Made for Each Other - 1924 - Broadway Articles Page 7

COSTA MESA, CA – Segerstrom Center for the Arts welcomes the return of Alvin Ailey American Dance Theater in an exclusive Southern California engagement April 6 – 10, 2016. The program includes eight works never before seen at the Center, four Southern California premieres and new productions of Ailey classics. In addition to the three full repertory programs, on April 3 from 11 a.m. to 1 p.m., the Center and the Company will hold their second free community event – Revelations Celebration – on the Arts Plaza, and on April 6 at 7:30 p.m., Discover Ailey, a special hour-long Ailey mini performance with all seats at just one price.

The Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company continues in its second year with a weekend concert celebrating one of the most significant and popular American songwriting teams of all time, George and Ira Gershwin. WHO COULD ASK FOR ANYTHING MORE? will be presented for two nights only on Saturday, April 2 and Sunday, April 3.

Catalina Bar & Grill will present singer ALEXIS GERSHWIN, the niece of the iconic American composer and lyricist, GEORGE & IRA GERSHWIN, in a 75-minute musical journey and salute to her uncle's music in a show entitled 'GERSHWIN SINGS GERSHWIN,' backed by The Gershwin Singers & Band, under the musical direction of Steven Applegate, to be presented One Night Only on Tuesday, March 22, 2016 at 8:30 p.m. at Catalina Bar & Grill; 6725 West Sunset Boulevard (just east of North Highland Avenue); Los Angeles, CA 90028. There is $20 Cover Charge, plus dinner or a two-drink minimum per person. Valet Parking is available.

COSTA MESA, CA – Segerstrom Center for the Arts welcomes the return of Alvin Ailey American Dance Theater in an exclusive Southern California engagement April 6 – 10, 2016. The program includes eight works never before seen at the Center, four Southern California premieres and new productions of Ailey classics. In addition to the three full repertory programs, on April 3 from 11 a.m. to 1 p.m., the Center and the Company will hold their second free community event – Revelations Celebration – on the Arts Plaza, and on April 6 at 7:30 p.m., Discover Ailey, a special hour-long Ailey mini performance with all seats at just one price.

-This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera, theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights.

This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.

have been and where we are going? Or how certain kinds of music fit into this diverse universe of sound? These are some of the important questions that music raises, and each year, Pacific Symphony, led by Music Director Carl St.Clair, attempts to shed light on the answers by exploring a different facet of American music through the American Composers Festival (ACF). This year's ACF spotlights organ music through four highly acclaimed organists and the splendor of the king of instruments-in this case, the one-of-a-kind William J. Gillespie Concert Organ, located in the Renee and Henry Segerstrom Concert Hall. Built from steel, tin, oak, poplar, maple, lead and carbon fiber, the astounding instrument found in the Symphony's concert hall required three years and 42,000 hours of labor by a team of organ builders at C.B Fisk in Gloucester, Mass., before making its debut with Pacific Symphony in 2008.

have been and where we are going? Or how certain kinds of music fit into this diverse universe of sound? These are some of the important questions that music raises, and each year, Pacific Symphony, led by Music Director Carl St.Clair, attempts to shed light on the answers by exploring a different facet of American music through the American Composers Festival (ACF). This year's ACF spotlights organ music through four highly acclaimed organists and the splendor of the king of instruments—in this case, the one-of-a-kind William J. Gillespie Concert Organ, located in the Renée and Henry Segerstrom Concert Hall. Built from steel, tin, oak, poplar, maple, lead and carbon fiber, the astounding instrument found in the Symphony's concert hall required three years and 42,000 hours of labor by a team of organ builders at C.B Fisk in Gloucester, Mass., before making its debut with Pacific Symphony in 2008.

San Francisco Opera General Director David Gockley and Music Director Nicola Luisotti today announced the Company's 2016–17 Season repertory and roster of international guest artists, conductors and creative teams scheduled to appear at the War Memorial Opera House, as well as initial programming for SF Opera Lab 2017 presentations at the Diane B. Wilsey Center for Opera's Taube Atrium Theater. The Company's 94th Season will also mark Matthew Shilvock's inaugural year as San Francisco Opera's new general director, succeeding his mentor and internationally respected impresario, David Gockley, who will step down on July 31, 2016.

WaterTower Theatre Producing Artistic Director and Loop Executive Producer Terry Martin today announced the line-up for the 2016 Out of the Loop Fringe Festival, February 25 - March 6, 2016, at the Addison Theatre Centre. Six world premieres highlight this year's diverse Festival as well as 2 one-woman cabarets, 4 dance works, 1 circus act, 3 solo shows, 1 musical reading, 2 play readings, 9 theatre productions, 1 interdisciplinary piece, 1 spoken word performance, a 24-hour play festival, and many returning favorites. The Festival is made possible, in part, through the generous support of The Town of Addison and the Texas Commission on the Arts as well as media sponsors, TheaterJones.com and the Dallas Observer. The Festival is produced by Terry Martin and Kelsey Leigh Ervi.

WaterTower Theatre Producing Artistic Director and Loop Executive Producer Terry Martin today announced the line-up for the 2016 Out of the Loop Fringe Festival, February 25 - March 6, 2016, at the Addison Theatre Centre.

Tchaikovsky's soulful Symphony No. 4 portrays his battle against fate, the cold-hearted power he believed ruled his life. Guest pianist Haochen Zhang, co-winner of the Gold Medal at the 2009 Van Cliburn Competition, will expertly undertake the consummate challenges of the Prokofiev piano concerto, and Maestro Milanov will bring to vivid life the heartless seducer of Strauss' tone poem Don Juan.

Tchaikovsky's soulful Symphony No. 4 portrays his battle against fate, the cold-hearted power he believed ruled his life. Guest pianist Haochen Zhang, co-winner of the Gold Medal at the 2009 Van Cliburn Competition, will expertly undertake the consummate challenges of the Prokofiev piano concerto, and Maestro Milanov will bring to vivid life the heartless seducer of Strauss' tone poem Don Juan.

New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.

Over the course of 30 years, Harlem Stage has become one of the nation's leading arts organizations, achieving this distinction by commissioning, developing, producing and presenting innovative works by visionary artists of color. Their Fall 2015 season offers a variety of events, including free neighborhood concerts and ticketed headlining events, as well as lectures and roundtable discussions that advance deeper engagement with Harlem Stage's audience. All will take place in the state-of-the art flexible performance space, the Harlem Stage Gatehouse.

Hailed recently by The New York Times as "ingenious," New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.

New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.

New York City, NY (FOR RELEASE 7.20.15) --- Hailed recently by The New York Times as “ingenious,” New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.

The Shakespeare Theatre of New Jersey is thrilled to present a world premiere adaptation of Ferenc Molnar's The Guardsman - translated from the original Hungarian by Molnar's great grandson Gabor Lukin and adapted and directed by Artistic Director Bonnie J. Monte. Performances begin Wednesday, July 8th and continue through Sunday, July 26th at the F.M. Kirby Shakespeare Theatre, 36 Madison Avenue (at Lancaster Road) in Madison. Individual tickets and subscriptions can be purchased by calling the Box Office at 973-408-5600 or by visiting ShakespeareNJ.org.

The Boston Symphony Orchestra and Music Director Andris Nelsons have entered into a new partnership to create Classical Live, a unique initiative that offers a new paradigm for the distribution of live recordings of classical music available only on Google Play Music. Classical Live will offer participating orchestras—the BSO, Cleveland Orchestra, New York Philharmonic, London Symphony Orchestra, and Amsterdam's Royal Concertgebouw Orchestra—an opportunity to release up to four live concert recordings each season for download exclusively on Google Play Music with the first recordings to be made available at music.google.com or classical-live.com beginning on June 15.  

One of America's most versatile and prolific living composers, Andre Previn, joins Pacific Symphony as the honored guest and focus of the 15th American Composers Festival (ACF). Previn, who has been called one of America's least easily categorized musicians, began his remarkable career as a Hollywood "wunderkind" and a best-selling jazz pianist. Now 86, Previn has received four Academy Awards for his work in film, 10 Grammy Awards for his recordings (plus one more for his Lifetime Achievement), and he is also an honorary Knight Commander of the Order of the British Empire. He's held a series of major conducting posts, including the L.A. Philharmonic and the London Symphony Orchestra, but now exclusively composes. The concert is led by Music Director Carl St.Clair, whose great admiration for the legend shaped this year's ACF to reveal the scope of Previn's prowess as a composer. 

Orange County, Calif.-May 11, 2015-One of America's most versatile and prolific living composers, Andre Previn, joins Pacific Symphony as the honored guest and focus of the 15th American Composers Festival (ACF). Previn, who has been called one of America's least easily categorized musicians, began his remarkable career as a Hollywood "wunderkind" and a best-selling jazz pianist. Now 86, Previn has received four Academy Awards for his work in film, 10 Grammy Awards for his recordings (plus one more for his Lifetime Achievement), and he is also an honorary Knight Commander of the Order of the British Empire. He's held a series of major conducting posts, including the L.A. Philharmonic and the London Symphony Orchestra, but now exclusively composes. The concert is led by Music Director Carl St.Clair, whose great admiration for the legend shaped this year's ACF to reveal the scope of Previn's prowess as a composer. 

Singer and actress Julie Wilson, arguably one of the greatest cabaret chanteuses to grace a stage, died early this morning at the age of 90, according to her long time accompanist and friend Christopher Denny, who posted the news on his Facebook page. As of 8:45 this morning, the news of Wilson's death had not yet broken through major news outlets. Denny reported that Wilson 'died peacefully, surrounded by people who loved her, after having sustained two strokes over the last several days.' Up until the past couple of months of her life, the energetic Wilson was still being seen at various cabaret shows around town and supporting the new breed of stars, recently having the time of her life at a Mark Nadler show at the York Theatre.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.