I Must Be Talking to My Friends - 1967 - Off-Broadway Articles Page 2

Today we are talking to an iconic Tony Award-winning star who made her name as a teenager singing on TV variety shows - THE LAWRENCE WELK SHOW and SING ALONG WITH MITCH included - and then went on to a multimedia career in film and theatre, conquering Broadway with her Tony-winning turn in the Jule Styne/Arthur Laurents musical HALLELUJAH, BABY! in 1967 and returning to the stage in the subsequent decades in a host of Broadway productions, such as BLUES IN THE NIGHT, JERRY'S GIRLS, ANYTHING GOES, August Wilson's KING HEDLEY II and her celebrated Muzzy in THOROUGHLY MODERN MILLIE - a role she reprises in the new Muny production of the Tony Award-winning Best Musical beginning this week - the one and only Leslie Uggams. Taking a thorough look back at her career thus far, Uggams opens up about her many successes and how she has endured for fifty years in show business and shares recollections of many of her most noted co-stars and collaborators, all the way up to the recent 2012 Encores! PIPE DREAM. Additionally, Uggams comments on her film and TV appearances over the years, speaking about her work in INHERIT THE WIND, TWO WEEKS IN ANOTHER TOWN, ROOTS and beyond. Plus, she shares her candid opinions on GLEE, SMASH, Broadway then versus now, future plans for her Lena Horne solo show and thoughts on other roles she would enjoy pursuing - and much, much more!

Universally hailed as the reigning King of the Blues, the legendary B.B. King will perform three UK concerts in Manchester, Edinburgh and London in June 2011.

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

As the Helen Hayes Awards ceremony on April 5th honors performances and productions from the past year, DC theatergoers will be hearing two gorgeous scores by Jason Robert Brown and Jeanine Tesori, and seeing a new opera about a boxer, a splashing pool on stage, Tyne Daley as diva Maria Callas, Maurice Hines tapping his way on the Lincoln Theatre stage, Mrs. Robinson seducing Benjamin, a red balloon thrilling young audiences, Harvey Fierstein wishing he was a rich man, tales and songs from a Scottish Jewish composer, a new children's show with lots of princesses, a little musical with the title in [ ], a triumphant mounting of a short-lived Broadway musical, and a wordless Kafka classic performed in Georgian style. The crocuses, cherry blossoms, and azaleas will be in full bloom, as the nation's capital will be awash in beautiful colors. It's the perfect time to visit and see some great shows in our DC area theatres.

Talk about a makeover. Just over one year ago, Diane Paulus was merely a freelance director with a hit on her hands. Now, that hit - Hair - is a Tony Award winning musical, and she a Tony-nominated director, newly appointed Artistic Director of one of the most prestigious regional theaters in the country (A.R.T. in Boston), and soon to be triple tasking on productions on Broadway, in London, and at her theater in Boston. Did I mention she's also a mother of two?

It's hard to pinpoint the exact moment when Florence Henderson became a household name. It was certainly through the media of television, but was it her numerous appearances on the then-popular variety shows? Perhaps it was because of the proliferation of commercials she did for Polident and Wesson Oil; the latter in which she helped coin the phrase 'Wessonality'. Obviously her long stint as Mrs. Carol Brady in 'The Brady Bunch' played a major role in her becoming not only a name people easily recognized, but a talent that has genuinely been appreciated by different generations down through the years.

Winner of the 1967 Pulitzer Prize, Edward Albee's A Delicate Balance comes to Arena Stage in a contemporary and provocative new staging under the direction of experienced Albee collaborator Pam MacKinnon. Featuring Broadway stars Kathleen Chalfant (Wit, Angels in America), Terry Beaver (Henry IV, The Last Night of Ballyhoo), Ellen McLaughlin (Angels in America) and Carla Harting (Eurydice),joined by Helen Hedman and James Slaughter, A Delicate Balance runs February 6-March 15, 2009 at Arena Stage in Crystal City. The press opening performance is Thursday, February 12, 2009 at 8:00 p.m. 'Albee is fearless about writing stories that get us in the solar plexus, and he does so with his brilliant wit, dynamic storytelling and rigorous use of language,' shares Artistic Director Molly Smith. 'His work draws the best artists, and with this production audiences are fortunate to have an enormously strong cast and creative team-approved by Albee himself.' A frequent director of Albee plays, MacKinnon has directed The Play About the Baby, the world premieres of Peter and Jerry: Homelife and The Zoo Story (now titled At Home at the Zoo) and Occupant, as well as the U.S. regional and European premieres of The Goat, or Who Is Sylvia?

Winner of the 1967 Pulitzer Prize, Edward Albee's A Delicate Balance comes to Arena Stage in a contemporary and provocative new staging under the direction of experienced Albee collaborator Pam MacKinnon. Featuring Broadway stars Kathleen Chalfant (Wit, Angels in America), Terry Beaver (Henry IV, The Last Night of Ballyhoo), Ellen McLaughlin (Angels in America) and Carla Harting (Eurydice),joined by Helen Hedman and James Slaughter, A Delicate Balance runs February 6-March 15, 2009 at Arena Stage in Crystal City. The press opening performance is Thursday, February 12, 2009 at 8:00 p.m. 'Albee is fearless about writing stories that get us in the solar plexus, and he does so with his brilliant wit, dynamic storytelling and rigorous use of language,' shares Artistic Director Molly Smith. 'His work draws the best artists, and with this production audiences are fortunate to have an enormously strong cast and creative team-approved by Albee himself.' A frequent director of Albee plays, MacKinnon has directed The Play About the Baby, the world premieres of Peter and Jerry: Homelife and The Zoo Story (now titled At Home at the Zoo) and Occupant, as well as the U.S. regional and European premieres of The Goat, or Who Is Sylvia?