Imelda Staunton and daughter Bessie Carter are a magnificent double act
8 / 10
There are a few too many Shavian speeches which pull you out of the drama, though the arguments remain compelling – whether the comparison between sex work and transactional marriage dressed up as romance, or the passionate defence of a woman’s right to find purpose and self-respect through a career. In that latter respect, Mrs Warren and Vivie are actually very similar, but, via the excellent performances here, you deeply feel the tragedy that there is as much to drive them apart as bring them together.
