She Had To Know - 1925 - Broadway Articles Page 4

From May 28 to June 7, 2014, the New York Philharmonic will present the inaugural NY PHIL BIENNIAL, a kaleidoscopic exploration of today's music by a wide range of contemporary and modern composers that will showcase an array of curatorial voices through concerts presented with partners in venues both on and off the Lincoln Center campus.

Nancy Kricorian's All the Light There Was is a stunning novel about an Armenian family's struggle to survive the Nazi occupation of Paris in the 1940s. Meticulously researched and lyrically told, All the Light There Was is an unforgettable story of loyalty, love, and the many faces of resistance.

Fredericksburg's Riverside Dinner Theatre offers haunting and romantic production of the other musical version of Gaston Leroux's The Phantom of the Opera, featuring Patrick A'Hearn in the title role. PHANTOM continues through October 14, 2012.

Let's just say, for the moment, that I owned the Venus de Milo.  I don't know how it happened.  Maybe some ancient Greek stone cuttings were found that led to a Middle Ages parchment that inspired someone to do some research on ancestry.com, but in any case, it has been indisputably determined that I am the sole owner of sculptor Alexandros of Antioch's Venus de Milo.

The off-Broadway icon tells us about creating his two latest solo works.

Roundabout Theatre Company has announced the full cast joining star and three-time Tony Award winner Frank Langella as 'Gregor Antonescu' in Terence Rattigan's drama Man and Boy, directed by Maria Aitken.

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us.

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us.

Universally hailed as the reigning King of the Blues, the legendary B.B. King will perform three UK concerts in Manchester, Edinburgh and London in June 2011.

Last week I had the exceptional privilege of interviewing newly minted SAG and Golden Globe-winner for Best Actor In A Drama Series for his work on HBO'S BOARDWALK EMPIRE, Steve Buscemi, along with his wife, artist/choreographer Jo Andres, about their participation in the experimental music/theater space in Brooklyn, ISSUE Project Room. For those that are not aware, ISSUE Project Room is a community performance space for up-and-coming musicians, artists, performers and choreographers at 110 Livingston Street with the goal of creating a centralized space for all the arts - avant garde and otherwise. In addition to discussing their shared beginnings in the fringe theatre scene in the East Village in the eighties and the artists who inspired them, Buscemi and Andres also talk about the ultimate goals of the venue, both new and old, and the reason that now is the perfect time for a space such as this to flourish, as new artists get the opportunity to see their work produced. Further information about the venue - and how you can become a member - can be found here.

Yesterday I had the exceptional privilege of interviewing newly minted SAG and Golden Globe-winner for Best Actor In A Drama Series for his work on HBO'S BOARDWALK EMPIRE, Steve Buscemi, along with his wife, artist/choreographer Jo Andres, about their new experimental theater space in Brooklyn, the Issue Project Room. For those that are not aware, the Issue Project Room is a new theater space being developed for up-and-coming artists, performers and choreographers at 110 Livingston Street to create a centralized space for all the arts - avant garde and otherwise. In addition to discussing their shared beginnings in the fringe theatre scene in the East Village in the eighties and the artists who inspired them, Buscemi and Andres also talk about the ultimate goal of the venue and the reason that now is the perfect time for a space such as this for new artists to see their work produced. Further information about the venue - and how you can become a member - can be found here.

Come on Board and See the Classic Kern/Hammerstein Musical

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

Goodman Theatre's Board of Trustees proudly announces Patricia Cox as the new Chairman-Elect. Cox, whose involvement with the Goodman spans two decades, is currently its Vice Chairman. A founding member of Chicago's legendary St. Nicholas Theatre Company (with Pulitzer Prize-winning playwright David Mamet and actors William H. Macy and Stephen Schachter), Cox was among the city's first performing arts marketing, development and management leaders to emerge under the late, great Lyric Opera impresario Danny Newman. She has since worked with and consulted for a wide range of not-for-profit arts organizations in Chicago and across the country. Cox will assume chairmanship in the fall, as current Chairman Shawn M. Donnelley concludes her two-year tenure.

An up close and personal chat with the creative team of 'Waiting For The Moon,' a new musical journey about F. Scott Fitzgerald and Zelda Sayer.

The Broadway Musicals of 1960, starring Brent Barrett, Marc Kudisch, Lisa Vroman, Douglas Ladner, Tovah Feldshuh, Eddie Korbach and Liz Larsen.