by A.A. Cristi
- Mar 3, 2026
Composer Hans Thomalla will release his new opera DARK FALL, based on Goethe's 'Elective Affinities', on April 3, 2026. The opera, conducted by GRAMMY-winning Alan Pierson, features a talented cast and will be available on Oehms Classics.
by Stephi Wild
- Mar 2, 2026
The Atlanta Opera will present a dynamic 2026-2027 season with seven productions, including classic and contemporary operas and musical theatre, before relocating to a new venue.
by Stephi Wild
- Feb 20, 2026
The Actors' Gang will stage Elmer Rice's 1923 classic, THE ADDING MACHINE, exploring themes of technology and dehumanization. Learn more about the performance here!
by Stephi Wild
- Feb 12, 2026
Swap glass slippers for basketball high-tops and join South Coast Repertory (Artistic Director David Ivers and Managing Director Suzanne Appel) for Cinderella: A Salsa Fairy Tale.
by A.A. Cristi
- Feb 10, 2026
The Grainger Academy of The Joffrey Ballet will present five world premieres in the culmination of Joffrey's national call for emerging artists to submit applications for the Winning Works Choreographic Competition.
by A.A. Cristi
- Feb 9, 2026
Ruth Eckerd Hall will host the 4th Annual Clearwater Smooth Jazz Jam on May 30 and 31, featuring top jazz artists. Tickets for the event will go on sale this Friday.
by A.A. Cristi
- Feb 4, 2026
Lorna Dallas, one of cabaret's most acclaimed and cherished artists and the recipient of a 2020 Bistro Award for “Consummate Cabaret Artistry,” returns to Chelsea Table + Stage.
by A.A. Cristi
- Jan 22, 2026
The Hermitage Artist Retreat, in collaboration with the Philadelphia-based Greenfield Foundation, has announced visual artist Charisse Pearlina Weston as the winner of the 2026 Hermitage Greenfield Prize (HGP).
by Chloe Rabinowitz
- Jan 22, 2026
Milwaukee Repertory Theater will introduce a series of new commissions and premieres as part of its expanded John D. Lewis New Play Development Program, supported by a significant $1 million donation.
by Chloe Rabinowitz
- Jan 7, 2026
FRIGID New York and The Apollo will present the 17th season of the Obie Award-winning The Fire This Time Festival, a platform for playwrights of African and African-American descent to write and produce evocative material for diverse audiences.
by Joshua Wright
- Sep 10, 2024
Get a first look at the new 2024/2025 North American tour of Dear Evan Hansen, which kicked off performances last week in Houston, Texas.
by Valerie-Jean Miller
- May 28, 2024
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you?
Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival.
Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.