Our Town - 1938 - Broadway Articles Page 13

St. Petersburg's own Bob Devin Jones will play the Stage Manager; he will be reunited with director Eric Davis, who started freeFall Theatre Company at Jones' performance space/gallery Studio @ 620 with the smash hit THE WILD PARTY in 2008.

?freeFall Theatre Company presents Thornton Wilder's classic play OUR TOWN, opening on January 16 and running through February 14, 2016 with added performances on Wednesdays at 7pm.

Sometimes success breeds problems. This is the case with KINKY BOOTS, the Tony Award-winning Best Musical that began a highly acclaimed and popular Canadian production on June 16, 2015 at the historic Royal Alexandra Theatre. KINKY BOOTS will now extend performances through March 6, 2016.

Allen D. Cornell, Riverside Theatre's Producing Artistic Director, and Ken Clifton, Riverside's Musical Director, have teamed up again to create a special theatrical event showcasing some of the most beloved music from the films of Hollywood. Riverside Goes To Hollywood takes place on the Stark Stage on Thursday, November 19 and Saturday, November 21, 2015.

OUR TOWN with Stan Cahill in the role of Stage Manager takes cast and audience through the halls of Princeton Day School seeking the timeless and fleeting moments of life.

It's Halloween weekend and every dramatic personage and theatrical type we've ever encountered is caught up in the annual rush to find just the right costume for their holiday revelries (we confess we've never had the knack for coming up with Halloween get-ups - not since we went in drag to a party at the First Baptist Church as the age of 12…tongues were wagging, we are certain, but we lived to tell about it, so it couldn't have been that bad). In the meantime, there are all sorts of onstage happenings this weekend to keep you otherwise engaged should the difficulty of selecting your costume prove to be too much.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

There's the definite feeling of autumn in the air that makes you want to gut a pumpkin or at least have a pumpkin spice latte, chances are you are definitely going to need a sweater in the early morning hours, and it's past the perfect time for you to pick out a Halloween costume. Luckily, theater companies are well into their new seasons and there's plenty of shows to entertain you while you take time off from berating yourself for wearing that same tricked-out Star Wars costume you wore the past fwo-and-one-half years.

The Skidmore College Department of Theater presents its Fall 2015 black box production, OUR TOWN by Thorton Wilder. This project is directed by international award-winning theater artist and veteran Skidmore Theater director/instructor Phil Soltanoff. BroadwayWorld has a first look at the cast in action below!

Glen Street Theatre is excited to announce their 2016 season of entertainment at the beautiful Belrose venue. A diverse programme of drama, music, satire and comedy plus a series of kids shows promises something for everyone.

We're back! After an extended absence due to The Last Five Years (we directed it to boffo notices from our critical colleagues), The 2015 First Night Honors (which played to SRO crowds at Chaffin's Barn in September) and a sense of overwhelming malaise and ennui (we are ever so dramatic at times), BWW Nashville's Critic's Choice is back on the interwebs, offering you our insights and advice on the shows that are coming up and what you should try to find time to see - or to avoid at all costs, depending on our perspective.

The Skidmore College Department of Theater is pleased to announce its Fall 2015 black box production, OUR TOWN by Thorton Wilder. This project is directed by international award-winning theater artist and veteran Skidmore Theater director/instructor Phil Soltanoff and will run October 22-28, 2015 at 8pm (Sunday matinee at 2pm) at the Janet Kinghorn Bernhard Theater on the Skidmore College campus.

The Woodsworth Innis New Drama Society [WINDS] is tremendously proud to present its 2015­-2016 Mainstage Theatre Season!

The Woodsworth Innis New Drama Society [WINDS] is tremendously proud to present its 2015­-2016 Mainstage Theatre Season!

Lifeline Theatre's KidSeries presents Mr. Popper's Penguins, a world premiere musical adaptation with script by Lifeline Theatre ensemble member Robert Kauzlaric (Non-Equity Jeff Awards: New Adaptation, The Island of Dr. Moreau and Neverwhere), music and lyrics by George Howe (Non-Equity Jeff Award: New Work-Musical, Queen Lucia), and directed by Lifeline Theatre ensemble member Paul S. Holmquist (Non-Equity Jeff Award: Best Production-Play, The Island of Dr. Moreau; Non-Equity Jeff nomination: Director-Musical, The Robber Bridegroom, Griffin Theatre), based on the novel by Richard and Florence Atwater. This production is recommended for children ages five and up (children under two not permitted), and runs approximately one hour with no intermission.

I consider OUR TOWN, which is now being performed at Blank Canvas, to be one of the greatest plays of the 20th century. It not only won the Pulitzer Prize in 1938, it has become one of the most performed and studied plays in the English language. It, along with Arthur Miller's DEATH OF A SALESMAN, Eugene O'Neil's LONG DAY'S JOURNEY INTO NIGHT, Tennessee Williams' STREETCAR NAMED DESIRE, and William Inge's DARK AT THE TOP OF THE STAIRS, continue to be listed as the best written modern American plays by theatre experts.

BroadwayWorld.com, along with Artistic Director Jackie Maxwell and the Shaw Festival are pleased to announce the 2016 playbill. Marking the Festival's 55th season and the end of Maxwell's 14-year tenure, the 2016 line-up of 10 diverse productions includes works from the heart of the mandate, contemporary Shavian pieces and the world premieres of two commissioned works.

Chautauqua Theater Company (CTC), under the leadership of Artistic Director Vivienne Benesch and Managing Director Sarah Clare Corporandy, presents Thornton Wilder's Our Town from tonight, July 3 through July 12 on the Bratton Stage.

Chautauqua Theater Company (CTC), under the leadership of Artistic Director Vivienne Benesch and Managing Director Sarah Clare Corporandy, presents Thornton Wilder's Our Town from July 3 through July 12 on the Bratton Stage.

BNY Mellon Grand Classics: The Sound of a Modern Symphony highlights the power and range of the Pittsburgh Symphony Orchestra this weekend, May 15-17 under the baton of British conductor Michael Francis.

BNY Mellon Grand Classics: The Sound of a Modern Symphony highlights the power and range of the Pittsburgh Symphony Orchestra on May 15-17 under the baton of British conductor Michael Francis. This program features the Pittsburgh Symphony premiere of Mason Bates' Alternative Energy and the orchestral world premiere of Jake Heggie's The Work at Hand, a Pittsburgh Symphony co-commission for principal cellist Anne Martindale Williams.

The Vagabond Players have announced its historic 100th consecutive season for 2015-16. The centennial season is made up of revivals of past successful Vagabond productions. The Vagabonds first opened in 1916 as a part of the Little Theatre Movement that was sweeping the country at the time. Whereas most of those theatres eventually closed or went dark for several seasons, The Vagabonds has produced a season for 100 consecutive years earning it the title:

'If music be the food of love, play on.' Even before the invention of the musical comedy (more on that later), William Shakespeare knew the importance of music in telling stories on stage. For our March feature, my colleague Jeff Walker and I thought that instead of marking the Ides of March with songs about murder, betrayal, and fate, we would focus on the synergy between showtunes and Shakespeare.