Take Me Along - 1987 - Off-Off-Broadway Articles Page 11

TheatreWorks Silicon Valley continues its 2016/2017 season with a musical saga of immigrant America, Rags. From the creators of Fiddler on the Roof and Wicked, this exhilarating musical follows the journey of Jewish immigrants Rebecca and her son David, who find themselves navigating the teeming, turn-of-the-century tenements of New York. A soaring, tuneful score (music by Charles Strouse, lyrics by Stephen Schwartz) illuminates this sweeping saga (book by Joseph Stein) of dreams and disillusions, love lost and inspiration found, and the heart and soul of the American character. It was declared "A winner, warm and witty. You are tempted to rise cheering," by The Mercury News. Rags will be directed by TheatreWorks Founding Artistic Director Robert Kelley, who notes "this production could not be timelier. As America debates immigration policies, what better time to present this deeper look at the newcomer's experience." Performances are April 5-30 (press opening: April 8) at Mountain View Center for the Performing Arts, 500 Castro Street, Mountain View. For tickets ($35-$86) and more information the public may visit TheatreWorks.orgor call (650) 463-1960.

Over halfway through DECONSTRUCTION, Jonathan Leaf's remarkable play about Paul De Man, Mary McCarthy (Fleur Alys Dobbins) tells Hannah Arendt (Karoline Fischer) that she sees no morality 'worthy of the name' in the philosophy of Martin Heidegger. 'There's a need to find authenticity,' McCarthy concedes, 'But it seems to me that you can be genuinely and perfectly evil.' However one feels about deconstruction as a method of reading--I happen to be a fan--we should all agree that De Man was a bad guy: a thoroughgoing liar, a bigamist, a swindler, a manipulator, and the author of some 200 pieces for the Nazi publication in Belgium, Le Soir. I've lingered over this literary-historical context (ironic, given that deconstruction deemphasizes extra-textual material, including authorial intent) because while Leaf's play works beautifully as a story about the (alleged) affair between De Man and McCarthy, the play's real triumph is how deftly it evokes the intellectual minefields on which these personal relationships developed. DECONSTRUCTION is far better, to say nothing of smarter, than most of the ideologically-driven caricatures of the play suggest. This is all the more remarkable given the play runs a mere 75 minutes.

Broadwayworld.com interviewed Kyle Burton about his career as a mixologist and Tumulty's Pub in New Brunswick.

TheatreWorks Silicon Valley continues its 2016/2017 season with a musical saga of immigrant America, Rags. From the creators of Fiddler on the Roof and Wicked, this exhilarating musical follows the journey of Jewish immigrants Rebecca and her son David, who find themselves navigating the teeming, turn-of-the-century tenements of New York.

The following acts are performing at City Winery Chicago (1200 W. Randolph St) throughout the month of March.

Scottsdale Center for the Performing Arts has announced its lineup for March events. See the full schedule below!

The following acts are performing at City Winery Chicago (1200 W. Randolph St) throughout the month of March.

 Matthew VanBesien, president of the New York Philharmonic, will become president of the University Musical Society of the University of Michigan in July 2017.

While many of us are caught in heavy traffic--or out and about consuming pop culture--Jerry Sibal has been conjuring the most elaborate production ever conceived at the Cultural Center of the Philippines (CCP).

Matthew VanBesien, president of the New York Philharmonic, will become president of the University Musical Society of the University of Michigan in July 2017.

San Francisco Opera General Director Matthew Shilvock and Music Director Nicola Luisotti today announced plans for the 2017-18 repertory season. The Company's 95th season will open Friday, September 8 with a gala performance of Giacomo Puccini'sTurandot led by Maestro Luisotti and an international cast starring Martina Serafin, Maria Agresta and Brian Jagde.

The producers of the new musical Bandstand, directed and choreographed by Tony Award winner Andy Blankenbuehler (Hamilton) and featuring music by Richard Oberacker and a book and lyrics by Robert Taylor and Richard Oberacker, have just announced compete casting and an award-winning design team.

Scottsdale Center for the Performing Arts has announced its lineup for March events. See the full schedule below!

A massive treat for Jethro Tull fans and classical aficionados alike: Jethro Tull The String Quartets is an album of classic Jethro Tull repertoire, imaginatively arranged for Classical string quartet with the flute, guitar and vocals of songwriter and producer IAN ANDERSON, it will be released on 24th March 2017 by BMG.

Recording and stage star Linda Eder will showcase her powerhouse voice during Linda Eder Sings Judy Garland with the Houston Symphony at 8 p.m. Sept. 9-10 and 7:30 p.m. Sept. 11.

The Cincinnati Symphony Orchestra welcomes back pianist and legendary Beethoven interpreter Emanuel Ax for its season opening concerts today (7:30 p.m.) and Saturday (8 p.m.) September 8 & 10 at Taft Theatre.

Recording and stage star Linda Eder will showcase her powerhouse voice during Linda Eder Sings Judy Garland with the Houston Symphony at 8 p.m. Sept. 9-10 and 7:30 p.m. Sept. 11.

The Cincinnati Symphony Orchestra welcomes back pianist and legendary Beethoven interpreter Emanuel Ax for its season opening concerts on Thursday (7:30 p.m.) and Saturday (8 p.m.) September 8 & 10 at Taft Theatre.

Fresh off her 2016 MAC Award for best original song after a successful revival of Portraits (1993) for Stephen Hanks' New York Cabaret's Greatest Hits series, Meg Flather paid tribute in Carly & Me to the 'artist who gave [her] her voice.' With her longtime musical director Paul Greenwood on piano and the versatile John Mettam on guitar and drums both singing backup, Flather performed hits and lesser-known songs alike from Carly Simon's oeuvre, along with a handful of original songs influenced by her musical heroine.

Dolly Parton, Linda Ronstadt, and Emmylou Harris have premiered a new lyric video for an unreleased alternate version of “Wildflowers.” The Parton-penned track, which was originally released on their 1987 collaboration Trio, is featured on the upcoming three-CD set THE COMPLETE TRIO COLLECTION.

The Old Globe presents the world premiere of Steve Martin's new play METEOR SHOWER, an adult comedy, marking his welcome return to the Globe following the great success of Bright Star. It will be directed by Gordon Edelstein in a co-production with Long Wharf Theatre, where Edelstein serves as Artistic Director (and no, he is not related to Barry).

After last month's announcement that the Tony Award-winning musical An American in Paris would close on January 1, 2017 at Broadway's Palace Theatre, the musical's producers have just confirmed an earlier closing date.

National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, is pleased to co-present the 11th annual MFA Playwright's Workshop (MFAPW) in association with the Kennedy Center American College Theater Festival and Stanford University's National Center for New Plays.

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, announces a one-week extension to Company, featuring music and lyrics by Stephen Sondheim and book by George Furth. The production is directed by William Brown. Company features original orchestrations by Jonathan Tunick, Orchestral Reductions by Ian Weinberger, music direction by Tom Vendafreddo and choreography by Brock Clawson. The show, originally slated to run through July 31, 2016, will add an additional week, through August 7, in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.

The Old Globe today announced the complete cast and creative team of the world premiere of Steve Martin's new play METEOR SHOWER, an adult comedy, marking his welcome return to the Globe following the great success of Bright Star.