Seattle Theatre Group announced its 2026/27 Performing Arts Series, featuring 15 performances spanning jazz, dance, global music, and theatre, including a newly commissioned work from Perfume Genius and Kate Wallich.
Opera Theatre of St. Louis does luscious justice to A Streetcar Named Desire—André Previn’s operatic adaptation of the Tennessee Williams classic.
San Francisco Opera will present a dynamic 2026-27 season, featuring a mix of classic operas and new productions. Highlights include premieres and revivals at the iconic War Memorial Opera House.
GREASE, THE MUSICAL is given a new treatment, satisfying audiences looking for a toe tapping night of nostalgia while honoring the early stage productions and liberally referencing the famous 1978 movie adaptation.
Audience members traverse memories, dreams, emotional and real battlefields, coming in contact with a multitude of characters from Dalton Trumbo's life and novel, as we re-visit Johnny's childhood loves, family members, war room generals, soldiers, nurses, and even major religious figures, each performed to perfection while maintaining the ability to guide and interact with audience members who are often asked to participate and/or share comments during each scene. Soon it becomes apparent in THE JOHNNY CYCLE that each character, whether intentional or not, has sent Johnny to his destiny as he desperately struggles to be heard, trapped between the living and the dead without a voice. Immersive theater at its best!
This quote is the opening sentence from the author of the book and the words that inspired, created and catapulted The White Album -- a theatrical representation in full of Didion's autobiographical, literary essays of the same name published in 1979 but focused on the tumultuous period of time between 1966 (though it was officially started in 1968) and 1971, which had an engagement as part of BAM's Next Wave Festival November 28 - December 1, through collaborators between Lars Jan/Early Morning Opera, Mia Barron (who portrayed Didion herself), and multiple commissioners and supporters including Center Theatre Group, arts centers at CalArts, UCLA, Ohio State University and the UCross Foundation, amongst others.
It wasn't the Country Music Awards or Grammy Awards at the new Birdland Theater last night but it sure seemed like it. An overflow audience for the Victoria Shaw concert got a surprise as Victoria called up two of her friends who were in the audience……..Desmond Child, and then Kristin Chenoweth each sang a number. Even Jim Caruso who has hosted every famous person on the planet whipped out his cell phone camera for this one.
Sex, power, institutional failure, human frailty, betrayal, dreams and madness are at the core of celebrated Cuban-American writer Maria Irene Fornes's Pulitzer-Prize nominated play What of the Night?
A long, long time ago, Stephen Hanks heard Don McLean's second studio album "American Pie" (which was released in late 1971 and hit number one on the Billboard album chart), and became a life-long fan. Now a cabaret show reviewer/columnist for BroadwayWorld.com and Cabaret Scenes Magazine, Stephen has decided to experience how the other half lives and will take the performing leap with his debut solo cabaret show, Beyond American Pie: The Don McLean Songbook. On May 31, Hanks brought his debut show to the Metropolitan Room and you can check out photo coverage below!
Set in French Guiana, a region where on Christmas Eve the temperature has graciously dropped to 104 degrees, three amiable convicts are employed as roofers above the Ducotel's general store. The roof winds up being the least of the family's troubles.
