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Hershey Felder's latest livestream - one of his most deeply personal - airs this Sunday, November 22nd, 2020 at 5pm Pacific | 7pm Central | 8pm Eastern. As he prepares for the livestream, he took a few moments to talk with BroadwayWorld.com about the show and the state of theater during the pandemic.

Born on October 11, 1918 in New York City, Robbins was one of the major forces in 20th century performing arts. He received world renown for his choreography for New York City Ballet, where he spent much of his creative life, as well as for his work with American Ballet Theatre, Ballets: U.S.A., and other dance companies around the world. He received equal acclaim for his work as a director and choreographer of Broadway musicals, plays, movies, and television, winning five Tony Awards and two Academy Awards, as well as numerous other honors including the Handel Medallion of the City of New York (1976), the Kennedy Center Honors (1981), and the National Medal of the Arts (1988).

Join the College of Charlestona??s Department of Theatre and Dance on October 1 and 2 as it celebrates womena??s voting rights in its season opener, a?oeHow The Vote Was Won,a?? a one-act farce by feminists/suffragettes Cicely Hamilton and Christopher St John.

For the first time in its 139-year history, the Boston Symphony Orchestra will suspend its fall season of performances at Symphony Hall, September 16-November 28.

The National WWI Museum and Memorial commemorates the centennial of the 19th Amendment, prohibiting the denial of voting rights on account of gender, with a new exhibition dedicated to telling the story of the women's suffrage movement.

What better way to spend a summer evening than in the company of artistic genius in the form of iconic composer Ludwig van Beethoven as interpreted by renowned musical theater artist Hershey Felder? On Sunday July 12th at 5pm PDT, TheatreWorks Silicon Valley will present a livestream of the hit show Hershey Felder: Beethoven, an intimate and theatrical portrait of the legendary composer. Tickets to the livestream are available on TheatreWorks Silicon Valley's website (www.theatreworks.org) with proceeds to benefit TheatreWorks while the Tony-winning regional theatre remains dark due to the Covid pandemic. Inspired by an account of a Viennese doctor who spent his boyhood by the Beethoven's side, this enchanting musical features masterful performances of some of the composer's greatest works, from a?oeMoonlight Sonataa?? to the a?oeNinth Symphonya?? and the a?oeEmperor Concerto.a?? The enormously popular show's 2017 World Premiere still holds TheatreWorks Silicon Valley's box office record to date. BroadwayWorld recently had the pleasure of speaking with Felder from his home in Florence, Italy where he will be performing the livestream. As cicadas whirred in the background (really!), we had a wide-ranging discussion about Beethoven, Felder's relationship with TheatreWorks, the pandemic and the wonders of Florence. In conversation, Felder is an engaging amalgam of seemingly contradictory qualities, at once erudite and folksy, brainy and empathetic, quick with an arcane cultural factoid or a self-deprecating remark, equally expressive of joy and sorrow.

Looking for something new to read while stuck inside, but still need your Broadway fix? We've rounded up 10 MORE of our favorite theatrical biographies to fill the void!

Bard SummerScape's 17th edition celebrates one of the most important female figures in classical music history, with seven weeks of music, opera, theater, dance, film and the SummerScape Spiegeltent, centered around the 31st Bard Music Festival, 'Nadia Boulanger and Her World.'

Sweden's greatest modernist playwright, August Strindberg, returned from the Continent to Stockholm in 1906, where he lived out his last seven years. There he wrote 'The Pelican' for his Intimate Theater in 1907 and 'Isle of the Dead' (Toten-Insel) immediately after as its prologue. The latter was unpublished until 1918 and rediscovered in the early 60s, when it was found and promptly dismissed as an incomplete fragment. The two plays were finally reunited by Ingmar Bergman in a radio version in 2003. It was his last dramatic production. From February 6 to 22 August Strindberg Rep, a resident company of Theater for the New City (TNC), will bring the two plays to the stage together for the first time in history. It will also be the world premiere of new English translations of both plays by Robert Greer, Artistic Director of Strindberg Rep, who helms the production.

The first clue that ANASTASIA was going to be different than what I expected was a note on the title page reading, “Inspired by the Twentieth Century Fox Motion Pictures.” Plural? A savvy journalist, I quickly asked Siri to bring up the imdb page for “Anastasia”. Turns out Fox made ANASTASIA twice, the 1997 animated movie and a 1957 film that scored Ingrid Bergman's second Oscar and marked Helen Hayes' transition to the big screen. And it turns out the musical version has more in common with LES MISERABLES and RAGTIME than BEAUTY AND THE BEAST. Gone is the hell-wizard Rasputin, his talking fruit bat sidekick, and the singing demon caterpillars. At intermission, I asked my third grade niece, Adalyn, how she was liking it. “It's awesome…it's real people, like no Beast or anything. No animals.” We decide that Disney staged musicals are great but more it's more impressive when you can achieve the magic without a story that departs from reality. ANASTASIA is historical fiction hypothetical. It poses a “what if…?” that a daughter of the last czar of Russia (The Grand Duchess Anastasia Nikolaevna) escaped when the czar's family was executed in 1918. Rumors persisted for decades that Anastasia did, in fact, escape. In 2007, DNA testing confirmed the remains of all four Grand Duchesses were in the Imperial grave. In this version, Terrence McNalley's book follows Anastasia's rediscovery of her identity after surviving the attack on her family and sustaining some plot enabling amnesia. Renamed “Anya” she grows up and makes a life in post-Revolution Russia. Anastasia's grandmother, the Dowager Empress (in a staggeringly moving performance by Joy Franz) has fled to France and offered a cash reward for anyone escorting the rumored alive Anastasia to Paris. The wily duo Vlad (Edward Staudenmayer) and Dmitry (Jake Levy) pull a My Fair Lady style makeover on Anya to collect the Dowager's prize. They are pursued by Gleb (Jason Michael Evans). A Soviet officer drawn to Anya romantically but tasked with finding and eliminating the last Romanov. Anya's memory becomes somewhat coaxed back, but the Dowager has stopped seeing Anastasia claimants after too much heart-break from countless frauds. It sounds dark, but with high-tech digital scenery and inspired performances across the cast it is delightful. Stephen Flaherty (Music) and Lynn Ahrens (Lyrics), responsible for bringing us RAGTIME, ONCE ON THIS ISLAND, LUCKY STIFF, as well as the Oscar nominated songs carried over from the animated film. ANASTASIA is a perfect context for this pair. “Stay, I Pray You” (my favorite song of the evening) is evocative of RAGTIME's “New Music”. The two songs literally race my heart in a strangely specific way. My real test of a National Tour at Gammage is how fast I get the music playing in my car on the way home. At ANASTASIA I was already finding, “Stay, I Pray You” walking through the parking lot. The rest of the score is similarly haunting. Lila Coogan, as Anya/Anastasia, powers through the score with nuance, clarity, and passion. Tari Kelly, as Countess Lily, and Stadenmayer (Vlad) were Adalyn's favorite performances and I have to agree. This incredibly gifted pair take the “triple threat” designation (singer, dancer, actor) and go quadruple with the addition of flawless comic timing. The choreography by Peggy Hickey is masterful. It somehow combines inventive and traditional throughout and the ten-minute slice of “Swan Lake” infused into “Quartet at the Ballet” is the highlight of the second act. It's a fun-size version that gets an under-represented art form onto the plate. This kind of trope often means the plot putting the plot on hold. But here, it is the connective tissue between Anya, Dmitry, the Dowager, and Gleb as they each bring us up to speed heading into the show's climax. Ultimately, the show's success comes from applying a higher artistic standard to the “previously-animated-film-now-theatrically-staged” genre. It cashes in on the name draw of the 1997 film then gives the viewer something much more enriched than what they think they are coming to see.

The Cleveland Orchestra has announced a new five-year extension of Franz Welser-Möst's contract as Music Director, continuing a partnership that began in 2002 to 2027. The announcement was made at Severance Hall in Cleveland at the Gala Concert opening the Orchestra's 2019-20 season.

The 30th anniversary season of the Bard Music Festival a?" an exploration of a?oeKorngold and His Worlda?? a?" opens this Friday, August 9, with Weekend One: Korngold and Vienna. The first of the weekend's six themed concerts, Program One: a?oeErich Wolfgang Korngold: From Viennese Prodigy to Hollywood Master,a?? offers a broad overview of the composer's multi-faceted career.

Perhaps Leonard Bernstein's most uplifting composition is paired with one of the most significant compositions by musical master Ludwig van Beethoven's in "Bernstein and Beethoven: Part II" on Saturday, June 1, 2019 at 8 p.m. at The Music Center at Strathmore.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

One of Leonard Bernstein's most iconic compositions will be paired with the legendary Ludwig van Beethoven's most celebrated work in "Bernstein and Beethoven: Part I" on Saturday, May 11, 2019 at 8 p.m. at The Music Center at Strathmore. As a continued celebration of the Leonard Bernstein Centennial, world-renowned pianist Michael Brown will join Philharmonic Music Director and Conductor Piotr Gajewski and the National Philharmonic in performing Bernstein's Symphony No. 2 ("The Age of Anxiety"), a genre-defying work that combines elements of symphony, concerto, and program music and is inspired by the dramatic poem The Age of Anxiety by W.H. Auden. After an intermission, Gajewski will lead the Philharmonic in Beethoven's Symphony No. 5 in C minor, Op. 67. This timeless work is one of the most performed, recorded, adapted, and abused of all the works in Beethoven's canonical repertoire. A pre-concert lecture will take place between 6:45-7:15 p.m. From 7-7:30 p.m., families can explore orchestral instruments with Philharmonic musicians. The concert will feature a members-only encore question-and-answer. Ticket prices are $42-$78, and young people 7-17 are free. Strathmore is located at 5301 Tuckerman Lane, North Bethesda. For more information or to purchase tickets, visit nationalphilharmonic.org or call 301.581.5100.

TimeLine Theatre Company, acclaimed for presenting plays that explore today's social and political issues through the lens of the past, announces its 23rd season.

Bristol Old Vic today went on sale with its Winter/Spring 2019 programme, launching a new season of inspiring, cutting-edge and award-winning theatre, set to take Bristol by storm following its ground-breaking Year of Change.

Born on October 11, 1918 in New York City, Robbins was one of the major forces in 20th century performing arts. He received world renown for his choreography for New York City Ballet, where he spent much of his creative life, as well as for his work with American Ballet Theatre, Ballets: U.S.A., and other dance companies around the world. He received equal acclaim for his work as a director and choreographer of Broadway musicals, plays, movies, and television, winning five Tony Awards and two Academy Awards, as well as numerous other honors including the Handel Medallion of the City of New York (1976), the Kennedy Center Honors (1981), and the National Medal of the Arts (1988).

The Sylvan Winds announce the final concert of the 2018 Spring Season celebrating music, art and history. Performing in important cultural and historic New York City buildings, the ensemble creates programs that reflect the environs of these distinguished venues. Winds & Harp, FRIDAY, MAY 11, 2018 at 7:00 PM, The Kosciuszko Foundation, 15 East 65th Street.

The Hungarian State Opera (HSO), one of the world's busiest opera companies, comes to the United States this fall for the first time ever, presenting four operas by Hungarian composers, including two U.S. premieres, at Lincoln Center's David H. Koch Theater, October 30 to November 3. This week of opera is followed by another week of performances presented by the Hungarian National Ballet, November 6 to 11, as well as an opera and ballet gala on November 4 and the Carnegie Hall debut of the HSO Orchestra on November 5. These U.S. performances build upon the HSO's rich history of touring, which stretches back 100 years and includes performances in numerous European capitals including Amsterdam, Helsinki, Moscow, Paris, Rome, Stockholm, and Vienna, and in countries including Canada, China, Egypt, Japan (ten times), Mexico, Taiwan, and Peru. Ongoing renovations to the Hungarian State Opera House have presented an opportunity for increased touring this season, including the chance to introduce American audiences to the company and its repertoire, much of it rarely seen or heard.

The NYC LGBT Historic Sites Project has announced the digital publication of the Leonard Bernstein Residence at the Osborne Apartments to its online map, a dynamic continually-evolving catalogue of geographic locations significant to LGBT history.

Over the past twelve months for the third iteration of Refuge's five-year project, the City of Melbourne's Arts House has led a unique conceptual inquiry that interrogates different concepts to be prepared for pandemic threats.

The Contemporary American Theater Festival (CATF) at Shepherd University is the proud recipient of a grant from the Claude Worthington Benedum Foundation to support the Rural Arts Collaborative (RAC). Supported by the Foundation, students from Magnolia High School in Wetzel County, West Virginia will tour their immersive art exhibition, Where?, to Shepherdstown for an arts residency this month during the Contemporary American Theater Festival. The student artists will showcase and share their work with Eastern Panhandle residents and visitors.

During his remarkable career with the Boston Red Sox, Ted Williams earned many nicknames - The Kid, The Splendid Splinter and Teddy Ballgame, but the only nickname that he wanted was “the greatest hitter who ever lived.” In that pursuit, he combined his preternatural gifts with a fierce work ethic to become widely regarded as one of the greatest ever to play the game of baseball and in the process elevated the science of hitting in ways still emulated today.

Investec Opera Holland Park's 2020 season will include four brand new productions. The season opens with two of the great classics of the repertoire; Verdi's Rigoletto - last performed at OHP in 2011, and Tchaikovsky's Eugene Onegin - last staged in 2012.