So Much for So Much - 1914 - Broadway Articles Page 6

From the very moment audiences enter the theater at Hartford Stage for its final production of the 2016-17 season, George Bernard Shaw's HEARTBREAK HOUSE, it is immediately apparent the evening is going to be quite unique. In what has been called Shaw's "most ambitious and prophetic achievement", HEARTBREAK HOUSE manages to bring to life the signature wit and social dialogue of Shaw's other works but with a sense of danger, intrigue and fascination - and under the direction of Artistic Director Darko Tresnjak, the Hartford Stage production accomplishes this and more.

Tomorrow  Is Another Day, featuring new work by Mark Bradford, is presented by the Rose Art Museum at Brandeis University and The Baltimore Museum of Art (BMA), in cooperation with the U.S. Department of State's Bureau of Education and Cultural Affairs, at La Biennale di Venezia 57th International Art Exhibition.

Playwright Rajiv Joseph, best known for his critically acclaimed Bengal Tiger at the Baghdad Zoo has done it again with his world premiere play Archduke now onstage at the MTF through June 4. Based on fact and meticulously researched in Sarajevo where Archduke Ferdinand was assassinated in 1914 by Joseph and his director Giovanna Sardelli, the play has the ring of truth, but what catapults it into the sphere of brilliance is its dark humor that masks the gravity beneath.

At first it was unconscious, then by design: the 34th season of the Bridgehampton Chamber Music Festival, Long Island's longest-running classical music festival, has something of a water theme.

“Men are like weapons. Women are like wounds.” That is a poignant line and an apt summation of the first part of Forum Theatre's #NastyWomen ethos. The first piece in this horrifying, yet deeply moving, work is Monica Byrne's What Every Girl Should Know, which takes place in 1914 and follows four teen girls in a New York reformatory.

One Last Thing (For Now) is inspired by love letters from times of conflict in different cultures and languages. The production, written and developed over the last two years by Lilac Yosiphon with the ensemble, is a universal look at the language of love, the wounds of war and everything in between.

The Royal Shakespeare Company have burst back to the West End with their double bill of Love's Labour's - both Lost and Won. This pairing really is a remarkable achievement. Set in the summer of 1914 and the winter of 1918, director Christopher Luscombe has combined the charm and elegance of an Edwardian country estate with a wit, silliness and sense of play that would surely have made Will proud.

Utah Shakespeare Festival Artistic Directors David Ivers and Brian Vaughn recently announced a slate of ten highly-creative, talented and experienced directors for the Festival's 2017 season.

Utah Shakespeare Festival Artistic Directors David Ivers and Brian Vaughn recently announced a slate of ten highly-creative, talented and experienced directors for the Festival's 2017 season.

This play took me 28 years. 1988 marked the 70th anniversary of the end of the First World War. To commemorate it, an 'Armistice Festival' was held in London, which, like the Edinburgh Festival, included a fringe open to anyone. I am ashamed to admit that I was a rather precocious 18 year old, and called the director of the festival, Tim McHenry, to suggest to him my idea of a one-man play about war poet Wilfred Owen.

Roll up, roll up!  Sell-out comedy returns to Pyramid with the best in live stand-up from our friends at The Comedy Store.  But hurry - it sells out fast!  The Comedy Store continues its residency at Pyramid presenting "the best in stand-up" from around the globe and showcasing the brightest names in comedy talent in Warrington.  The shows run on the first Saturday of each month, don't miss out!

"Art isn't easy," Stephen Sondheim wrote famously in SUNDAY IN THE PARK WITH GEORGE. Some artists, however, make it look simpler than others--like composer Kevin Puts, who won the Pulitzer Prize for Music for SILENT NIGHT, with Mark Campbell's libretto, for his first try at the notoriously difficult art form. (The Southeast premiere is opening at Atlanta Opera on November 5.) Easy? Well, looks can be deceiving.

This October, A Gothic Folktale opens the 2016-2017 Wonderbound season with a fantastical circus straight from the mind of Artistic Director Garrett Ammon. Set to the hauntingly beautiful music of Jesse Manley and His Band and featuring the interactive illusions of Professor Phelyx, this original production will pull audiences into the curious world under the big-top.

Tickets are now on sale for American Composers Orchestra's (ACO) 40th Anniversary Season, under the leadership of Artistic Director Derek Bermel and Music Director George Manahan. This season includes eight world premieres by a diverse set of composers performed by ACO at Carnegie Hall and Symphony Space, and continues the orchestra's commitment to serve as a catalyst for the creation of new orchestral music, providing unprecedented opportunities for American composers to create new work and for audiences to discover it. Founded in 1977, ACO remains the only orchestra in the world dedicated exclusively to the creation, performance, preservation, and promulgation of music by American composers. To date, ACO has performed music by 800 American composers, including 350 world premieres and newly commissioned works. ACO takes its commitment to fostering new work beyond the stage in its annual Underwood New Music Readings for emerging composers, now in its 26th year in New York, and through its program EarShot, the National Orchestra Composition Discovery Network, which brings the Readings experience to orchestras across the country in partnership with American Composers Forum, the League of American Orchestras, and New Music USA.

Center Theatre Group celebrates 50 years in the iconic Mark Taper Forum with the 2017-2018 season announced today by Artistic Director Michael Ritchie. The new season features five plays that represent the past, present and future of the theatre, plus a special immersive event on the streets of Los Angeles.

The UK premiere of the hit Off Broadway musical Adding Machine: A Musical, composed by Joshua Schmidt, with libretto by Jason Loewith and Joshua Schmidt, and based on the classic play by Elmer Rice, opens at the Finborough Theatre on Wednesday, 28 September 2016 (Press Nights: Friday 30 September and Saturday 1 October 2016 at 7.30pm).

'The flutist Marya Martin's festival brings an elite roster of chamber musicians to the ever-desirable vacation spot,' said The New Yorker of last year's Bridgehampton Chamber Music Festival. This summer, the 33rd season of Long Island's longest-running classical music festival comprises 14 concerts from July 31 to August 28, featuring the signature mix of renowned and up-and-coming artists and classic and new music that has made it one of the most noteworthy summer music festivals in the country.

ABT's Resident Choreographer Alexei Ratmansky, who created the version of 'The Golden Cockerel' that had its company premiere on June 6th 2016, is quoted in a Playbill article by Caroline Hamilton as saying, 'This production is overwhelmingly theatrical'. Ah, so that explains why there is virtually no dancing in the entire first act and very little in the second act! A little research reveals that Ratmansky reportedly added more dancing after getting less than laudatory reviews in 2012 when his 'Cockerel' opened in Copenhagen. Yet mime still predominates, which is the legacy of the unwieldy and heavy original costume designs by avant-garde artist Natalia Goncharova for the 1914 and 1937 Ballet Russes opera ballet productions of 'Le Coq d'Or' with choreography by Fokine. (In 1914, 'baby ballerina' Tamara Karsavina danced the role of the Queen of Shemakhan with Enrico Cecchetti as the Astrologer. The Cockerel was a stage prop.)

This summer, the 33rd season of Long Island's longest-running classical music festival comprises 13 concerts from July 31 to August 28, featuring the signature mix of renowned and up-and-coming artists and classic and new music that has made it one of the most noteworthy summer music festivals in the country.

Syracuse University's Department of Drama concludes its 2015-2016 season with David Ives' new version of French playwright Georges Feydeau's bedroom farce A Flea in Her Ear. Directed by Stephen Cross, this production runs May 6-14 at the Storch Theatre in the Syracuse Stage/SU Drama Complex. The opening night performance is scheduled for Saturday, May 7 at 8 p.m.

American's national Mother's Day arrives, Sunday, May 8, and Next Act Theatre presents a heartwarming, poignant and powerful production to close their season at exactly the right time of year titled Motherhood Out Loud. Conceived by Susan R. Rose and Joan Stein, more than a dozen playwrights revisit motherhood through a series of themed vignettes beginning with 'Chapter One: Fast Births' and finishing with 'Chapter Five: Coming Home.' Directed by Milwaukee's acclaimed Laura Gordon, each chapter features four actors--Doug Jarecki, Michelle Lopez-Rios, Deborah Staples and Tami Workentin--who play the numerous mothers/fathers of various ages and stages throughout the evening.

Parson's Nose Theater (PNT), the acclaimed classical comedic theater company, continues its 16th Season with The Wind in the Willows by Kenneth Grahame. This 90-minute reading is a part of Parson's Nose's 'Pay What You Will' Reader's Theater Series.

?Parson's Nose Theater (PNT), the acclaimed classical comedic theater company, continues its 16th Season with The Wind in the Willows by Kenneth Grahame. This 90-minute reading is a part of Parson's Nose's "Pay What You Will" Reader's Theater Series.

?This is my fourth time seeing and writing about Theater Latte Da's annual holiday show ALL IS CALM, presented with Hennepin Theatre Trust at the Pantages Theatre. This true story about peace in the midst of war is so beautifully told by creator/director Peter Rothstein, using period music and authentic writing from the time, that I could easily see it every year. It is the 11th holiday show I've seen this year and my favorite because it best represents the true spirit of the season - connection, community, forgiveness, peace. This is a piece of music-theater that's just about as perfect as one could be - a story told simply, effectively, and beautifully in a way that perhaps comes close to the beauty of the real experience of the Christmas Truce of 1914.

The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, tonight, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.