Knickerbocker Holiday - 1938 - Broadway Articles Page 2

The Collegiate Chorale, led by music director James Bagwell, announces its 69th season, including Brahms' Alto Rhapsody and A German Requiem, featuring Stephanie Blythe, Erin Morley, and Eric Owens, on October 13, 2010 at 7pm at Carnegie Hall; Knickerbocker Holiday on January 25 and 26, 2011 at 8pm at Alice Tully Hall; and two special events: We Remember Them: Choral Music from the Camps and the Ghettos on March 10, 2011 at 7pm at Central Synagogue, and Something Wonderful - A Night of Broadway with Deborah Voigt, conducted by Ted Sperling, on May 19, 2011 at 7pm at Carnegie Hall.

The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.

KNICKERBOCKER HOLIDAY is a witty yet caustic musical comedy about a man who 'cannot take orders from anybody.' The limited run of the York production opened on Friday, June 26th and BroadwayWorld's cameras were there.

The York Theatre Company (James Morgan, Producing Artistic Director) is pleased to announce casting for KNICKERBOCKER HOLIDAY (playing June 26-28), the 75th staged concert in the history of the Musicals in Mufti series.

Nick Gaswirth ('Harpo Marx' in last season's Musicals in Mufti Minnie's Boys) will replace Bobby Steggert in the role of Brom Broeck in this weekend's concert presentation of KNICKERBOCKER HOLIDAY by the York Theatre Company. Mr. Steggert had to leave unexpectedly due to a family emergency. Also, Ric Stoneback (1776, Paper Mill) has replaced John O'Creagh.

The York Theatre Company (James Morgan, Producing Artistic Director) is pleased to announce casting for KNICKERBOCKER HOLIDAY (playing June 26-28), the 75th staged concert in the history of the Musicals in Mufti series.

The York Theatre Company (James Morgan, Producing Artistic Director) announces its Spring 2009 Musicals in Mufti Series-the York's acclaimed series of musical theatre gems in staged concert performances.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

A Fall Foliage Celebration in Stockbridge on October 12th featured a train ride on the BTF Foliage Express and a gala concert with stars of Broadway in honor of the 80th anniversary season

Andreasong and the 92nd Street Y, home of the long-running 'Lyrics & Lyricists' series, have announced the release of Kurt Weill In America, the new CD of the original concert conceived, written and directed by Andrea Marcovicci

'Broadway by the Year: The Broadway Musicals of 1938,' the latest star-studded entry of the acclaimed series, was presented on March 26th at Town Hall.

Emily Skinner, the Tony-nominated star of Side Show, will be reunited with that show's Hugh Panaro when she directs him (and possibly duet with) him in The Town Hall's 'Broadway by the Year: The Broadway Musicals of 1938.'