The Immigrant - 2000 - New York Articles Page 8

Winner of the 2018 Grammy Award for Best Choral Performance, The Crossing, with conductor Donald Nally, today announces its 2018-19 season, titled Aniara. The season-which is centered around exploring mankind's place in the universe, the relationships between humans, navigating through space and life, and the passage of time - features The Crossing's New York Philharmonic and Peak Performances debuts, the world premiere of the choral-theater work Aniara: fragments of time and space; and world premieres by Gavin Bryars, Michael Gordon, Thomas Lloyd, and Toivo Tulev.

THIRTEEN's Great Performances and Pacific Symphony, led by music director Carl St.Clair, pay tribute to America's history with a performance of composer Peter Boyer's “Ellis Island: The Dream of America,” a Grammy-nominated contemporary classical work celebrating the historic American immigrant experience.Great Performances – Ellis Island: The Dream of America with Pacific Symphony premieres nationwideFriday, June 29 at 10 p.m. on PBS (check local listings) in honor of Immigrant Heritage Month. It will be available to stream the following day via pbs.org/gperf and PBS apps.

GHOSTLIGHT RECORDS has announced it will record the new musical Miss You Like Hell, the New York premiere production from The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham), for an original cast recording to be released later this year. With book and lyrics by Quiara Alegria Hudes, music and lyrics by Erin McKeown, and choreography by Danny Mefford, the new musical was directed by Public Theater Resident Director and Founder of Public Works Lear deBessonet, and stars Daphne Rubin-Vega and Gizel Jimenez. The recording is being produced by Erin McKeown and Kurt Deutsch.

Mile Square Theatre, Hudson County's leading professional theatre, presents its annual 10-minute play festival, 7th Inning Stretch: 7 10-minute plays about baseball.

National Endowment for the Arts Chairman Jane Chu has approved more than $80 million in grants as part of the NEA's second major funding announcement for fiscal year 2018. Included in this announcement is a Creativity Connects grant of $18,000 to The Theatre Lab to support Life Stories programming for veterans and their families, and an Art Works grant of $20,000 to support and expand Life Stories theatre residencies in DC Public and Charter schools.

National Endowment for the Arts Chairman Jane Chu has approved more than $80 million in grants as part of the NEA's second major funding announcement for fiscal year 2018. Included in this announcement is a Creativity Connects grant of $18,000 to The Theatre Lab to support Life Stories programming for veterans and their families, and an Art Works grant of $20,000 to support and expand Life Stories theatre residencies in DC Public and Charter schools.

THIRTEEN's Great Performances and Pacific Symphony, led by music director Carl St.Clair, pay tribute to America's history with a performance of composer Peter Boyer's “Ellis Island: The Dream of America,” a Grammy-nominated contemporary classical work celebrating the historic American immigrant experience. Great Performances – Ellis Island: The Dream of America with Pacific Symphony premieres nationwide Friday, June 29 at 9 p.m. on PBS (check local listings) in honor of Immigrant Heritage Month. It will be available to stream the following day via pbs.org/gperf and PBS apps.

Single tickets are now on sale for the inaugural REPRISE 2.0 production of Sweet Charity. Directed and choreographed by Kathleen Marshall, the classic Broadway hit plays from June 20 to July 1 at UCLA's Freud Playhouse. REPRISE 2.0 is led by producing artistic director Marcia Seligson.

Producer Jeffrey Seller and Broadway In Chicago announced today that a new 20 week block of tickets for HAMILTON at CIBC Theatre (18 W. Monroe) will go on-sale Tuesday, May 8. Tickets will be available for performances through January 20, 2019.

At a time when our nation is wrestling with tough questions about immigration, Houston Grand Opera is bringing back its bilingual production of Cruzar la Cara de la Luna / To Cross the Face of the Moon, a moving story that chronicles the joys and struggles of three generations of a family divided between countries and cultures through the rich melodies of mariachi. HGO presents three special performances on May 17, 19, and 20 in the HGO Resilience Theater at the George R. Brown Convention Center. Composed by Jose 'Pepe' Martinez with libretto by Leonard Foglia and known as the world's first mariachi opera, Cruzar has been performed to audiences around the world, including in New York City in January 2018. HGO's production will feature the Grammy Award-winning Mariachi Los Camperos. Tickets for these productions at the HGO Resilience Theater in the George R. Brown Convention Center are available at HGO.org. Parking is available at the Avenida North Garage located at 1815 Rusk Street, across from Resilience Theater. A sky bridge connects the parking garage to the GRB, and clear signage directs patrons to the theater. More information about parking can be found here.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced today a one-week extension for the New York premiere of MISS YOU LIKE HELL.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) will begin previews for the New York premiere of MISS YOU LIKE HELL on Tuesday, March 20. With book and lyrics by Quiara Alegria Hudes and music and lyrics by Erin McKeown, the new musical is directed by Public Theater Resident Director and Founder of Public Works Lear deBessonet, with choreography by Danny Mefford, part of The Public's Astor Anniversary Season at their landmark downtown home on Lafayette Street, celebrating 50 years of new work at 425 Lafayette Street and the 50th Anniversary of HAIR. The musical will run through Sunday, May 6, with an official press opening on Tuesday, April 10. Continuing The Public's mission to make great theater accessible to all, The Public's First Performance "Free for All" continues this spring; free tickets to the first preview on Tuesday, March 20 will be available beginning March 13, via TodayTix mobile lottery.

The Washington Ballet (TWB) is proud to present Three World Premieres by choreographers Clifton Brown, Gemma Bond and Marcelo Gomes at the Harman Center, March 14-18, 2018. All three choreographers have had formidable dance careers with internationally recognized ballet companies. This triptych of exquisite new works by the emerging choreographers of our time reflects their own history and experiences as dancers. TWB reaffirms its commitment to advancing dance in the 21st century in this program of commissioned works that support both the evolution of ballet and the dancer.

Dr. Phillips Center for the Performing Arts and OUC - The Reliable One announced today that actress, author and neuroscientist Mayim Bialik will kick off the second year of the popular speaker series, 'OUC Speakers at Dr. Phillips Center.'

The producing team of Broadway Actress/Indie Producer Ashley Kate Adams (La Cage Au Folles, The Anthem) and Broadway Producer Jim Kierstead (Kinky Boots, Indecent) will premieretheir new movie ACE at the Fort Lauderdale International Film Festival on Saturday, February 24th. This short drama about sexual identity, first love and social norms that takes place among college friends, was written and directed by newcomer Jordan Gear and stars Jonathan Lipnicki, the former child actor from Jerry Maguire.

La Jolla Playhouse announces Hundred Days, book by The Bengsons and Sarah Gancher, music and lyrics by The Bengsons, directed by Anne Kauffman, and movement direction by Sonya Tayeh, as the final production of its 2018/2019 season, to run September 22 - October 21 in the Playhouse's Mandell Weiss Forum.

Mayo Performing Arts Center presents a wide range of programs that entertain, enrich, and educate the diverse population of the region and enhance the economic vitality of Northern New Jersey.

Tune in Wednesday, January 31 at 10PM ET for the BET News special 'Angela Rye's State of the Union.'

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the New York premiere of MISS YOU LIKE HELL. With book and lyrics by Quiara Alegr a Hudes and music and lyrics by Erin McKeown, the new musical is directed by Public Theater Resident Director and Founder of Public Works Lear deBessonet, with choreography by Danny Mefford. The musical will begin previews in The Public's Newman Theater on Tuesday, March 20 and run through Sunday, May 6, with an official press opening on Tuesday, April 10.

The NJSO Chamber Players perform a diverse program of works by immigrant and refugee composers as part of the New Jersey Symphony Orchestra's 2018 Winter Festival America, Inspiring January 23 in Rumson and January 25 in Summit.

Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) have announced a post-performance Beyond the Stage talkback series for Manhattan Theatre Club's New York premiere of the American Repertory Theater production of In the Body of the World, written and performed by Tony Award winner Eve Ensler and directed by Tony Award winner Diane Paulus.

Press Play is a new joint program between the Kitchen Theatre Company and Cinemapolis that puts a currently running play in conversation with a film that explores similar themes. This 3-part series will include screenings of select films paired with the Kitchen's productions of Ironbound (January 21-February 4; screening: Tuesday, January 30), Bright Half Life (March 4-18; screening Tuesday, March 13), and Matt & Ben (May 27-June 10; screening Tuesday, June 5). Following each screening, audiences are invited to stay for a conversation led by Kitchen Theatre artists.

The upcoming 28th annual The Donald M. Ephraim Palm Beach Jewish Film Festival will present movies from around the world, opening with BODY AND SOUL: An American Bridge, focusing on the early performance history and cross-cultural impact of the jazz standard by Jewish composer Johnny Green.