Opportunity - 1920 - Broadway Articles Page 20

SMU announced today that its Meadows School of the Arts and Cox School of Business are leading a collaboration with the Cultural Data Project (CDP) and numerous other partners to create a National Center for Arts Research (NCAR) at SMU. The center, the first of its kind in the nation, will analyze the largest database of arts research ever assembled, investigate important issues in arts management and patronage, and make its findings available to arts leaders, funders, policymakers, researchers and the general public. The vision of NCAR is to act as a catalyst for the transformation and sustainability of the national arts and cultural community.

Florida Studio Theatre will open By Gershwin: A Tribute to George and Ira in the Goldstein Cabaret on Friday, March 1, 2013 at 7:30pm. By Gershwin will be an elegant and spirited rendition of the music from greatest songwriting team of the 20th Century. Tickets for this premiere music revue will be on sale through June 2, 2013 and can be purchased by phone at (941) 366-9000, online at FloridaStudioTheatre.org, or by visiting the Box Office.

Soulpepper Theatre vet Gregory Prest sat down with BWW before a rehearsal to talk about his character in 'Rosencrantz and Guildenstern are Dead', his time at Soulpepper so far, and being an actor.

Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.

Before a recent rehearsal, I had the opportunity to sit down with Philip Hays at Studio 101. He is directing Classical Theatre Company's upcoming production of Alfred Jarry's UBU ROI. Walking into Studio 101, the first thing that struck me was the elaborate and large set. Even in its unfinished state, I could tell Philip Hays and Classical Theatre Company are in the process of creating something impressive and a theatrical experience that simply should not be missed. Sitting in sight of the expansive set, Philip Hays took the time to talk to me about his career, directing, and UBU ROI.

Following the 80th Anniversary Season's record-breaking attendance, Jacob's Pillow Dance Festival announces the 2013 Festival schedule today. Jacob's Pillow is a National Historic Landmark, home to America's longest-running dance festival, and a recipient of the National Medal of Arts.