If I Were You - 1938 - Broadway Articles Page 10

Have you ever wondered what it was like to swim in a giant martini? The SpyAnts Theatre Company presents the long-awaited Los Angeles premiere of Charles L. Mee's delightful, kaleidoscopic play, 'bobrauschenbergamerica'.  Director Bart DeLorenzo teams up with choreographer Ken Roht to dish up Mee's rollicking collage-montage tribute to Robert Rauschenberg that captures the happy, improvisational quality of the artist's singular vision. 'bobrauschenbergamerica' plays through Feb. 28.

The Guthrie Theater continues its exciting 2009-10 season with Kneehigh Theatre's groundbreaking production of Noël Coward's Brief Encounter, adapted for the stage by Kneehigh Artistic Director Emma Rice.

Have you ever wondered what it was like to swim in a giant martini? The SpyAnts Theatre Company presents the long-awaited Los Angeles premiere of Charles L. Mee's delightful, kaleidoscopic play, 'bobrauschenbergamerica'.  Director Bart DeLorenzo teams up with choreographer Ken Roht to dish up Mee's rollicking collage-montage tribute to Robert Rauschenberg that captures the happy, improvisational quality of the artist's singular vision. 'bobrauschenbergamerica' opens at [Inside] the Ford on January 23, with Pay-What-You-Can previews on January 21 and 22.

The Guthrie Theater continues its exciting 2009-10 season with Kneehigh Theatre's groundbreaking production of Noël Coward's Brief Encounter, adapted for the stage by Kneehigh Artistic Director Emma Rice.

Soprano Lisa Delan, pianist Kristin Pankonin and cellist Matt Haimovitz, present a rich and varied collection of art songs by living American composers entitled AND IF THE SONG BE WORTH A SMILE: AN EVENING OF AMERICAN SONG, Friday, May 21, 2010 at 8 p.m. at Rose Theater in Frederick P. Rose Hall, home of Jazz at Lincoln Center, Broadway at 60th Street.

Have you ever wondered what it was like to swim in a giant martini? The SpyAnts Theatre Company presents the long-awaited Los Angeles premiere of Charles L. Mee's delightful, kaleidoscopic play, 'bobrauschenbergamerica'.  Director Bart DeLorenzo teams up with choreographer Ken Roht to dish up Mee's rollicking collage-montage tribute to Robert Rauschenberg that captures the happy, improvisational quality of the artist's singular vision. 'bobrauschenbergamerica' opens at [Inside] the Ford on January 23, with Pay-What-You-Can previews on January 21 and 22.

The opposites attracting plot is probably as old as romantic comedy itself, but even if Rooms: a rock romance follows familiar paths, the Paul Scott Goodman (book/music/lyrics) and Miriam Gordon (book) two-person musical is such a buoyant, funny and upbeat affair that the clichés of the story are conquered by the cleverness and exuberance with which the story is told. Under Scott Schwartz's swift and breezy direction, the 90-minute one-act scoots the audience along on an immensely enjoyable ride.

'Exciting' is not a word normally associated with productions of Thornton Wilder's Our Town. Heartwarming? Sure. Chilling? When its climax is done well, certainly. But director David Cromer's non-traditional take on the play - which remains completely faithful to the author's text and themes - is one of the most exciting theatre events of the season.

Due to popular demand, the following shows have added additional performances: Encore: Friday, October 2nd at 5pm Fat Camp: Friday, October 2nd at 4pm

An original cast member off and on B'way and in London, Ann rejoined the show for its final months.

Aurora Theatre Company opens its 18th season, focusing on 'family and fortune,' with Clifford Odets' classic Depression-era drama AWAKE AND SING! Bay Area theater veteran Joy Carlin (Jack Goes Boating, Hysteria, The Price), who first directed this play for Berkeley Repertory Theatre 24 years ago, revisits this landmark drama for Aurora.

Aurora Theatre Company opens its 18th season, focusing on 'family and fortune,' with Clifford Odets' classic Depression-era drama AWAKE AND SING! Bay Area theater veteran Joy Carlin (Jack Goes Boating, Hysteria, The Price), who first directed this play for Berkeley Repertory Theatre 24 years ago, revisits this landmark drama for Aurora.

Today's Broadway Blogs on BroadwayWorld.com from Tuesday, March 17, 2009.

Today's Broadway Blogs on BroadwayWorld.com from Sunday, March 1, 2009.

After extensive development in New York at the York Theatre and the Vineyard Theatre, the world premiere of the musical 'The Medium at Large' took place Sunday afternoon, October 19, 2008, at the Village Players Performing Arts Center in Oak Park, Illinois, just over Chicago's western border. Starring Tony Award nominee John Herrera (Neville in 'The Mystery of Edwin Drood') as the titular spiritualist, the show shows promise in negotiating a tricky premise and an even trickier payoff.

A weekly column on Baltimore/Washington theater and Broadway

CenterStage in Baltimore presents 'The Boys from Syracuse' featuring a cast and design team with major Broadway credits.

Caryl Churchill's compelling drama A Number receives its Baltimore premiere at Everyman Theatre from March 17 to April 23, 2006.

The Audrey Herman Spotlighters Theatre presents Agatha Christie's AND THEN THERE WERE NONE Fridays (8PM), Saturdays (8PM) and Sundays (2PM) through March 11. Information and will call tickets: 410-752-1225 or www.spotlighters.org. Purchase on-line at www.missiontix.com. Reservations recommended.

Margaret Hamilton in THE WIZARD OF OZ defined, forever, how a wicked witch looks and how she behaves. Her performance in the film is etched in our souls as surely as there are presidents etched on Mt. Rushmore

Margaret Hamilton in THE WIZARD OF OZ defined, forever, how a wicked witch looks and how she behaves. Her performance in the film is etched in our souls as surely as there are presidents etched on Mt. Rushmore

Despite some grumbles, Spamalot has more in common with Broadway musical traditions than you might think

We spoke to your favorites to find out what they thought was the most romantic Broadway love song.

With those words and one last musical flourish, the final performance at Henry Miller's Theatre came to an end