Night Watch - 1972 - Broadway Articles Page 12

On February 15, 2016 HAMILTON will perform its opening number live at the 58th Annual Grammy Awards. Only eight musicals (nine, if you count RIVERDANCE) have had this honor since the first Grammy Award ceremony in 1959. HAMILTON will make history, yet again, as the first show to perform via satellite during the ceremony; while the ceremony is at the Staples Center in Los Angeles, California, the cast will be performing on their set at the Richard Rodgers Theatre in New York City.

The cast of Broadway's hit musical HAMILTON gathered together in the video below to announce that they will be performing via satellite at the 2016 GRAMMY AWARDS!

Happy New Year, BroadwayWorld! As we eagerly anticipate the amazing musicals and plays coming up in 2016, we're taking a moment to look back at the significant Broadway closings of 2015.

This Troubie Christmas Show Santa Claus Is Comin' to Motown was first presented at the Falcon in 2004, so seeing it again was like seeing it for the very first time. Who could remember details from 11 years ago? And also, the Troubies are known for adding new jokes and gags consistently. New jokes about Donald Trump or Hilary Clinton in an election year would not have been in the first rendering of this show. I have always attested to the genius of Matt Walker, Beth Kennedy, Lisa Valenzuela and Rick Batalla, whose improv skills surpass any one else's. If I haven't said it outright before, I'm stating it now, they are THE BEST anywhere. And that goes for the entire gang.

The Broadway and film star writes about the everyday life of being a working actor.

The Dallas Opera is proud to present one of the most eagerly anticipated new operas of the year: Jake Heggie and Terrence McNally's GREAT SCOTT, featuring a once-in-a-lifetime cast headed by America's favorite mezzo-soprano, Joyce DiDonato, in the title role of Arden Scott; also starring soprano Ailyn Pérez, mezzo-soprano Frederica von Stade, baritone Nathan Gunn, countertenor Anthony Roth Costanzo, bass Kevin Burdette, tenor Rodell Rosel and baritone Michael Mayes.

Jonas Sills, Director/Producer of the show, played one the leads, Russian chess player Anatoly Sills is a fabulous singer and his stage presence outshined most of the other performers. His aim was 'to bring this production back to its roots with a simple, but carefully planned fully staged production that aims to focus on the beauty of the music and the images chess, the game, can invoke.' Besides Sills, the other terrific singer/performer in the show was Bob Cory as Molokov, the Russian player's coach and confidant. His physical presence and complete understanding of what it takes to bring a character to life onstage, was a highlight of the show.

            DALLAS, OCTOBER 2, 2015 – The Dallas Opera is proud to present one of the most eagerly anticipated new operas of the year: Jake Heggie and Terrence McNally's GREAT SCOTT, featuring a once-in-a-lifetime cast headed by America's favorite mezzo-soprano, Joyce DiDonato, in the title role of Arden Scott; also starring soprano Ailyn Pérez, mezzo-soprano Frederica von Stade, baritone Nathan Gunn, countertenor Anthony Roth Costanzo, bass Kevin Burdette, tenor Rodell Rosel and baritone Michael Mayes.

On October 2, Camarillo Skyway Playhouse debuts its production of Nine. Based on Federico Fellini's semi-autobiographical film, 8 1/2, the musical version, which features a score by Maury Yeston, tells the story of Guido Contini, a film director approaching his 40th birthday who undergoes a midlife crisis as he is surrounded by a bevy of women desiring his attentions. Nine won a Tony Award in 1982 for Best Musical. Recently, VC On Stage met with four of the show's stars for supper and a round-table discussion of their respective characters, the show's unusual storyline, and celebrated score. The quartet included Andy Mattick, playing Italian film director Guido Contini, Alexandra Lastort as his wife Luisa, Mary Zastrow as Claudia, his former protegee, and Sara Marie Calvey as Carla, his mistress.

It's commonplace for any songwriter to write a song about their past. But when Bill Anderson, Vicky McGehee and Jamey Johnson co-wrote 'The Guitar Song,' eight years ago, they had no idea they were actually writing it about their future.

Alvin Ailey American Dance Theater, recognized as a vital “American Cultural Ambassador” to the world and New York City Center's Principal Dance Company, returns to the New York City Center stage for the 45th consecutive year from December 2, 2015 – January 3, 2016.  Led by Robert Battle in his fifth season, Ailey's renowned artists will bring to life an expansive repertory of two dozen works by some of America's most celebrated dance-makers during this exciting annual season, which has become a joyous holiday tradition.  The performances will feature three new productions of Ailey Classics, a Company premiere by Paul Taylor, and world premieres by Kyle Abraham, Ronald K. Brown and Robert Battle – his first since becoming Artistic Director.

Alvin Ailey American Dance Theater, recognized as a vital “American Cultural Ambassador” to the world and New York City Center's Principal Dance Company, returns to the New York City Center stage for the 45th consecutive year from December 2, 2015 – January 3, 2016.  Led by Robert Battle in his fifth season, Ailey's renowned artists will bring to life an expansive repertory of two dozen works by some of America's most celebrated dance-makers during this exciting annual season, which has become a joyous holiday tradition.  The performances will feature three new productions of Ailey Classics, a Company premiere by Paul Taylor, and world premieres by 

Renowned theatre-makers Mike Pearson and Mike Brookes, celebrated for their recent, large-scale interpretations of Aeschylus' The Persians and Shakespeare's and Brecht's Coriolan/us with National Theatre Wales, will bring their trademark vision to this multimedia staging of Christopher Logue's filmic poem War Music, derived from Homer's account of the last years of the Trojan War.

The Film Society of Lincoln Center announces a celebration of films from the Swinging Sixties (and beyond) with the retrospective Richard Lester: The Running Jumping Pop Cinema Iconoclast

At her concert in Phoenix, AZ last night, legendary performer Bette Midler brought her classic Disney film HOCUS POCUS to life, performing the song, 'I Put a Spell On You'.

Foxwoods Resort Casino the Northeast's premier entertainment destination, is hosting a highly-anticipated line-up of thrilling entertainment this July.

BroadwayWorld has decided to round up the best loser's for Best Musical and you will be surprised with some of the losers. Click through the videos below and watch some of Broadway's most iconic musicals that didn't take home the Tony Award for Best Musical.

PIPPIN soars into Atlanta's Fox Theater May 5-10, 2015. Winner of the 2013 Tony Award for Best Revival of a Musical, this new staging of PIPPIN incorporates circus acrobatic tricks as well as Bob Fosse's iconic choreography.

When a play weaves in watershed moments in American history, there's sure to be connectivity and enlightenment. Before Obama and the Change movement, there was Maynard Jackson. Jackson was the first black mayor of Atlanta. He would go on to serve three terms, during which he made huge strides in improving race relations and development in the city. Pearl Cleage's play WHAT I LEARNED IN PARIS serves up a history lesson, a powerful story, and a witty cast of characters. Cleage is an Atlanta-based writer with an impressive literary imprint. She is a best-selling author with Oprah Winfrey book club accolades. There is no denying her literary significance to the world. Cleage is not only a novelist, but a playwright of great works such as FLYIN' WEST, A SONG FOR CORETTA and WHAT I LEARNED IN PARIS. I had the esteemed honor to see Houston's Ensemble Theatre's Regional Premier and I have to say, I am glad that I was in the building.

Academy Award winner Helen Mirren will return to Broadway this spring as Elizabeth II in Peter Morgan's The Audience, directed by two-time Tony Award winner Stephen Daldry. Opening Night is tonight, March 8, 2015; the limited engagement runs through June 28, 2015 at Broadway's Gerald Schoenfeld Theatre. Scroll down to learn more about the company!

The Museum of Modern Art and the Film Society of Lincoln Center announced today the complete lineup for the 44th New Directors/New Films (ND/NF), March 18-29.

Kaufman chatted with BroadwayWorld during his first week in the show about joining the company, moving from TV to the stage, making his Broadway debut and more. Check out the full interview below!

The Film Society of Lincoln Center will present Let There Be Light: The Films of John Huston, December 19 - January 11,

Arguably, director Diane Paulus' greatest triumph to date is the spectacular new production of PIPPIN, the 2013 Tony-winning revival of Stephen Schwartz's trippy but winsome musical about the angst-riddled but hyper-aspirational young son of King Charlemagne, and his erratic, sometimes frustrating journey of self-discovery. In her marvelously inventive, re-imagined update---now playing at the Pantages Theatre in Hollywood through November 9---Paulus brilliantly orients the topsy-turvy machinations of the entire story within the canvas-lined confines of a big-top circus. Here, the over-the-top performance troupe that 'guides' our hero's search for self-fulfillment aren't merely just actors (or 'players') but are also all agile, athletic circus performers that tumble, leap, and balance themselves for our (and Pippin's) entertainment pleasure. As expected, both Pippin and the audience are equally lulled into submission.

Today we celebrate the life of Tony Award-winning director, choreographer and artist Geoffrey Holder in honor of his death this week at the age of 84.