I Love My Wife - 1981 - Regional (US) Articles Page 20

Sonnet Repertory Theatre announced their Ninth Annual BENEFIT & CABARET HONORING JACK O'BRIEN to be held Monday, November 8th at Joe's Pub, to be hosted by Jerry Mitchell with Musical Direction by Dan Lipton and featuring performances by John Behlmann, Kerry Butler, Michael Cerveris, Victor Garber, Ethan Hawke, Carly Jibson, Andrew Lippa, Duncan Sheik, Joe Allen Players.

Today, perhaps the greatest gift a Broadway baby could receive was benevolently bestowed upon me in the form of an indepth and revealing discussion with the foremost composer and lyricist of his generation, one of the greatest writers in American history in any medium - the unmatched musical and lyrical genius himself, Stephen Sondheim. In this portion of our complete discussion we discuss his new book, FINISHING THE HAT, as well as take a look back at his legendary career both in Hollywood and on Broadway. Merman to Madonna, Brecht to Barbra Streisand, COMPANY to GROUNDHOG DAY (or not) - we cover it all. See here just a glimpse of the reason why the name Stephen Sondheim means more to musical theatre than any other name in the last fifty years. Plus, his promise to - in his own immortal words from SUNDAY IN THE PARK WITH GEORGE - 'give us more to see' in the very near future. That moment cannot come soon enough, as any fan of theatre - or art in America, for that matter - can assuredly attest.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) through November 13.

Sonnet Repertory Theatre announced their Ninth Annual BENEFIT & CABARET HONORING JACK O'BRIEN to be held Monday, November 8th at Joe's Pub, to be hosted by Jerry Mitchell with Musical Direction by Dan Lipton and featuring performances by John Behlmann, Kerry Butler, Michael Cerveris, Victor Garber, Ethan Hawke, Carly Jibson, Andrew Lippa, Duncan Sheik, Joe Allen Players.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.

On Sunday, October 17 at 2:30 p.m., the Epic Theatre Ensemble will present a staged reading of a new version of Ari Roth's acclaimed Born Guilty Cycle at the Museum of Jewish Heritage - A Living Memorial to the Holocaust. Blanka Zizka will direct the monumental three and one-half hour reading which will feature Rick Foucheux. Following the performance, Roth, Peter Sichrovsky, and other special guests will take part in a Q&A.

It's 1927 and Ma Rainey, the Mother of the Blues, strides into a rundown Chicago recording studio to join a battling quartet of musicians. The great playwright August Wilson places this formidable artist at the center of a captivating drama of flamboyant personalities, professional jealousy, and shattered dreams. Directed by Lou Bellamy, MA RAINEY'S BLACK BOTTOM plays in Tucson at the Temple of Music and Art from October 16 through November 6. It continues its run in Phoenix at the Herberger Theater Center from November 11 through November 28. The Tucson media sponsors for the 2010-2011 season are KGUN9, MIX-FM and Tucson Lifestyle. Arizona Theatre Company's season sponsors are I. Michael and Beth Kasser.

Kate Clinton The Lady HAHA Tour with Special Guest Roy Zimmerman will be coming to the Colonial on November 13, at 8PM. Tickets are $35 and can be purchased in person at the Colonial Ticket Office at 111 South Street Monday-Friday 10AM-5PM, performance Saturdays 10AM-2PM, by calling (413) 997-4444 or online at www.thecolonialtheatre.org.

According to an article in The Wall Street Journal, Malaysia has a new hit musical whose subject is the country's former Prime Minister.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Edward Albee's A DELICATE BALANCE, directed by James Bundy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) October 22-November 13.

It's 1927 and Ma Rainey, the Mother of the Blues, strides into a rundown Chicago recording studio to join a battling quartet of musicians. The great playwright August Wilson places this formidable artist at the center of a captivating drama of flamboyant personalities, professional jealousy, and shattered dreams. Directed by Lou Bellamy, MA RAINEY'S BLACK BOTTOM plays in Tucson at the Temple of Music and Art from October 16 through November 6. It continues its run in Phoenix at the Herberger Theater Center from November 11 through November 28. The Tucson media sponsors for the 2010-2011 season are KGUN9, MIX-FM and Tucson Lifestyle. Arizona Theatre Company's season sponsors are I. Michael and Beth Kasser.

On Sunday, October 17 at 2:30 p.m., the Epic Theatre Ensemble will present a staged reading of a new version of Ari Roth's acclaimed Born Guilty Cycle at the Museum of Jewish Heritage - A Living Memorial to the Holocaust. Blanka Zizka will direct the monumental three and one-half hour reading which will feature Rick Foucheux. Following the performance, Roth, Peter Sichrovsky, and other special guests will take part in a Q&A.

Rundgren, IU's ninth Wells Professor, will teach the middle two weeks of a four-week, one-credit hour honors course designed for a maximum of 25 Wells Scholars and Hutton Honors Scholars. The class commences in late October and finishes in mid-November. Co-teaching the class will be IU Professor of Music Glenn Gass -- whose relationship with Rundgren helped make the professorship possible -- and IU Distinguished Professor of Sociology Bernice Pescosolido, who was instrumental in helping to plan the course. Gass, a professor at IU's world-class Jacobs School of Music, said he sees Rundgren's engagement at IU as the start of a trend in which legendary rock stars share their knowledge with a new generation. Rundgren, who performs frequently, gave a concert at Clowes Memorial Hall at Butler University in Indianapolis on Sept. 11. 'Todd is a treasure trove of memories, knowledge, stories . . .,' Gass said. 'This class is a way for him to celebrate what he's done and allows him to share his experiences with students who really want to hear what he has to say.' In addition to learning about the culture, politics and economics of the music business, from the 1970s through today, students will visit Professor of Anthropology Nicholas Toth at IU's Stone Age Institute to view some of the earliest tools used for making music. 'I think the students will love it. For us, the appeal of the class is really both Todd and Glenn,' said Professor of Physics Tim Londergan, director of the Wells Scholars Program. Londergan is a self-professed rock 'n' roll fan who has audited three of Gass' courses. The Rundgren course is currently full with a waiting list, and course auditors/visitors, including IU students not registered for the class, cannot be accommodated. During his stay in Bloomington, Rundgren will give a public lecture titled 'LONGHAIR: Todd Rundgren on the Beatles Effect' at 7 p.m. Oct. 28 in Ballantine Hall 013. He will also present a Halloween-night recital titled 'CLUSTER: The Birth of the T Chord' at 8 p.m. Oct. 31 in Auer Hall. Both are free and open to the public. Gass said he asked Rundgren to talk about the Beatles both because of Rundgren's collaborations with various members of the band and because of the window it will provide into his own music. 'If it was going to be 'Todd talks about Todd,' he may have felt awkward,' Gass said. 'By asking him to talk about the Beatles, we can get more insight into his music, too.' Rundgren's unique associations with the Beatles include a number of covers, participation in the Ringo All-Star Band and co-producing the power pop band Badfinger with George Harrison. When Harrison died, Rundgren did a highly acclaimed version of 'While My Guitar Gently Weeps' for a tribute album. In 1980, Rundgren and his then-band Utopia, did a loving sendup of the Beatles (Deface the Music) that Gass calls 'just genius.' Rundgren is also a longtime Beatles fan who credits Harrison with inventing the 'lead guitar' player, Gass said. 'When Todd was in the band Nazz, he wasn't the lead singer -- he was the lead guitar player -- which in the 50s meant one of the backup musicians. Because of George, lead guitar now means you're one of the band's leaders.' Glenn Gass Print-Quality Photo Gass initially met Rundgren in Hawaii, when Gass and his wife were on sabbatical for a year (and where they spent the past two summers). 'The kids start taking the bus together and the next thing you know, you're going to cookouts at Todd's,' Gass said. 'I quickly learned that everything they said about him was true. He's brilliant, articulate, really interesting -- and interested in things far beyond his own work and even his music. He's just a really engaged human being.' Rundgren is also known for staying true to his artistic muse. 'He refused to take the easy way out,' Gass said. 'The easy way would have been to do five more songs like 'Hello, It's Me.' He paid a price for that, but in the long run, in 50 years, I think that's why he'll matter more than starts who may have had more hits.' Rundgren was the highest paid producer of the 1970s, producing bands that ranged from the New York Dolls, The Band and Patti Smith to Meat Loaf, Hall & Oates and Cheap Trick. On Aug. 1, 1981 -- the evening MTV debuted with 'Video Kills the Radio Star' by the Buggles -- Rundgren was ready with his music video for 'Time Heals,' which premiered on MTV the same evening. Always a fan of technology, Rundgren made his music available through online downloads about 10 years before iTunes ('Everyone had dial-up connections then,' Gass commented. 'His fate is always to be just a few years ahead of his time.'). Gass said after the Beatles broke up, he was personally attracted to singer-songwriters like James Taylor, Neil Young, Carole King, Joni Mitchell -- and Todd Rundgren. 'Todd was always one of the best and most interesting performers. Even in those early albums, it was clear he wasn't just a singer-songwriter,' Gass said. At turns, Rundgren played with electric guitar or classical riffs, producing his own double album in 1972, on which he also played all of the instruments. From the time he met Rundgren in Hawaii, Gass starting thinking of ways to bring the performer to IU. A confluence of events sparked by a Rundgren speaking engagement at DePauw University led to the IU professorship. DePauw's executive director of media relations, Ken Owen, is 'a huge Todd scholar -- Todd to him is like the Beatles to me,' Gass said. 'All of a sudden it went from being a day dream to being a real possibility, and now it's actually happening,' Gass said. 'He really can call himself Professor Rundgren. This is not a gimmick: He is the Wells Professor.' About the Wells Professorships The Wells professorships are made possible by gifts from the IU classes of 1941, 1942 and 1963. Previous Wells professors have included the Honorable Helen Suzman, a South African political leader (Class of 1941 Wells Professor in 1993), Sir Malcolm Bradbury, a novelist-screenwriter-critic (Class of 1942 Wells Professor in 1997), and Holocaust scholar Christopher Browning (Class of 1943 Wells Professor in 2003). The most recently appointed Wells Professors were Sir (now Lord) Timothy Garden (Class of 1941 Wells Professor) and artist Robert Colescott (Class of 1943 Wells Professor), both of whom taught at IU in 2004.

Beginning August 13, Artists Repertory Theatre and Sydney Theatre Company will bring a world-class production of EuGene O'Neill's gut-wrenching autobiographical play Long Day's Journey Into Night to Portland. So close to his own life, Long Day's Journey Into Night is a story O'Neill did not want shared until 25 years after his death.

Beginning August 13, Artists Repertory Theatre and Sydney Theatre Company will bring a world-class production of EuGene O'Neill's gut-wrenching autobiographical play Long Day's Journey Into Night to Portland. So close to his own life, Long Day's Journey Into Night is a story O'Neill did not want shared until 25 years after his death.

New Line Theatre, 'the Bad Boy of Musical Theatre,' is proud to announce that artistic director Scott Miller has signed with a new publisher, Northeastern University Press, to publish his sixth musical theatre book, 'Sex, Drugs, Rock & Roll, and Musicals,' due to be released in 2011.

Rubicon Theatre Company continues its 2009-2010 Season with a revival of BETH HENLEY's Pulitzer Prize-winning play CRIMES OF THE HEART. Set in Mississippi in 1974 (five years after Hurricane Camille), this sweet, sexy comedy follows the travails of the three Magrath sisters, who come together at the family home in Hazelhurst when the youngest Babe is charged with shooting her husband 'cause she didn't like his looks.'

BBC AMERICA's Ashes to Ashes, the critically acclaimed sequel to UK hit Life on Mars, continues by fast forwarding a year to 1982, where leg warmers are cool and fluorescent is the color of choice. While Thatcher is in her element at No. 10 Downing St, bullish Detective Chief Inspector Gene Hunt (Philip Glenister, Cranford, Life on Mars) is back, policing the streets in his politically incorrect and loud mouthed style. Ashes to Ashes Season Two premieres Tuesday, May 11, 10:00p.m. ET/PT.

Next Theatre Company and Artistic Director Jason Southerland are thrilled to announce the 30th anniversary season, a year dedicated to plays that explore the myths that men and women create about their lives. The season opens in the fall with a world premiere presented at the National New Play Network's annual showcase. It continues with the regional premiere of a play Southerland first read when he met with Israeli playwright Motti Lerner (Pangs of the Messiah) in Tel Aviv earlier this year. The season comes to its climactic end with a pair of plays by Phyllis Nagy (pronounced 'Naij') who has captured wide acclaim in the United Kingdom but has been rarely produced in the U.S.

Rubicon Theatre Company continues its 2009-2010 Season with a revival of BETH HENLEY's Pulitzer Prize-winning play CRIMES OF THE HEART. Set in Mississippi in 1974 (five years after Hurricane Camille), this sweet, sexy comedy follows the travails of the three Magrath sisters, who come together at the family home in Hazelhurst when the youngest Babe is charged with shooting her husband 'cause she didn't like his looks.'

Rubicon Theatre Company continues its 2009-2010 Season with a revival of BETH HENLEY's Pulitzer Prize-winning play CRIMES OF THE HEART. Set in Mississippi in 1974 (five years after Hurricane Camille), this sweet, sexy comedy follows the travails of the three Magrath sisters, who come together at the family home in Hazelhurst when the youngest Babe is charged with shooting her husband 'cause she didn't like his looks.'

BBC AMERICA's Ashes to Ashes, the critically acclaimed sequel to UK hit Life on Mars, continues by fast forwarding a year to 1982, where leg warmers are cool and fluorescent is the color of choice. While Thatcher is in her element at No. 10 Downing St, bullish Detective Chief Inspector Gene Hunt (Philip Glenister, Cranford, Life on Mars) is back, policing the streets in his politically incorrect and loud mouthed style. Ashes to Ashes Season Two premieres Tuesday, May 11, 10:00p.m. ET/PT.

The Tony Award®-winning Signature Theatre, nationally known for its interpretation of Stephen Sondheim musicals, celebrated its 20th anniversary season by presenting Sondheim's most popular musical SWEENEY TODD, directed by Artistic Director Eric Schaeffer. The production will end its run in the 276-seat MAX Theater, April 4, 2010.

Rubicon Theatre Company continues its 2009-2010 Season with a revival of BETH HENLEY's Pulitzer Prize-winning play CRIMES OF THE HEART. Set in Mississippi in 1974 (five years after Hurricane Camille), this sweet, sexy comedy follows the travails of the three Magrath sisters, who come together at the family home in Hazelhurst when the youngest Babe is charged with shooting her husband 'cause she didn't like his looks.'

Playwrights Horizons, under the leadership of Artistic Director Tim Sanford and Managing Director Leslie Marcus, is proud to announce four additional productions for its 2010/2011 40th Anniversary Season. The three World Premieres and one New York premiere join the previously-announced New York premiere of Edward Albee's ME, MYSELF & I.