She Shall Have Music - 1959 - Off-Broadway Articles Page 2

A century's worth of treasures emerge from the shadows of both memory and history in this new CD, OUT OF THE SHADOWS: REDISCOVERED AMERICAN ART SONGS, out on digital Sept. 2 and physical CD on Sept. 9, 2016.

The Kimmel Center for the Performing Arts announces programming for the 2016-17 season featuring internationally-acclaimed superstars in rock, dance, comedy, and jazz; family shows as part of the Family Discovery Series, returning favorites, the best of touring Broadway, and more!

A century's worth of treasures emerge from the shadows of both memory and history in this new CD, OUT OF THE SHADOWS: REDISCOVERED AMERICAN ART SONGS, out on digital Sept. 2 and physical CD on Sept. 9, 2016.

YALE REPERTORY THEATRE announces its 50th Anniversary Season, which will include three world premieres commissioned by Yale Rep and two contemporary masterpieces.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. Hold onto your hats! Shows beginning in late April include 'Avenue Q,' 'Ragtime,' 'Juno,' 'Hey! Dancin'! Hey! Musical!,' 'How To Succeed...,' 'Hair,' 'The Sound Of Music,' 'Motown' and 'The Wizard Of Oz!' AMAZING! Plus news from The Second City, the Goodman, that JCS arena tour, a 2015 'Little Shop' and the return of the Mormons! Whew!

After NBC's foray into musical theatre with last week's live broadcast of The Sound of Music starring Carrie Underwood, and with Laura Osnes' Cinderella sashaying on the Great White Way, the continued sway of Broadway composer-lyricist duo Rodgers & Hammerstein is unmistakable. In honor of their legacy, BroadwayWorld has rounded up some of the highlights of the Rodgers & Hammerstein cannon.

Nigel Redden, director of the Lincoln Center Festival, and Rebecca Robertson, President and Executive Producer, Park Avenue Armory, today announced that the two organizations will co-present The Passenger, Mieczyslaw Weinberg's uncompromising 1968 opera about the Holocaust, performed by Houston Grand Opera and directed by David Pountney, in its New York premiere performances July 10, 12 and 13 at Lincoln Center Festival 2014. Pountney's production will have its U.S. premiere on January 18, 2014 at Houston Grand Opera.

On January 18, 2014, Houston Grand Opera (HGO) presents the American premiere of The Passenger (1968), a powerful Holocaust opera by exiled Polish-Jewish composer Mieczyslaw Weinberg.

On January 18, 2014, Houston Grand Opera (HGO) presents the American premiere of The Passenger (1968), a powerful Holocaust opera by exiled Polish-Jewish composer Mieczyslaw Weinberg. Based on a novel by Auschwitz survivor Zofia Posmysz, The Passenger was recognized as "a perfect masterpiece" by Shostakovich but was censored by the Soviet establishment and never performed in Weinberg's lifetime. It premiered at the 2010 Bregenz Festival, and its subsequent UK premiere at the English National Opera took place only thanks to award-winning British director David Pountney, whose staging inspired the Telegraph to write: "Risky though it may be to label a first production 'definitive,' it is hard to imagine it ever being done better." Now HGO brings the same production across the Atlantic, complete with mezzo-soprano Michelle Breedt, who "excelled" (New York Times) in the leading role at two European premieres. All five of The Passenger's first American performances (Jan 18-Feb 2) will be led byPatrick Summers, HGO's artistic and music director.

This week at Joe's Pub, December 17 through December 31, performances include Taylor Mac: Music of the 1810's & 1830's, A Night with PigPen Theatre Co., Eric Hutchinson, Our Hit Parade, Mike Errico Holiday Show, Michael Sackler-Berner, Nuyorican Poets Cafe Benefit, The Respect Sextet, Starsky + Cox, Joey Arias, Rachael Sage, The Tickled Pinks, Wau Wau Sisters, A Scream Along with Billy Christmas Special, Still Here! A Fundraiser for Hurricane Sandy Relief, Sandra Bernhard, Willie Nile, and Dine or Dance at the Library at the Public on New Year's Eve.

Today we are talking to a celebrated comedienne and actress known for her decades-spanning career on screens and stages large and small - from making her Broadway debut in the original Jerome Robbins production of GYPSY on Broadway in 1960 to her many musical roles throughout the 60s to her countless game show and variety show appearances following that all the way to creating an unforgettable character in MOONSTRUCK in the 1980s, as well as her subsequent oft-Neil Simon stage work; now, playing Tina Fey's sweet and daffy mom on NBC's 30 ROCK and, most recently, appearing in Nora & Celia Ephron's LOVE, LOSS AND WHAT I WORE and the Playwright's Horizons premiere production of THE BIG MEAL in the new millennium - the one of a kind Anita Gillette. Analyzing her nearly sixty-year career and sharing candid stories of her brushes with some of Broadway and Hollywood's brightest talents - Jule Styne to Ethel Merman to Irving Berlin to Burt Lancaster and beyond - Gillette paints a vivid portrait of the tail end of the Golden Age of Broadway and the heady game show days of TV in the 1960s and 70s to her lauded stage work with Neil Simon and many of the great comedy and musical writers in the years since. Additionally, Gillette and I discuss her current essaying of the role of Mae Peterson in the new Regal Music Theatre production of Charles Strouse and Lee Adams's BYE BYE BIRDIE in Massachusetts as she looks towards opening night tomorrow and relates her joy in participating in a production that has some behind-the-scenes help by her loving granddaughter (while another attends their summer camp). Plus, Gillette's observations on sharing a soundstage with Alec Baldwin, Tina Fey, Elaine Stritch and Buck Henry for a recent 30 ROCK shoot, reflections on her fondest and most celebrated comedy roles, hilarious memories of appearing in some short-running flops (JIMMY, SKYSKRAPER) as well as in some big hits (GYPSY), her upcoming series of master classes titled "Life In The Business", her return to Birdland with her concert show, AFTER ALL, her role in an upcoming Ed Burns film and maybe even a role in a new Alexander Payne film - all of that, all about attending the Diamond Jubilee celebration in the United Kingdom and much, much more!

Today we are saluting one of the most beloved Broadway scores of all time, created by the formidable show business songwriting dynasty of Richard Rodgers & Oscar Hammerstein - THE SOUND OF MUSIC. While the original 1959 Broadway production was well-received and won Mary Martin a Tony Award for her winsome Maria, the property has gone on to win over generations the world over thanks in no small part to the 1965 Robert Wise feature film version starring Julie Andrews and Christopher Plummer. On Monday, Carnegie Hall will be presenting a special concert version of the family- friendly show starring Laura Osnes, Tony Goldwyn and Brooke Shields. Be sure to check out my comprehensive conversation with Brooke Shields, who will be playing the Baroness, available here, and, also, stay tuned to BroadwayWorld for my upcoming InDepth InterView with the Maria of the concert presentation, rising Broadway superstar Laura Osnes. So, what exactly is it about THE SOUND OF MUSIC that has won over audiences of all ages for more than fifty years and set hearts aflutter and souls stirred? Is it the dramatic story of a family torn apart by death and war only to be brought back together again when least expected by a kindly maternal nun? Is it the slice of life depiction of the family dynamic and how we can all relate to one or many facets of it therein? Is it the ensuing romance between Maria and Captain Von Trapp and their delicately portrayed courtship (particularly when considering the ravishing duet added for the film, "Something Good")? Or, is it that classic Rodgers & Hammerstein score - containing a dizzying assortment of standards that have gone on to become ingrained in our ears, minds and hearts, as well as made a fixture of pop culture itself - "Do-Re-Mi", "My Favorite Things", "Edelweiss", "The Lonely Goatherd", "Climb Ev'ry Mountain", the title song and beyond. AMC's hit series MAD MEN even featured one of the most beloved SOUND OF MUSIC duets on a recent broadcast as an ironic episode capper all too befitting of the moment (and, given the 60s setting of the series, era) - Betty Draper mischievously sneaking an extra bowl of ice cream set to the strains of "I Am Sixteen Going On Seventeen". Between the MAD MEN song reference, the ongoing SOUND OF MUSIC film singalongs occurring every week (with many patrons coming in costume and with props, ala ROCKY HORROR) around the world and the countless professional and amateur productions that crop up every year, as well as the glitzy Carnegie Hall concert on Monday, THE SOUND OF MUSIC has never gone out of style - it shall forever remain sixteen, even when the show itself is not too far away from hitting sixty.

The Highline Ballroom is located at 431 West 16th Street between 9th Avenue and 10th Avenue. Tickets may be purchased through Ticketweb, online at ticketweb.com or at the Highline Box Office from noon until doors close at 866-468-7619.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. We've got the Mosh Pit 'Top Ten Hot Topics' for January-June, 2011, including the 'Company' concert, 'The Original Grease,' 'Next To Normal,' 'Working' and more!

'S Wonderful: The New Gershwin Musical will be coming to the Colonial on September 30 at 7:30PM. Tickets are $55 and $35 and can be purchased in person at the Colonial Ticket Office at 111 South Street Monday-Friday 10AM-5PM, performance Saturdays 10AM-2PM, by calling (413) 997-4444 or online at www.thecolonialtheatre.org.

'S Wonderful: The New Gershwin Musical will be coming to the Colonial on September 30 at 7:30PM. Tickets are $55 and $35 and can be purchased in person at the Colonial Ticket Office at 111 South Street Monday-Friday 10AM-5PM, performance Saturdays 10AM-2PM, by calling (413) 997-4444 or online at www.thecolonialtheatre.org.