The Concert - 1910 - Broadway Articles Page 15

UglyRhino announces that additional performances have been added to their 3rd Annual Micro-Season at The Brooklyn Lyceum, September 6th, 7th, and 8th at 8pm. UglyRhino's 2012 micro-season places mainstage plays at the heart of a larger artistic celebration, providing a variety of events on any given evening. What results is a social experience you can't find in your traditional theater setting. The third annual micro-season will focus on music, surrounding the two entirely new musical plays developed by the UglyRhino team, with live bands, two free curated cocktails, and a DJ after party following Friday night performances.

Culture at the crossroads in Belle Époque France will be explored at the ninth annual Bard SummerScape festival, which once again features a sumptuous tapestry of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 23rd annual Bard Music Festival.

Today we are talking to a terrifically talented triple-threat who has graced the silver screen in CHICAGO, as well as in the TV productions of THE MUSIC MAN, ONCE UPON A MATTRESS and in many stunt and dance double roles in his career thus far who has since become the protegee of dance extraordinaire Kenny Ortega and broken out on his own with a string of striking and memorable sequences in entities as diverse as TV's HELLCATS and the recent feature films THE CABIN IN THE WOODS, SUCKER PUNCH, MIRROR, MIRROR and TWILIGHT: BREAKING DAWN PART 1 - gifted dancer/choreographer/director Paul Becker. Talking about many of his most memorable past projects and filling us in on his many current and future ones - TWILIGHT: BREAKING DAWN PART 2, a Ben Vereen documentary, an original movie musical titled STAGE FRIGHT, a James Gray film featuring Jeremy Renner and Marion Cotillard, a Lifetime movie musical with Karen Olivo and even more - Becker brings us into his unique and idiosyncratic world and gives us a glimpse into how he achieves consistent excellence in all of his many endeavors as he attempts to define his anomalous career for us. Additionally, Becker takes a look back at acting onscreen in the Oscar-winning Best Picture CHICAGO, choreographing the ultimate vampire wedding, judging SO YOU THINK YOU CAN DANCE? Canada, producing CANADA'S GOT TALENT, giving two hundred dancers movement for a Michael Buble music video and he also shares some hopes and wishes for what he would like to take on in his blindingly bright future in show business - directing a feature film, perhaps? What about a Broadway show when time permits? The possibilities are multitude and seemingly endless and Becker is one of the most brightly shining behind-the-scenes talents on the rise, as is clear to qualify by all of the exquisitely exciting entities he is involved with on the horizon, both near and far. Plus, Becker shares his experiences choreographing various THE MUPPETS movies, working with Ortega on the Jonas Brothers and Miley Cyrus concert tours, directing the first YouTube feature film, dancing with death in MASTERS OF HORROR, giving moves to monsters in THE CABIN IN THE WOODS, staging the spectacular finale of MIRROR, MIRROR showcasing Julia Roberts, choreographing the fairy tale characters of ONCE UPON A TIME, and he also offers opinions on GLEE and SMASH, reveals his early influences, favorite stars, formative films - and much, much more!

American Composers Orchestra's (ACO) 2012-13 concert season is a banner year for the orchestra, marked by unprecedented opportunities for composers through three initiatives that illustrate ACO's role as a catalyst for the creation of new orchestral music: CoLABoratory: Playing It UNsafe, ACO's groundbreaking composition and performance laboratory; the 22nd annual Underwood New Music Readings, one of the country's most sought-after programs for emerging composers (DiMenna Center, May 30-31, 2013); and the nationwide expansion of the Jazz Composers Orchestra Institute Readings in partnership with The Center for Jazz Studies at Columbia University and The UCLA Herb Alpert School of Music (DiMenna Center, June 1-2, 2013).

Music Director Alan Gilbert, The Yoko Nagae Ceschina Chair, will lead the New York Philharmonic in Mahler's Symphony No. 9 at the Annual Free Memorial Day Concert, today, May 28, 2012 at 8:00 p.m. at The Cathedral Church of Saint John the Divine. This will be the 21st Annual Free Memorial Day Concert offered by the New York Philharmonic, a tradition begun in 1992 as a gift to the people of New York City. Seating is on a first-come, first-served basis on the day of the performance. The audio of the performance will be broadcast onto the adjacent Pulpit Green, weather permitting.

Music Director Alan Gilbert, The Yoko Nagae Ceschina Chair, will lead the New York Philharmonic in Mahler's Symphony No. 9 at the Annual Free Memorial Day Concert, Monday, May 28, 2012 at 8:00 p.m. at The Cathedral Church of Saint John the Divine. This will be the 21st Annual Free Memorial Day Concert offered by the New York Philharmonic, a tradition begun in 1992 as a gift to the people of New York City. Seating is on a first-come, first-served basis on the day of the performance. The audio of the performance will be broadcast onto the adjacent Pulpit Green, weather permitting.

The New York Philharmonic presents Anywhere I Wander: The Frank Loesser Songbook, a celebration of the late legendary Broadway composer of Where's Charley?, Guys and Dolls, The Most Happy Fella, Greenwillow, and the Pulitzer Prize-winning How to Succeed in Business Without Really Trying, Monday, March 26, 2012, at 7:30 p.m. Directed and conducted by Tony Award winner Ted Sperling, the evening will feature an all-star cast that includes Ann Hampton Callaway, Victoria Clark, Robert Morse, Bryn Terfel, a special appearance by Loesser's widow and leading lady Jo Sullivan Loesser, and others to be announced. The program will be choreographed by Andrew Palermo.

The New Actors Company in association with Neil McPherson for the Finborough Theatre presents THE GRAND DUKE. The Finborough Theatre's 'Celebrating British Music Theatre' series continues with the first fully staged professional UK production of Gilbert and Sullivan's final operetta, The Grand Duke, since the original 1896 production. It opens at the Finborough Theatre for a strictly limited run of six Sundays and Mondays from Sunday, 1 April 2012.

The Orion Ensemble, Chicago's nationally recognized and critically acclaimed chamber music ensemble, presents Chamber Treasures Meet Chicago Jazz, its 19th season of concerts, featuring Spanish compositions, a tribute to women composers, a jazz-focused program and more.

The April 2012 at the B. B. King Blues Club and Grill, NYC, has been announced, featuring Melanie and Oleta Adams.

The Finborough Theatre's 'Celebrating British Music Theatre' series follows Perchance to Dream with Ivor Novello's last musical.

The Metropolitan Opera and The Juilliard School jointly announced plans today for a semi-staged concert performance of Gluck's Armide, the second collaboration between the two institutions, following last season's acclaimed new production of The Bartered Bride, conducted by James Levine and staged by Stephen Wadsworth.

Jeremy Schonfeld, Scars on 45 and more are set for performances this week at Joe's Pub.

Culture at the crossroads in Belle Époque France will be explored at the ninth annual Bard SummerScape festival, which once again features a sumptuous tapestry of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 23rd annual Bard Music Festival.

The Finborough Theatre's 'Celebrating British Music Theatre' series follows Perchance to Dream with Ivor Novello's last musical.

The New York Philharmonic will present Anywhere I Wander: The Frank Loesser Songbook, a celebration of the late legendary Broadway composer of Where's Charley?, Guys and Dolls, The Most Happy Fella, Greenwillow, and the Pulitzer Prize-winning How to Succeed in Business Without Really Trying, Monday, March 26, 2012, at 7:30 p.m. Directed and conducted by Tony Award winner Ted Sperling, the evening will feature an all-star cast that includes Ann Hampton Callaway, Victoria Clark, Robert Morse, Bryn Terfel, a special appearance by Loesser's widow and leading lady Jo Sullivan Loesser, and others to be announced. The program will be choreographed by Andrew Palermo.

Along with his friend Caruso, Fritz Kreisler (1875-1962) was one of the superstars of the early gramophone era.

On Sunday, December 11, 2011, at 5:30pm and 7:30pm, the Yale School of Music continues its 2011-12 YALE IN NEW YORK concert series with the COMPLETE PROKOFIEV PIANO SONATAS performed in one evening in the intimate surroundings of Carnegie Hall's Weill Recital Hall.

Following recital and concerts around the world, violinist Mikhail Simonyan will release his Deutsche Grammophon debut recording, Two Souls, on November 1 in the United States.

For the Columbus Symphony's inaugural concert in the Southern Theatre, CSO Music Director Jean-Marie has selected three 20th-century masterpieces showcasing orchestral strings.

MASTERWORKS BROADWAY, recently praised by the Wall Street Journal for its ongoing reissue campaign, continues to make good on its promise to open its vaults with more classic cast recordings previously unavailable in the CD era.

Play on Words Theatre & Fairbank Productions have announced The return of Tom Crean ?'Antarctic Explorer' to Roscommon Arts Centre for one performance only Thursday 3rd November 2011.

The Orion Ensemble, Chicago's nationally recognized and critically acclaimed chamber music ensemble, opens its 19th season of concerts, Chamber Treasures Meet Chicago Jazz, with a program entitled 'Spanish Flair,' featuring works by Cassadó, Granados, Khachaturian and Stravinsky.

For the Columbus Symphony's inaugural concert in the Southern Theatre, CSO Music Director Jean-Marie has selected three 20th-century masterpieces showcasing orchestral strings.

The Metropolitan Opera and The Juilliard School jointly announced plans today for a semi-staged concert performance of Gluck's Armide, the second collaboration between the two institutions, following last season's acclaimed new production of The Bartered Bride, conducted by James Levine and staged by Stephen Wadsworth.