Macbeth - 1928 - Broadway Articles Page 5

The Flea Theater presents Kurotama Kikaku's production of KUTSUKAKE TOKIJIRO conceived, adapted, and directed by Jun Kim (The Flea's Obie Award-winning Benten Kozo) based on the popular 1928 Japanese play by Shin Hasegawa.

The Flea Theater presents Kurotama Kikaku's production of KUTSUKAKE TOKIJIRO conceived, adapted, and directed by Jun Kim (The Flea's Obie Award-winning Benten Kozo) based on the popular 1928 Japanese play by Shin Hasegawa.

The Modern Theatre at Suffolk University has announced the programming lineup for its second season, featuring inventive performances, innovative and classic films, and stimulating conversation with celebrated artists.

The Modern Theatre at Suffolk University has announced the programming lineup for its second season, featuring inventive performances, innovative and classic films, and stimulating conversation with celebrated artists.

Berkshire Theatre Festival has announced additional casting for this summer's productions. The new cast members include Tony winners and nominees, multiple veterans of Broadway and Off Broadway as well as many returning BTF alumni. Husband and wife Stephen R. Buntrock and Erin Dilly will be working together on the world premiere of In the Mood. Jenny Powers and Angela Robinson have joined the cast of The Who's Tommy. Rachel Bay Jones of Broadway's Hair will take on the famed title character in Sylvia. Tony Winner Mia Dillon is joining Broadway and BTF alum C.J. Wilson and the previously announced Rebecca Brooksher in Tennessee Williams's serious comedy Period of Adjustment. Film actors Christian Coulson and Amari Cheatom will take on the world premiere two-hander Dutch Masters.

Northern Stage (formerly Newcastle Playhouse) and Sheffield Theatres today announce their first collaboration, a new production of Edward Albee's "Who's Afraid of Virginia Woolf?". The production will be directed by Northern Stage's Artistic Director Erica Whyman. "Who's Afraid of Virginia Woolf?" will play at Sheffield's Crucible Theatre (Wednesday 16 March - Thursday 7 April) and then continue to Northern Stage (Tuesday 12 April - Saturday 30 April).

Room, directed by Anne Bogart and based on a lifetime of Virginia Woolf's writing adapted by Jocelyn Clarke, will return to the New York stage 11 years after its world premiere when Women's Project and Siti Company closes March 27 at Women's Project, 424 West 55th Street.

Northern Stage (formerly Newcastle Playhouse) and Sheffield Theatres today announce their first collaboration, a new production of Edward Albee's "Who's Afraid of Virginia Woolf?". The production will be directed by Northern Stage's Artistic Director Erica Whyman. "Who's Afraid of Virginia Woolf?" will play at Sheffield's Crucible Theatre (Wednesday 16 March - Thursday 7 April) and then continue to Northern Stage (Tuesday 12 April - Saturday 30 April).

Room, directed by Anne Bogart and based on a lifetime of Virginia Woolf's writing adapted by Jocelyn Clarke, will return to the New York stage 11 years after its world premiere when Women's Project and SITI Company begins previews Saturday, March 12, at 8:00pm for a run through March 27 at Women's Project, 424 West 55th Street.

Room, directed by Anne Bogart and based on a lifetime of Virginia Woolf's writing adapted by Jocelyn Clarke, will return to the New York stage 11 years after its world premiere when Women's Project and SITI Company begins previews Saturday, March 12, at 8:00pm for a run through March 27 at Women's Project, 424 West 55th Street.

Northern Stage (formerly Newcastle Playhouse) and Sheffield Theatres today announce their first collaboration, a new production of Edward Albee's "Who's Afraid of Virginia Woolf?". The production will be directed by Northern Stage's Artistic Director Erica Whyman. "Who's Afraid of Virginia Woolf?" will play at Sheffield's Crucible Theatre (Wednesday 16 March - Thursday 7 April) and then continue to Northern Stage (Tuesday 12 April - Saturday 30 April).

The Guthrie Theater today announced that Artistic Director Joe Dowling will direct legendary stage actor Brian Dennehy in John B. Keane's The Field in a limited run at Dublin's Olympia Theatre beginning January 13. Dennehy plays the iconic role of ‘The Bull' McCabe in Keane's award-winning play. The Field returns to the Olympia Theatre where it premiered more than 45 years ago and will run from January 13 through to February 12, then transfer to the INEC, Killarney, from February 15 through 17, followed by a transfer to the Royal Theatre, Castlebar, from February 24 through 26.

The Guthrie Theater today announced that Artistic Director Joe Dowling will direct legendary stage actor Brian Dennehy in John B. Keane's The Field in a limited run at Dublin's Olympia Theatre beginning January 13. Dennehy plays the iconic role of ‘The Bull' McCabe in Keane's award-winning play. The Field returns to the Olympia Theatre where it premiered more than 45 years ago and will run from January 13 through to February 12, then transfer to the INEC, Killarney, from February 15 through 17, followed by a transfer to the Royal Theatre, Castlebar, from February 24 through 26.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) through November 13.

The Colony Theatre Company is thrilled to present its third and most magical production of its 36th season, BELL, BOOK AND CANDLE, written by John van Druten and directed by Richard Israel (Merrily We Roll Along), making his Colony Theatre directorial debut.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.

The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews Sunday, September 26 for GATZ, the critically acclaimed theatrical adaptation of F. Scott Fitzgerald's The Great Gatsby. Created by Elevator Repair Service and directed by John Collins, GATZ will continue through Sunday, November 28, with an official press opening on Wednesday, October 6. Tickets are on-sale now.

The Colony Theatre Company is thrilled to present its third and most magical production of its 36th season, BELL, BOOK AND CANDLE, written by John van Druten and directed by Richard Israel (Merrily We Roll Along), making his Colony Theatre directorial debut.

The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews Sunday, September 26 for GATZ, the critically acclaimed theatrical adaptation of F. Scott Fitzgerald's The Great Gatsby. Created by Elevator Repair Service and directed by John Collins, GATZ will continue through Sunday, November 28, with an official press opening on Wednesday, October 6. Tickets are on-sale now.

The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced a second extension today for the highly anticipated GATZ, the critically acclaimed theatrical adaptation of F. Scott Fitzgerald's The Great Gatsby.

The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced a second extension today for the highly anticipated GATZ, the critically acclaimed theatrical adaptation of F. Scott Fitzgerald's The Great Gatsby.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.