Her Husband's Wife 1910

Winter Opera continues it’s seventeenth season with another iconic operetta—Victor Herbert’s Naughty Marietta.  This lovely old show premiered in 1910. It was produced by the first Oscar Hammerstein (the grandfather of you-know-who).  In 1935 a movie version was made—with Jeanette MacDonald and Nelson Eddy.

The Seattle Symphony's 2023/2024 season marks the orchestra's 120th season and the 25th anniversary of Benaroya Hall's opening. The season launches with recreations of the Symphony's and the Hall's first-ever concerts; featuring Seattle Symphony Conductor Emeritus Ludovic Morlot and soprano Alexandra LoBianco.

On March 11th 2020 Mint Theater Company completed casting for their next production, the long delayed American premiere of Chains by Elizabeth Baker, scheduled to open that May.  

Choral Artists of Sarasota's 43rd season, “Carried Away,” continues with “She Is The Music,” Sunday, March 20, 2:30 p.m., at First Presbyterian Church, 2050 Oak Street, Sarasota.

Shokat Projects will welcome the world-premiere recording of Georgia Stitt’s Hold Fast Your Dreams, performed by the wife-and-husband team, soprano Zoe Allen and conductor/pianist Christopher Allen. Hold Fast Your Dreams is the first single from the Allens’ upcoming album (out September 7, 2021), Beneath the Sky.

Poignant and heartwarming, Heaven showcases unforgettable performances and evocative special effects.

In honor of Women's History Month, we're taking a look at some iconic real-life women who have been portrayed on stage in musicals!

The Chamber Music Society of Lincoln Center has announced its Winter 2021 Digital Season, with 26 new digital offerings, available for free, from January 14 to March 26, 2021.  CMS introduces a new online schedule in January, with concerts premiering Thursday evenings and educational and conversational programs premiering on Monday evenings.

The Marsh announces the line-up for its first-ever digital global festival, MarshStream International Solo Fest, presenting performers aged 16 to 79 from across the nation and around the world, including Russia, Scotland, Israel, Canada, and Australia, as well as some of The Marsh's fan-favorites in a four day online marathon of 51 global works.

The Original Theatre Company commemorate the 104th anniversary of the Battle of the Somme by bringing their adaptation of Sebastian Faulks's Birdsong to the screen. Building on the techniques used to stream during the early stages of lockdown, Birdsong loses none of its power, relevance, or sense of storytelling.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Gingold Theatrical Group continues the 14th Season of Project Shaw, Art as Activism: A Theatrical Survival Guide, a special series of evenings of plays that embrace human rights and free speech. All of GTG's programming, inspired by the works of George Bernard Shaw, are designed to provoke peaceful discussion and activism.

For 2020, the 44th year of London's annual festival of contemporary visual theatre, 10 overseas companies join 8 British groups, including 4 LIMF co-commissioned productions: This Time, a tender take on relationships and ageing from aerial theatre company Ockham's Razor; Romancing the Apocalypse from multi award winning dance duo Thick & Tight; Dead Good, a funny and poignant story of dying from full mask theatre company Vamos Theatre; and the story of one of showbiz's long overlooked partnerships, The Strange Tale of Charlie Chaplin and Stan Laurel performed by Told by an Idiot at new festival venue, the iconic Wilton's Music Hall.

Imagine a world where the rich get richer, there's a so-called a?oeimmigrant problema?? and African Americans have to consistently fight to get the same opportunities as everyone else. 

An innocent bloomer blunder brings domestic chaos in Steve Martin's The Underpants, Perseverance Theatre's 40th anniversary season finale, running May 17-June 16.

OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce the 2019 recipients of Discovery Grants from the Opera Grants for Female Composers program, which is made possible through the generosity of the Virginia B. Toulmin Foundation.

Stanislav Ioudenitch, Artistic Director at Park International Center for Music, announced Friday that Park ICM is offering not one, but two Valentines concerts. “If you are a classical music lover, we have a veritable buffet to choose from during Valentine's week. You can snuggle up with your loved one in the intimate 1900 Building on Saturday with Ben and Lolita and then enjoy all that downtown Kansas City has to offer at The Folly Theater on Wednesday with our magnificent soloists and the Chamber Orchestra,” exclaimed Ioudenitch. “What more could you wish for to celebrate Valentine's Day?”

Rarely produced in full, Metropolitan Ensemble Theatre (MET) presents the entirety of Horton Foote's nine-act  Magnus Opus “The Orphans' Home Cycle” running in repertory through November 18, 2018. This massive production utilizes over 30 veteran performers from across the Metro KC area in 64 roles throughout the expansive production.  

A hilarious farce, adapted by Steve Martin, comes to life on the stage of the Connecticut Cabaret Theatre! This first-rate production will have you laughing from start to finish. An excellent cast brings the characters to life and draws the audience in to this amazing show!

Fair Lawn resident Teddy Coluca who plays Mr. Brimley on NBC's The Blacklist  will lead the ensemble in The Company Theatre Group's (Lou Scarpati, Managing Artistic Director)  production of The Underpants, written by Steve Martin, co- directed by Lou Scarpati and Teddy Coluca.

Lead casting is today announced for a 2018 UK tour of Terence Rattigan's classic family drama, The Winslow Boy - directed by Olivier Award-nominated Rachel Kavanaugh. Tessa Peake-Jones (Only Fools and Horses, Grantchester) stars as Grace Winslow wife of Arthur Winslow, played by Aden Gillett (House of Eliott, Holby City), the father who embarks on an extraordinary campaign for justice for his son.

TheatreWorks Silicon Valley continues its 2016/2017 season with a musical saga of immigrant America, Rags. From the creators of Fiddler on the Roof and Wicked, this exhilarating musical follows the journey of Jewish immigrants Rebecca and her son David, who find themselves navigating the teeming, turn-of-the-century tenements of New York. A soaring, tuneful score (music by Charles Strouse, lyrics by Stephen Schwartz) illuminates this sweeping saga (book by Joseph Stein) of dreams and disillusions, love lost and inspiration found, and the heart and soul of the American character. It was declared "A winner, warm and witty. You are tempted to rise cheering," by The Mercury News. Rags will be directed by TheatreWorks Founding Artistic Director Robert Kelley, who notes "this production could not be timelier. As America debates immigration policies, what better time to present this deeper look at the newcomer's experience." Performances are April 5-30 (press opening: April 8) at Mountain View Center for the Performing Arts, 500 Castro Street, Mountain View. For tickets ($35-$86) and more information the public may visit TheatreWorks.orgor call (650) 463-1960.

When German playwright Carl Sternheim set out to write his 1910 work, DIE HOSE, he intended to reflect a focus he knew all too well, the struggle to express and assert oneself within German bourgeois society. The result was the work being initially prevented from opening then later DIE HOSE, and his other works, were completely banned when the Nazis rose to power. All this because of Sternheim's indelicate views on German society. 

TheatreWorks Silicon Valley continues its 2016/2017 season with a musical saga of immigrant America, Rags. From the creators of Fiddler on the Roof and Wicked, this exhilarating musical follows the journey of Jewish immigrants Rebecca and her son David, who find themselves navigating the teeming, turn-of-the-century tenements of New York.

When German playwright Carl Sternheim set out to write his 1910 work, DIE HOSE, he intended to reflect a focus he knew all too well, the struggle to express and assert oneself within German bourgeois society. The result was the work being initially prevented from opening then later DIE HOSE, and his other works, were completely banned when the Nazis rose to power. All this because of Sternheim's indelicate views on German society.