Arts in Brookville, New York, on October 2, 2015, at 8:00 p.m.

'Songs of the Harlem River: Forgotten one acts from the Harlem Renaissance' is a collection of one-acts written between 1920-1930 including works by Marita Bonner, Rafe M. Coleman, Georgia Douglas Johnson, Willis Richardson and Eulalie Spence as well as the poems of Sterling A. Brown, Langston Hughes and others. The evening is directed and choreographed by Shela Xoregos and will have its world premiere August 30 to September 6 in Theater for the New City's 2015 Dream Up Festival.

The all-new Margaritaville Hollywood Beach Resort, opening in 2015 on the legendary Hollywood Beach Broadwalk in Hollywood, Florida, today announced an exclusive introductory offer, 'Throwback to Paradise.' In celebration of 1977, the year Jimmy Buffett's famed song, "Margaritaville," launched into stardom, the resort is offering their coastal-luxe oceanfront accommodations and two signature welcome margaritas for $197.70 for all stays through December 15, 2015.*

With his unmistakable tenor voice, legendary songwriting skills and bass guitar chops to boot, Chicago frontman and solo star Peter Cetera defines an entire era of American rock music.

New Diorama Theatre will celebrate its fifth birthday with a season of powerful, innovative, theatrically and thematically diverse productions by a range of exceptional emerging theatre companies from across the UK. 

St. Joseph County Public Library is proud to present David Sedaris, author of the previous bestsellers Naked, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim , and regular National Public Radio contributor who will be appearing for one night only at Morris Performing Arts Center on Tuesday, October 27, 2015 at 7:30pm.

The Jewish Museum's 2015 slate of lectures, discussions, and events continues in July with a concert featuring violinist Todd Reynolds, part of the Museum's partnership with Bang on a Can; a behind-the-scenes glimpse of the exhibition, Repetition and Difference, with curators Susan L. Braunstein and Daniel S. Palmer; and Alexander Tochilovsky of Cooper Union discussing graphic design-related materials in the exhibition, Revolution of the Eye: Modern Art and the Birth of American Television. In addition, the Whitney Museum of American Art and Cooper Union are co-presenting programs related to Revolution of the Eye.

The second program of the Royal Ballet of England's return to New York City after an 11-year hiatus – and the first appearance of the company at the Koch Theatre in Lincoln Center – was an ambitious but not entirely successful presentation of works by British choreographers. The greatest failing was not onstage but in the Playbill. No notes at all were included to help the audience appreciate the ballets and the music in a historical context. While I applaud the company as well as the presenting Joyce Theater Foundation for eschewing the standard story ballets in favor of repertory fare, I am at a loss to figure out why the dancegoers were not given any information other than titles, credits, and casting. On the afternoon of June 27th when I was there, I overheard many people during pauses and intermissions commenting that a little assistance in comprehending the inspiration and intent of the choreographers would have been appreciated.

So how far does an afternoon of Bournonville go? I would love to say a long way, yet in the performance on Sunday, May 24 at the Koch Theater, the dancers of the New York City Ballet proved that, while soaring high octane is definitely in their blood, the softer sounds and characterizations of Bournonville may be beyond their considerable and powerful techniques.

A safe, inoffensive, cutesy crowd-pleaser for the young and the young-at-heart, the brand new non-Equity touring revival of the Broadway classic ANNIE is eager to please and pretty much does so. The show is, by all accounts, a cute if standard-issue charmer, filled with hummable ear-worm music (via lyricist/book writer Martin Charnin and composer Charles Strouse) and enjoyably hyperbolic characters that audiences will delight in either cheering or jeering. Sure, ANNIE may not be the best or most groundbreaking musical ever created, but it certainly has its heartwarming place in the genre. The tour continues at Orange County's Segerstrom Center for the Arts in Costa Mesa through May 24.

Loosely based on the fictitious life of Pippin the Hunchback, this musical tells the story of the young prince Pippin, Heir to the Frankish throne, who is in search of the secret to true happiness and fulfillment. He seeks it in the glories of the battlefield, the temptations of the flesh and the intrigues of political power (after disposing of his father King Charlemagne the Great). In the end, though, Pippin finds that happiness lies not in extraordinary endeavors, but rather in the un-extraordinary moments that happen every day.

In conjunction with the Jewish Museum's exhibition, Revolution of the Eye: Modern Art and the Birth of American Television, on view through September 20, 2015, the Jewish Museum, the Whitney Museum of American Art, and Cooper Union are co-presenting a series of programs from May to July.

In conjunction with the Jewish Museum's exhibition, Revolution of the Eye: Modern Art and the Birth of American Television, on view from May 1 through September 20, 2015, the Jewish Museum, the Whitney Museum of American Art, and Cooper Union are co-presenting a series of programs from May to July.

With the continued growth of its celebrated Glorya Kaufman Presents Dance at The Music Center series, and the success of its highly popular participatory dance experiences, The Music Center has become an important hub for dance in Los Angeles. Its 2015-2016 dance season is a prime example of the commitment of The Music Center to present distinctive dance experiences to Southern California audiences, especially by internationally renowned artists in classical ballet and contemporary expression.

Marquis Publishing, an affiliate of the Marquis Gallery announces the release of the edition 'The Topography of Evil: Notorious Northern California Murder Sites.' The paperback and eBook is California author and photographer Marques Vickers' visual return to 43 infamous crime scenes detailing the shocking narratives behind each tragedy. Over 95 visual images amplify the experience by escorting the reader to the precise physical location, offering a critical context and perspective for understanding. 'Obscured by time and collective memory,' notes Vickers' preface, 'revisiting a dormant crime scene is a process of comprehending the convergence of evil absorbed into a physical space. Crime scenes typically revert back into unremarkable landscape or unassuming buildings over the ensuing years and decades. Many are passed daily by pedestrian and vehicular traffic unaware of a location's unique significance. The captured snapshots portray searing testimonies of extinguished lives removed by acts of violence.' Northern California has been the residence for many notorious individual and serial killers including the Zodiac, Ted 'Unabomber' Kaczynski, Dan White, Edmund Kemper III, Jim Jones, Richard Allen Davis, David Carpenter, Juan Corona and Scott Peterson. The media has renamed some such as the Trailside Killer, Co-ed Killer, Children of Thunder, Vampire of Sacramento, Zebra Killers and the Death House Landlady. Over 40+ convicted or deceased murderers are profiled including 24 who remain incarcerated and 5 awaiting execution at San Quentin Prison. The region has also buried notables among the profiled victims including San Francisco Mayor George Moscone, Supervisor Harvey Milk, Black Panther Huey P. Newton, Journalist Chauncey Bailey, Oscar Grant III, Polly Klaas, Lacy Peterson and 412 unclaimed bodies from the People's Temple Massacre in Jonestown, Guyana. "The Topography of Evil" edition is segmented into seven categories including assassinations, abductions, historical legacies, reckless homicides, unsolved murders, rampage and serial killers. Within the context of each profile, crucial issues and questions are raised regarding capital punishment, American racial perceptions, parental influences, media reporting, public bias, self-incrimination protections and the fairness of judicial sentencing. A controversial alternative of voluntary euthanasia for the condemned is raised following the observation of California's hopelessly backlogged number of inmates awaiting execution. Currently 743 inmates are sentenced to Death Row. Florida is second with 403 and Texas third at 276. The last California execution was in 2006. An extensive listing of fatality victims is included along with convicted and deceased killers. Each living convict still registered in the California penal system is identified by their respective current penitentiary, verdict and length of original jury sentencing. Vickers' own introduction to the consequences of murder commenced with the 1968 killings of David Faraday and Betty Lou Jenson by the Zodiac killer in the author's hometown. Faraday was an acquaintance of the author through Boy Scouts and his older sister knew both victims. His reflections on the trauma inflicted on his intimate suburban community correspond with the realization that a single homicide affects far more individuals than simply the victim. Hundreds and ultimately thousands may be touched by the arbitrariness and unfairness of life being terminated abruptly and prematurely. The 294-page paperback edition is available through Amazon.com and in electronic format via the Amazon Kindle and Barnes and Noble Nook stores. Supplementary promotional videos on numerous chapter including Huey Newton, Brooke Hart, Fishhead Beach Killings and the Marin County Courthouse Massacre are available on YouTube.com and Vimeo.com. A southern California version is current in the production stages. For further information regarding Marquis Publishing, visit TopographyofEvil.com and InsiderSeriesBooks.com. Cases Profiled (By Sequential Order and Category) Assassinations: Oakland School Superintendent Dr. Marcus Foster, San Francisco Mayor George Moscone and Supervisor Harvey Milk, Oakland Times Journalist Chauncey Bailey, The Marin County Courthouse Shootout Massacre and The Contract Killing of Joseph 'The Animal' Barboza. Abductions: San Francisco's Kevin Collins, Cal Poly San Luis Obispo Student Kristin Smart, Brooke Hart and the Resulting 1933 San Jose Public Lynching, Heiress Patty Hearst, Petaluma's Polly Klaas and San Luis Obispo's Rachel Newhouse and Aundria Crawford. Historical Legacies: Dashiell Hammett's Miles Archer, Chinatown Gangster Fung 'Little Pete' Jing Toy and Mysterious Rumors involving Roscoe 'Fatty' Arbuckle, Mary Ellen Pleasant and American President Warren Harding Reckless Homicides: Oscar Grant III, O'Farrell Theatre's Artie Mitchell, Diane Whipple Dog Mauling, Black Panther Huey P. Newton, Laci Peterson and Multiple Police Officer Killer Lovelle Mixon Unsolved Murders: Ashkenaz Performance Owner David Nadel, The Santa Rosa Hitchhiking Murders, Lindsay Cutshall and Jason Allen on Fish Head Beach. Rampage Mass Murders: Reverend Jim Jones and the People's Temple Massacre, The Helzer Brothers and the Children of Thunder, The 101 California Building Rampage, Dr. Victor Ohta mansion burning and mass slaying, The 1977 Golden Dragon Bloodbath, Carmel Valley's Mel and Elizabeth Grimes, The Oikos University Shootings, Eastside Salinas Gang Killings and Morro Bay's Lynwood 'Jim' Drake rampage. Serial Killers: 'Unabomber' Ted Kaczynski, 'Co-ed Killer' Edmund Kemper III, 'Sacramento Vampire' Richard Trenton Chase, Juan Corona, Herbert Mullin, 'Death House Landlady' Dorothea Puente, 'Trailside Killer' David Carpenter, The San Francisco Zebra Killings and Zodiac Killer.

SEATTLE, WA - Pacific Northwest Ballet's Swan Lake, choreographed by Founding Artistic Director Kent Stowell, returns to the McCaw Hall stage as the fifth offering of PNB's 2014-15 season. This beloved story ballet, revered by audiences and dancers alike, is classical ballet at its very best. Sumptuous scenery, costumes, and lighting, and an achingly beautiful Tchaikovsky score, set the stage for the ethereal corps de ballet and the ultimate challenge for ballerinas all over the world—the dual role of Odette, trapped in the body of a white swan until the oath of her true love sets her free; and Odile, the “Black Swan” temptress. With an added performance on opening weekend, Swan Lake runs for nine performances only, from tonight, April 10 through 19 at Seattle Center's Marion Oliver McCaw Hall.

In the late 1970s and early 1980s, the downtown New York film scene captured the spirit of punk music and crossed the lines between the worlds of visual art and avant-garde film. Museum of the Moving Image will look at this vivid moment in time with a weekend of rare screenings and personal appearances this weekend, March 28 and 29, 2015.

Hyatt Hotels Corporation (NYSE: H) today announced that a Hyatt affiliate has entered into a management contract with Rael Development Corporation for an Andaz hotel in Palm Springs, Calif. The hotel will join Andaz hotels currently located in top resort destinations including Wailea (Maui), Napa (Calif.), and Peninsula Papagayo (Costa Rica), as well as other world-class cities such as London, New York, Los Angeles, Shanghai, and Tokyo. Andaz Palm Springs is expected to open in late 2016.

San Francisco Opera Guild and Saks Fifth Avenue San Francisco present Fashion Forward: An Evening with Erdem tonight, March 25 at Pier 27, the new San Francisco Cruise Terminal.

SEATTLE, WA - Pacific Northwest Ballet's Swan Lake, choreographed by Founding Artistic Director Kent Stowell, returns to the McCaw Hall stage as the fifth offering of PNB's 2014-15 season. This beloved story ballet, revered by audiences and dancers alike, is classical ballet at its very best. Sumptuous scenery, costumes, and lighting, and an achingly beautiful Tchaikovsky score, set the stage for the ethereal corps de ballet and the ultimate challenge for ballerinas all over the world—the dual role of Odette, trapped in the body of a white swan until the oath of her true love sets her free; and Odile, the “Black Swan” temptress. With an added performance on opening weekend, Swan Lake runs for nine performances only, from April 10 through 19 at Seattle Center's Marion Oliver McCaw Hall. Tickets start at $30. For more information, contact the PNB Box Office at 206.441.2424, in person at 301 Mercer Street, or online at PNB.org.

In the late 1970s and early 1980s, the downtown New York film scene captured the spirit of punk music and crossed the lines between the worlds of visual art and avant-garde film. Museum of the Moving Image will look at this vivid moment in time with a weekend of rare screenings and personal appearances on March 28 and 29, 2015.

SAN FRANCISCO (March 12, 2015) – San Francisco Opera Guild and Saks Fifth Avenue San Francisco present Fashion Forward: An Evening with Erdem on Wednesday, March 25 at Pier 27, the new San Francisco Cruise Terminal. The event marks the celebrated designer's first runway fashion show in San Francisco and showcases his Fall/Winter 2015 collection, unveiled last month at London Fashion Week. “Erdem easily won the award for most-oohed-over show this morning with a sublime collection that showed the Canadian-born designer to be up there with the very best” (The Telegraph, UK).

Hubbard Street Artistic Director Glenn Edgerton and Kathryn Humphreys, Director of the organization's Youth, Education and Community Programs, are delighted to offer a wide range of diverse dance opportunities for young people for a fifth consecutive summer.

Hubbard Street Artistic Director Glenn Edgerton and Kathryn Humphreys, Director of the organization's Youth, Education and Community Programs, are delighted to offer a wide range of diverse dance opportunities for young people for a fifth consecutive summer. Early-Childhood, Primary, Secondary, and Intensive categories both align with Hubbard Street Youth Dance Program classes held during the academic year, and allow the families of first-time students to easily find the Youth Summer Camps best-suited to their needs. Technique-specific workshops provide space for continuing progressive study, while interdisciplinary and creative camps focus on self-expression. Hubbard Street's "a la carte" registration for Youth Summer Camps facilitates "mix-and-match" scheduling, making movement practice accessible to young dancers of all ages, skill levels and interests.

The Maltz Jupiter Theatre is ready to entertain with its 2015/16 Another Op'nin', Another Show season!