Photo Flash: First Look at VANYA AND SONIA AND MASHA AND SPIKE at the Ustinov Studio
by Stephi Wild - Jun 12, 2019
Theatre Royal Bath Productions today releases production photography for the UK premiere of Christopher Durang's Vanya and Sonia and Masha and Spike, directed by the Tony Award-winning US director Walter Bobbie. The comedy stars Michelle Asante, Janie Dee, Mark Hadfield, Aysha Kala, Rebecca Lacey and Lewis Reeves and runs at the Ustinov Studio until 6 July with opening night for press this evening.
BWW Review: 30th Anniversary of Comical Farce LEND ME A TENOR Celebrated with Lots of Laughter at Theatre Palisades
by Shari Barrett - Jun 8, 2019
Theatre Palisades is celebrating the 30th anniversary of the Broadway opening of Ken Ludwig's LEND ME A TENOR, presenting the hilarious comedy which won three Tony Awards and four Drama Desk Awards. An angry wife, a presumed death, crazy costumes designed by June Lissandrello, secret sex romps, loads of slamming doors and mistaken identities make for a delightful, farcical comedy. Director Sherman Wayne encourages you to attend with a willing suspension of disbelief, putting aside your rational faculties and sense of realism/logic for the sake of theatrical merriment and enjoyment, just as worldwide audiences have been doing for the past 30 years. It's an ideal way to laugh your troubles away for a few hours!
BWW Review: MERRILY WE ROLL ALONG - BACKWARDS, TO UNDERSTAND THE IRONY at The Colony Theatre
by Valerie-Jean Miller - Aug 28, 2018
Presented by a brand new Production group, 4 Leaf Music Productions, in Association with Golden Performing Arts Center, and based on a 1934 Kaufman and Hart play of the same name, this musical tells the story of three friends, Franklin, Charley, and Mary, and the progressive decadence of their bonds and their dreams. The story is told in reverse. When it begins, in 1980, they're in their 40's: Franklin, is a rich, successful, conceited and confused noted songwriter; Charley, the lyricist in the duo, has cut off ties with his partner after a nervous breakdown and Mary is a lonely alcoholic still secretly in love with Franklin from when they first met, years and years ago. As we move forward in the play but backwards in time, we see how their friendships disintegrate, along with their aspirations and Franklin's many whirlwind marriages. Rewinding through the '70s and '60s, we end up in 1957, when the three of them meet for the first time, on a rooftop in the city, all hopeful young talents per-chance gathering to watch Sputnik go by in the pre-dawn sky. The song they sing, 'Our Time' ('We're the movers, we're the shapers/ the names in tomorrow's papers'), is undercut by some very keen irony, since we've already seen how it all turns out, at the beginning.
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