Say When - 1934 - Broadway Articles Page 6

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show. Thus, we are happy to present a new feature: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come. Something's missing? That's an easy fix: just send us a message here, on Facebook, or by email at jeffreyellis37215@att.com.

BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Doug Reside (Lewis and Dorothy Cullman Curator for the Billy Rose Theatre Division) on Meta-Commentary and Mockery:

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

When you've been reviewing shows for a while you're bound to see a few more than once or twice. And, while I've had the opportunity to see ANYTHING GOES a couple of times before, I can honestly say this is the finest production I've been privileged to attend. Packed with a slew of memorable tunes (music and lyrics by the late, great Cole Porter), a clever and very amusing script (new book by Timothy Crouse and John Weidman), high energy dancing, and a top notch cast, this ranks as one of my favorites shows of the year. Stages St. Louis consistently delivers quality entertainment, but this presentation far exceeded my already high expectations, and I honestly consider it to be a must-see! It's a genuine crowd pleasing experience that will make you want to come back for more. But, get your tickets now, because it will surely sell-out quickly!

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

STAGES St. Louis continues the voyage through its 29th season with the tap-happy Broadway classic, Anything Goes. The de-lovely Cole Porter musical comedy from Broadway's Golden Age kicks off performances today, July 17th, where it will run through August 16th at the Robert G. Reim Theatre in Kirkwood.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

STAGES St. Louis continues the voyage through its 29th season with the tap-happy Broadway classic, Anything Goes. The de-lovely Cole Porter musical comedy from Broadway's Golden Age will run July 17th - August 16th at the Robert G. Reim Theatre in Kirkwood.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

I first met Jill Guyton Nee last fall shortly after she arrived at the University of Memphis as an Associate Professor and Director of Dance. Exceedingly youthful, unassuming, and softspoken, this award-winning perfomer and choreographer has brought fresh focus and energy not only to the U of M Deparment od Theatre & Dance, but also to the local arts scene.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show. Thus, we are happy to present a new feature: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show. Thus, we are happy to present a new feature: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening around us that it's difficult to keep track of it all. Thus, we are happy to present a new feature: The Nashville Theater Calendar, which is a comprehensive listing of theatrical openings,that will be updated each week, for the 2015/16 season.

Monday night found me back at Zeb's on the West Side for another of Will Friedwald's iconoclastic 'Clip Joints'--this one in honor of the Billie Holiday Centennial. During a year that is already producing a glut of celebratory events (given that it's also the Frank Sinatra Centennial year), leave it to the intriguing and obsessive writer/journalist/producer to come up with something different. Instead of a roster of vocalists live or on film, performing material we now think of reflexively as belonging to Lady Day, we were offered the singular piano interpretations of Lara Downes, recollections by alto saxophonist Jerry Dodgion (who at age 22 played with Holiday), and eclectic clips from television and film appearances of the artist herself.

A brick school house turned theater continues to thrive thanks to a loyal community effort.

After seeing the new INTO THE WOODS movie twice over the holidays, I posted on Twitter about how two of the songs had stuck with me. After a tweet conversation, my BWW colleague Jeff Walker and I decided to put our heads together to try and come up with a list of Sondheim's most hummable tunes. Despite not discussing it beforehand, Jeff ended up picking songs from the 1960s and 70s, and I filled in the gaps with numbers from the 80s and 90s.

Debi Mazar and Gabriele Corcos launch the New Year Tuscan-style with a new season of Extra Virgin on Wednesday, January 7th at 9:00pm ET/6:00pmPT, embarking on new adventures with their family, friends and delicious Tuscan-inspired dishes.

It is all about how an author carefully and purposely beckons each word to each page until those words pull together into a magnificent creation having a life of its own. The book I am reviewing,All the Light We Cannot See by Anthony Doerr, is one such masterful creation. Don't wait for the paperback, don't wait for the movie, buy the book, now. Buy it as a gift, buy it for yourself, insist that your book club adds it to the list of must reads. Read it when you have the time to savor each and every word that has been so carefully placed. This book puts to shame many of the other books I have read this year. The characters, the story line, the settings, the time periods, the premise and purpose that stand behind the book are knitted together flawlessly, satisfying the reader completely. Every sentence is fraught with beautiful imagery.

Having written extensively about skyrocketing-to-stardom singer Carole J. Bufford over the past three years (a January/February cover story for Cabaret Scenes Magazine, and rave reviews of her past three major show runs (here, here, and here), I felt as if I had exhausted my entire repertoire of descriptive metaphors and superlatives in assessing her stirring cabaret performances. Even though she's still but a babe in cabaret years, and has a long, successful career ahead of her, I wasn't planning to review any more of her shows because, well, there didn't seem to be anything more to say. But, dammit, every time I try to get out, Carole J. Bufford pulls me back in.

Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) announce recent recipients of the Alfred P. Sloan Foundation Initiative commissions for Manhattan Theatre Club. The commissioned writers are Jeff Augustin (Little Children Dream of God), Courtney Baron (A Very Common Procedure) and Juliana Nash (Murder Ballad), Nell Benjamin (The Explorers Club), Madeline George (The (curious case of the) Watson Intelligence), Tom Holloway (And No More Shall We Part), Nathan Jackson (Broke-ology), Branden Jacobs-Jenkins (An Octoroon), Greg Pierce (Slowgirl), and Alexandra Wood (The Initiate).

IRON MAN actor Robert Downey Jr. recently took to Facebook to share a heartfelt tribute of memories about his late mother, Elsie Ann Downey, who passed away on Monday at age 80.

For the first time in their 91-year history, the Belgrade Philharmonic Orchestra, “one of the leading European orchestras” (The Independent), will tour the U.S., visiting four major markets in October. The Orchestra, under the direction of its Chief Conductor Muhai Tang, will appear first at Symphony Hall in Chicago on October 6th, then at Severance Hall in Cleveland on October 7th, at Strathmore Music Center in North Bethesda, MD on October 8th, and at Carnegie Hall's Stern Auditorium in New York City on October 9th. The ensemble will bring two programs on tour, performing repertoire ranging from Khachaturian to Tchaikovsky to Sibelius. At Severance Hall and the Strathmore Center, the Orchestra will add a ballet suite by Stevan Hristi?, a founder and first principal conductor of the Orchestra (1923-1934). At Symphony Hall and Carnegie Hall, the Orchestra will add arias from Verdi's Rigoletto and Macbeth, to be sung by the Serbian baritone Željko Lu?i?, a Met Opera sensation. Tickets for the tour, on sale now, have been set at family-friendly prices and can be obtained on venue websites.